Tag: The Joy of Violent Movement: New Audio: The Glow Releases an Expansive and Trippy Single

New Audio: The Glow Releases an Expansive and Trippy Single

Best known for being a member of Purchase, NY-based lo-fi act LVL UP, Mike Caridi stepped out into the limelight as a solo artist with his solo recording project The Glow Caridi released his The Glow debut 2019’s Am I and in the subsequent years since that album’s release, the project expanded into a full-fledged band with the addition of LVL UP bandmate Greg Rutkin, Hellrazor’s and Potty Mouth’s Kate Meizer and Doe’s Nicola Leel.

The addition of the project’s new members necessitated change in musical and thematic direction — and the band offered a glimpse of that new direction with the recent release of the “Love Only”/”Heavy Glow” double single. “‘Love Only’ and ‘Heavy Glow’ are the first two songs written by The Glow, sorta,” Caridi says in press notes. “I’ve been releasing music under The Glow moniker since 2016 or so, but until now I’d considered it a solo outlet. The Glow live band came together around the 2019 record Am I, and somehow I got lucky enough to play with a bunch of musicians who I’ve known and admired for years; Greg Rutkin, Kate Meizner, Nicola Leel, and Madeline Babuka Black. To be surrounded by so much talent and not be open to collaboration would have been a major misstep on my part. There’s so much joy in collaboration that I missed a lot while trying to do things on my own. ‘Love Only’ is about reflection and growth; I feel extremely lucky to be playing music with my friends, and with these two songs The Glow feels like it’s just beginning to bloom.”

Interestingly, this sense of openness may arguably be most apparent on “Heavy Glow,” the newly minted quartet’s first entirely collaborative song: The track sees Kate Meizner taking on vocal duties on in expansive track centered around dizzying tremolo and fuzzy power chords, Rutkin’s metronomic-like drumming and Leel’s driving baselines. The seven minute-plus track finds Caridi and collaborators at their most dynamic and layered with the track subtly nodding at the textured soundscapes of shoegaze — think of Slowdive, My Bloody Valentine and The Verve — but with a power pop penchant for infectious hooks.