Tag: The Lovelines May Be Love

New Audio: JOVM Mainstays The Lovelines Share Woozy “Make Believe (Life Is Such A Dream)”

Currently split between Berlin and  Orlando, the JOVM mainstays The Lovelines — the sibling duo of Tessa D (vocals) and Todd Goings (multi-instrumentalist, songwriting and prodution) — have released material from their forthcoming full-length debut single-by-single. 

Over the past handful of months, I’ve written about five of the album’s singles:

  • May Be Love,” a slow-burning torch song-like take on trip hop and neo-soul built around shimmering pedal steel and congo-led percussion paired with Tessa D’s soulful vocal expressing an aching longing for love — and to be loved. 
  • What Kind of Fool Would Want to Fall in Love?” a breezy pop song built around a looped, shimmering, finger plucked acoustic guitar melody and percussive percussion paired with Tessa D’s soulful crooning. On one level, the song views love with a healthy cynicism — but as the band’s Todd Goings explains, “What Kind of Fool Would Want to Fall in Love is a portrait of the fool in love. Do only fools fall in love or does love make us fools?
  • Low Fidelity” is a decidedly jazz pop/pop jazz take on their firmly established trip hop-inspired sound that’s rooted in their penchant for incredibly catchy hooks, dusty, old-school inspired production paired with Tessa D’s soulful crooning. 
  • Darlin’,” a slow-burning torch song that’s one-part neo-soul, one-part old school pop-meets trip hop anchored around a dusty, lo-fi production featuring twinkling Rhodes, boom-bap like drumming and a supple bass line serving as a lush bed for Tessa D’s soulful and yearning crooning. 
  • Killing Floor,” a vibey bit of psych-tinged neo-soul, anchored around a glistening vaguely Eastern-like guitar line, congo-driven percussion samples of casino games blaring and bleeping. The song’s arrangement and production serves as a lush yet strangely atmospheric bed for Tessa D’s soulful croon.

The duo’s latest single “Make Believe (Life Is Such A Dream)” is a woozy trip-hop-like take on indie pop anchored around twinkling and arpeggiated keys, reverb-soaked pedal steel and skittering beats paired with the duo’s unerring knack for crafting catchy hooks. The song’s arrangement and production serves as a dusty bed for Tessa D’s heartbroken delivery.

“It is a song about lying to oneself,” the duo explain. “The inspiration for the song was ‘Maxwell’s Silver Hammer,’ in that the sound of the song and the lyrics of the song are tonal opposites. It sounds light, but when you read the lyrics it’s dark. So, is it a light song, or is it a dark song? It’s both, and is dependant on the listener’s perception of it. In Make Believe, the protagonist is in a loveless relationship, and rather than accepting this truth, chooses to lie to themselves. The sound of the song is the lie, and the lyrics are the truth.”

New Audio: JOVM Mainstays The Lovelines Take a Gamble on Love

Currently split between Berlin and  Orlando, the JOVM mainstays The Lovelines — the sibling duo of Tessa D (vocals) and Todd Goings (multi-instrumentalist, songwriting and prodution) — have released material from their forthcoming full-length debut single-by-single.

So far, I’ve managed to write about four of the album’s singles:

  • May Be Love,” a slow-burning torch song-like take on trip hop and neo-soul built around shimmering pedal steel and congo-led percussion paired with Tessa D’s soulful vocal expressing an aching longing for love — and to be loved. 
  • What Kind of Fool Would Want to Fall in Love?” a breezy pop song built around a looped, shimmering, finger plucked acoustic guitar melody and percussive percussion paired with Tessa D’s soulful crooning. On one level, the song views love with a healthy cynicism — but as the band’s Todd Goings explains, “What Kind of Fool Would Want to Fall in Love is a portrait of the fool in love. Do only fools fall in love or does love make us fools?
  • Low Fidelity” is a decidedly jazz pop/pop jazz take on their firmly established trip hop-inspired sound that’s rooted in their penchant for incredibly catchy hooks, dusty, old-school inspired production paired with Tessa D’s soulful crooning. 
  • Darlin’,” a slow-burning torch song that’s one-part neo-soul, one-part old school pop-meets trip hop anchored around a dusty, lo-fi production featuring twinkling Rhodes, boom-bap like drumming and a supple bass line serving as a lush bed for Tessa D’s soulful and yearning crooning.

