Tag: The Boxing

Earlier this summer, you may have come across a couple of posts featuring  Leeds, UK-based indie rock/psych rock trio The Boxing, and as you may recall, since their formation in 2014, the trio comprised of  Harrison Warke (vocals, guitar), Henry Chatham (bass) and Charlie Webb (drums) quickly asserted themselves as part of their hometown’s growing, contemporary indie rock and psych rock scenes; in fact, they’ve already drawn some comparisons to the likes of W.H. Lung, Eagulls and JOVM mainstays The Vryll Society.

Now, as you may recall “One by One” was a brooding track led by a sinuous bass line and steady drumming paired with a propulsive motorik groove, a soaring hook and  a whispered croon reminiscent of The Horrors’ Faris Badwan, and as the band’s Harrison Warke explained in press notes, “One by One,”  was an elaboration of the sound they developed across their first batch of singles; but perhaps just as important, “One by One” was the first single act the act recorded in a proper, professional studio. Of course, recording in a studio gave the members of the band the ability and freedom to experiment and flesh out the song’s arrangement in a way that they were unable to do before. “Heart of Me,” was released as the B-side (sort of) to “One by One” — and while continuing in a similar vein to its lead single, the track manages to be a slow-burning., moody and stormy bit of shoegaze with a creepy, existential dread at its core.

“Tame,” while being one of the trio’s shortest song to date — it clocks in at a little under 2 minutes and 40 sounds — will further cement their growing reputation nationally and across the blogosphere for crafting moody yet anthemic shoegaze, complete with shimmering, pedal effected guitar chords; however, as the band’s Warke explains “most of our songs are written in a darkroom without windows, but a hint of light managed to creep into this one. There’s a bit of sweet among the usual sour.” And what makes the song interesting is while nodding at a lighter, perhaps airier and arena rock-like fare, the song finds the band doing so while retaining soaring hooks and an enveloping feel.

 

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Last month, I had written about the Leeds, UK-based indie rock/psych rock trio The Boxing, and as you may recall, since their formation in 2014, the trio comprised of  Harrison Warke (vocals, guitar), Henry Chatham (bass) and Charlie Webb (drums) quickly asserted themselves as part of their hometown’s growing, contemporary indie rock and psych rock scenes; in fact, they’ve already drawn some comparisons to the likes of W.H. Lung, Eagulls and JOVM mainstays The Vryll Society.

 

“One by One,” which I wrote about last month, was a brooding track featuring swirling and shimmering guitar chords and a propulsive, motoric groove, led by a sinuous bass line and steady drumming paired with a soaring hook and a whispered croon reminiscent of The Horrors’ Faris Badwan, complete with a studio sheen. And as the band’s Harrison Warke explained in press notes “One by One” was an elaboration of the sound they developed across their first batch of singles, as it was the first single they recorded in a proper, professional studio. Naturally, the studio recording process  gave the members of the band the freedom and ability to experiment and flesh out the overall arrangement in a way that they were unable to do before.

“Heart of Me,” is essentially the B-side track to “One by One” and while continuing in a similar vein as its lead single, complete with shimmering guitar chords, the track manages to be a foil to its lead single while being able to stand on its own. And while nodding at slow-burning, moody and stormy shoegaze, the track possesses a creepy, existential dread as its core.

 

 

 

Since their formation in early 2014, the Leeds, UK-based indie rock/psych rock trio The Boxing, comprised of Harrison Warke (vocals, guitar), Henry Chatham (bass) and Charlie Webb (drums), have quickly asserted themselves as part of their hometown’s burgeoning, contemporary indie rock and psych rock scenes, and they’ve already drawn some comparisons to the likes of W.H. Lung, Eagulls and JOVM mainstays The Vryll Society.

The Leeds-based psych rock trio’s latest single “One by One” is a brooding track featuring swirling and shimmering guitar chords, a propulsive motorik groove, led by a sinuous bass line and steady drumming paired with a soaring hook and a whispered croon reminiscent of The Horrors‘ Faris Badwan — and while possessing a modern production sheen, the song as the band’s Harrison Warke explains is an elaboration of their first couple of singles, as it’s the first single that they’ve recorded in a proper studio. Naturally, the studio recording process  gave the members of the band the freedom and ability to experiment and flesh out the overall arrangement in a way that they were unable to do before. And interestingly enough, while the song possesses a contemporary studio sheen, it manages to also nod at the sound of classic shoegaze and 4AD Records‘ early days — while thematically speaking, focusing on “depression and the culture of silence around it,” as Warke explained in press notes; in fact, the song manages to accurately capture the song’s narrator’s free-fall into a deeply overwhelming and crippling depression.