Tag: The Vryll Society Coshh

Over the past few months, starting around the end of last year, you may recall coming across a couple of posts about Liverpool-based shoegaze quintet The Vryll Society. Comprised of Michael Ellis, Ryan Ellis, Lewis McGuinness, Lloyd Shearer, and Benjamin Robinson, the band was discovered by Alan Willis, the late founder of Deltasonic Records, who noticed potential in the band and guided the quintet through their development as a band and as songwriters. Over the course of the following year, the British shoegaze quintet locked themselves away in their rehearsal space, where they jammed and began writing material that was inspired by FunkadelicAphrodite’s Child, krautrock and classic shoegaze.

Coshh,” the second single off the band’s debut EP Pangea had the Liverpool-based quintet pairing a tight, motorik groove consisting of a wobbling bass line and propulsive four-on-the-floor-like drumming, shimmering guitar chords played through layers of reverb and effects pedals, atmospheric electronics, falsetto vocals, anthemic hooks and a cosmic sheen. “Self-Realization,Pangea‘s third single further cemented the quintet’s growing reputation for shimmering and anthemic shoegaze in an expansive and sprawling song that nodded at  The Verve, as the song structurally twisted, turned and bent at weird and unpredictable angles — with guitar work that also subtly nodded at Nick McCabe’s expansive and expressive sound.

Interestingly, “La Jette,” The Vryll Society’s latest single is a dreamier and ethereal single that hints at the contemporary obsession with the sound of 60s psych rock that sounds as though it draws from the likes of Elephant Stone, Sleepy Sun and others; in other words, shimmering and jangling guitar chords, ethereal vocals and a strutting bass line are paired together in the Liverpool-based quintet’s trippiest, most subdued  and most introspective song to date.

 

 

Late last year, I wrote about Liverpool-based shoegaze quintet The Vryll Society. The quintet, comprised of Michael Ellis, Ryan Ellis, Lewis McGuinness, Lloyd Shearer, and Benjamin Robinson, were discovered Alan Willis, the late founder of Deltasonic Records, who noticed potential in the band and guided the quintet through their development as a band and as songwriters. Over the course of the following year, the British shoegaze quintet locked themselves away in their rehearsal space, where they jammed and began writing material that was inspired by FunkadelicAphrodite’s Child, krautrock and classic shoegaze.

Now if you had been frequenting JOVM around then, you’d recall that I wrote about “Coshh,” the second single off the band’s debut EP Pangea. That particular single had the quintet pairing a tight, motorik groove consisting of wobbling bass lines and propulsive four-on-the-floor-like drumming, shimmering guitar chords played through layers of reverb and delay effect pedals, atmospheric electronics and anthemic hooks with ethereal, falsetto vocals to craft a song that possessed a mesmerizing cosmic sheen.

Sonically, the Liverpool-based quintet’s latest single “Self-Realization” will further cement their reputation for shimmering and anthemic shoegaze as the band pairs the prerequisite shimmering guitar chords, a driving motorik groove, wobbling and undulating electronics, twinkling keys and anthemic hooks with ethereal vocals to craft a sprawling song that structurally twists, bends and turns — while sounding as though it subtly nods at The Verve; in fact, the guitar work bears an uncanny resemblance to Nick McCabe’s expansive and expressive sound, all while bearing the cosmic glow that initially caught my attention.

Comprised of Michael Ellis, Ryan Ellis, Lewis McGuinness, Lloyd Shearer, and Benjamin Robinson, the Liverpool-based quintet The Vryll Society were discovered by the visionary and late founder of Deltasonic Records, Alan Willis. who noticed potential in the band and guided the quintet through their development as a band and as songwriters. Over the course of a year, the band locked themselves away in their rehearsal space jamming and writing material that inspired by Funkadelic, Aphrodite’s Child, krautrock and shoegaze. 

“Coshh,” the second single off the band’s soon-to-be released debut EP, Pangea consists of a tight, motorik groove consisting of wobbling bas lines  and propulsive four-on-the-floor-like drumming, gorgeously shimmering guitar chords played through layers of reverb and delay pedals, trembling and atmospheric electronics and anthemic hooks paired with ethereally falsetto vocals, and the end result is a gauzy shoegazer sound that possesses a mesmerizing cosmic sheen.

Over the past few years, there has been a movement within shoegaze as a number of contemporary bands including Presents for Sally, Blackstone Rngrs, Lightfoils, MAFF and others have pushed the boundaries of what shoegaze is supposed to sound like while remaining true to its psychedelic roots — and the members of The Vryll Society have boldly placed themselves on that a growing list of bands participating in what may arguably be one of the most interesting periods in the genre.