The album’s latest single “Killing Floor” is a vibey bit of psych-tinged neo soul, rooted in glistening vaguely Eastern sounding guitar, congo-driven percussion, samples of casino games blaring and bleeping serving as a lush yet strangely atmospheric bed for Tessa D’s soulful croon.

“‘Killing Floor’ is about the abstract connection between three subjects: a casino, a slaughterhouse, and life itself,” the band’s Todd Goings explains. “Every one of these places/things is a killing floor in its own sense. The idea is a ‘if the game is rigged and you’re bound to lose, you might as well gamble’ thing… gamble on love, gamble on pursuing a dream, etc.”

New Audio: The Lovelines Share Slow-Burning Torch Song “Darlin'”

Over the past year or so, Orlando-based sibling duo and JOVM mainstays The Lovelines — Tessa D (vocals) and Todd Goings (multi-instrumentalist, songwriting and production) — have released material from their forthcoming full-length debut, single-by-single.

I’ve managed to write about three of the album’s singles:

  • May Be Love,” a slow-burning torch song-like take on trip hop and neo-soul built around shimmering pedal steel and congo-led percussion paired with Tessa D’s soulful vocal expressing an aching longing for love — and to be loved. 
  • What Kind of Fool Would Want to Fall in Love?” a breezy pop song built around a looped, shimmering, finger plucked acoustic guitar melody and percussive percussion paired with Tessa D’s soulful crooning. On one level, the song views love with a healthy cynicism — but as the band’s Todd Goings explains, “What Kind of Fool Would Want to Fall in Love is a portrait of the fool in love. Do only fools fall in love or does love make us fools?
  • Low Fidelity” is a decidedly jazz pop/pop jazz take on their firmly established trip hop-inspired sound that’s rooted in their penchant for incredibly catchy hooks, dusty, old-school inspired production paired with Tessa D’s soulful crooning. 

The duo’s latest single “Darlin'” is a slow-burning torch song that that’s subtly one-part neo-soul, one-part old school pop-meets trip-hop rooted around a dusty, lo-fi-like production featuring twinkling Rhodes, boom bap-like drumming and a supple baseline serving as a lush bed for Tessa D’s soulful and yearning crooning.

New Audio: The Lovelines Share Jazzy and Poppy “Low Fidelity”

Orlando-based sibling duo and JOVM mainstays The Lovelines — Tessa D (vocals) and Todd Goings (multi-instrumentalist, songwriting and production) — emerged into the scene with the late 2021 release of their debut single “Strange Kind of Love,” a slick synthesis of Amy Winehouse-like blue-eyed soul, jazz standadrs and Dummy-era Portishead-like trip-hop paired with Tessa D’s soulful crooning and a dusty production featuring twinkling Rhodes, wobbly guitars and an infectious, razor sharp hook. 

Over the past year, the Orlando-based JOVM mainstays have released material from their forthcoming full-length debut single-by-single over that period.

So far, I’ve written about two of their forthcoming album’s singles:

  • May Be Love,” a slow-burning torch song-like take on trip hop and neo-soul built around shimmering pedal steel and congo-led percussion paired with Tessa D’s soulful vocal expressing an aching longing for love — and to be loved. 
  • What Kind of Fool Would Want to Fall in Love?” a breezy pop song built around a looped, shimmering, finger plucked acoustic guitar melody and percussive percussion paired with Tessa D’s soulful crooning. On one level, the song views love with a healthy cynicism — but as the band’s Todd Goings explains, “What Kind of Fool Would Want to Fall in Love is a portrait of the fool in love. Do only fools fall in love or does love make us fools?

