Tag: The Kills Siberian Nights

New Video: The Trippy and Mischievous Visuals for The Kills’ “Whirling Eye”

Now, if you’ve been frequenting this site for some time, you’d be fairly familiar with the internationally acclaimed indie rock duo The Kills. And as you may recall, the band’s latest effort, Ash and Ice was the first album of new material from the duo in over five years — and from the album singles “Heart Of A Dog” “Siberian Nights,” and “Impossible Tracks,” the material off their latest album revealed a refinement of the sound that first caught the attention of fans and critics.

Fire and Ash’s fourth and latest single “Whirling Eye” continues in a similar vein to the album’s preceding singles as the duo pair tweeter and woofer rocking boom bap beats, layers of shimmering shoegazer rock-like guitar chords, a towering and anthemic hook and Mossheart’s imitable wail in a swaggering and bluesy song that builds up to stormy intensity — but much like their previously recorded output, there’s a palpable sensuality and sexual tension at its core.

Directed by Sophie Muller, the recently released music video for “Whirling Eye” was shot using several Go Pro cameras to create a 360º virtual reality video that follows the members of the band swaggering and strutting about in a variety of surreal and artistically shot scenarios and while giving the viewer an incredible amount of control to change camera angles at will and placing the viewer within the world of Mossheart and Hince, the video also manages to evoke the trippy sensation of the song’s whirling eye. (Please note, that in order to capture the 360º effect, you will have to view the video on Google Chrome.)

New Video: The Darkly Surreal Visuals for The Kills “Siberian Nights”

Ash and Ice, the duo’s latest full-length effort and first full-length effort in over 5 years was released last week — and if you’ve been frequenting this site you’d know that I wrote about the album’s first single “Heart Of A Dog” earlier this year. Sonically, Ash and Ice’s first single proved to be a thorough refinement of their sound as the duo paired enormous boom-bap drum programming, skittering beats, buzzing electronics, scorching guitar chords and anthemic hook with Mossheart’s bluesy, cigarettes and whiskey soaked vocals to crate a swaggering and arena rock-friendly song that clearly draws from Delta blues but possesses a raw, insistent and urgent carnality. The album’s latest single “Siberian Nights” continues along a similar vein of the preceding single — boom bap beats, propulsive drumming, bluesy guitar chords, a sinuous bass line and subtly ominous electronics in a sleek, sensual song that shimmies and struts about with a cool self-assuredness.
The recently released music video is a stark and gorgeously surreal video that possesses a nightmarish logic; certainly as a photographer, there are sequences I absolutely envy — a scene of a horse running in slow motion and you can see every sinew and fiber flexing in unified movement; a barking husky in surreal slow motion with teeth snarled angrily and so on. In some way, the video evokes a lingering and inescapable fucked up dystopian nightmare.