The duo’s latest single “Low Fidelity” is a decidedly jazz pop/pop jazz take on their firmly established trip hop-inspired jazz that’s rooted in their penchant for incredibly catchy hooks, dusty, old-school inspired production paired with Tessa D’s soulful crooning.

“The song ‘Low Fidelity’ is the band playing with the dual-meaning of the phrase Low Fidelity,” The Lovelines’ Todd Goings explains. “We like listeners to spell out their own conclusions with our lyrics, so that’s what I’ll say, I guess. With the sound of this single, we have this concept of sounding poppy to a jazz audience, and jazzy to a pop audience I think of pop music as an arrangement thing, not a characteristic instrument or sound. If you arrange a jazz composition like it’s a top 40 pop song, and you can then use chord progressions and chromatic phrases that aren’t common in pop music with this tool. We love pop… but the colors in jazz feels truer to the human emotional spectrum than pop, life sounds more like a Gmaj7 than a Gmaj, it’s more grey… than black… or white, don’t you think? We’re experimenting with the fader on the spectrum between the jazz and pop spectrum. What’s too jazz, what’s too pop? We don’t know the answer (haha).”

New Audio: The Lovelines Share a Breezy Meditation on Love

Orlando-based sibling duo and JOVM mainstays The Lovelines — Tessa D (vocals) and Todd Goings (multi-instrumentalist, songwriting and production) — emerged into the scene with the late 2021 release of their debut single “Strange Kind of Love,” a slick synthesis of Amy Winehouse-like blue-eyed soul, jazz standadrs and Dummy-era Portishead-like trip-hop centered around Tessa D’s soulful crooning and a dusty production featuring twinkling Rhodes, wobbly guitars and an infectious, razor sharp hook. 

Over the past year, the Orlando-based JOVM mainstays have released material from their forthcoming full-length debut single-by-single over that period. Last month, the duo shared “May Be Love,” a slow-burning torch song-like take on trip hop and neo-soul built around shimmering pedal steel and congo-led percussion paired with Tessa D’s soulful vocal expressing an aching longing for love — and to be loved.

The album’s latest single, the hook-driven “What Kind of Fool Would Want to Fall in Love?” features a looped, shimmering and finger plucked acoustic, guitar melody and propulsive percussion paired with Tessa D’s soulful crooning. On one level, the song views love with a healthy cynicism — but as the band’s Todd Goings explains, “What Kind of Fool Would Want to Fall in Love is a portrait of the fool in love. Do only fools fall in love or does love make us fools?

New Audio: The Lovelines Share Slow-Burning and Yearning “May Be Love”

Orlando-based sibling duo and JOVM mainstays The Lovelines — Tessa D (vocals) and Todd Goings (multi-instrumentalist, songwriting and production) — emerged into the scene with the late 2021 release of their debut single “Strange Kind of Love,” a slick synthesis of Amy Winehouse-like blue-eyed soul, jazz standadrs and Dummy-era Portishead-like trip-hop centered around Tessa D’s soulful crooning and a dusty production featuring twinkling Rhodes, wobbly guitars and an infectious, razor sharp hook. 

Over the past year, the Orlando-based JOVM mainstays have released material from their forthcoming full-length debut single-by-single over that period. Their latest single, “May Be Love,” is a slow-burning torch song take on trip hop and neo-soul built around shimmering pedal steel and congo-led percussion paired with Tessa D’s soulful vocal expressing an aching longing for love — and to be loved. We’ve all been there at some point or another. And we’ll all continue to be there at some point or another, too.

“‘May Be Love’ is a song about love and foolishness. It’s about what a fool love can make you be, but, oh to be a fool in love. You know?” The Lovelines Todd Goings says of the new single.