Tag: The Vryll Society Pangea EP

Comprised of Michael Ellis, Ryan Ellis, Lewis McGuinness, Lloyd Shearer, and Benjamin Robinson, the members of Liverpool-based shoegaze quintet The Vryll Society have quickly become JOVM favorites over the better part of the past year for crafting material that initially had been largely inspired by FunkadelicAphrodite’s Child, krautrock and classic shoegaze.

While “Coshh,” the second single off the band’s debut EP Pangea consisted of a tight, motorik-like groove, propulsive, four-on-the-floor drumming, shimmering guitar chords played through layers of reverb and other effects pedals, atmospheric electronics that helped evoke a cosmic sheen and an anthemic hook, Self-Realization,” Pangea‘s third  nodded at  The Verve, as the song structurally twisted, turned and bent at weird and unpredictable angles — with guitar work that also subtly nodded at Nick McCabe’s expansive and expressive sound. The Liverpool-based shoegazers followed those singles with “La Jette,” an ethereal and dreamy single that nodded at contemporary, 6os inspired shoegazers such as  Elephant StoneSleepy Sun, Cool Ghouls and others.

 

The band’s latest single “A Perfect Rhythm” manages to simultaneously be a refinement of their sound and a return to form (of sorts) as the band retains the shimmering guitar chords played through a bit of reverb and effects pedals, a tight, motorik-like groove, a rousingly anthemic hook with a complex, rolling drum pattern, plaintive, falsetto vocals and an expansive song structure fittingly held together by the rhythm section. Interestingly enough while the song reminds me quite a bit of A Storm in Heaven-era The Verve, the song also reminds me of A Perfect Circle as it it possesses a broodingly Romantic undercurrent.

 

 

Over the past few months, starting around the end of last year, you may recall coming across a couple of posts about Liverpool-based shoegaze quintet The Vryll Society. Comprised of Michael Ellis, Ryan Ellis, Lewis McGuinness, Lloyd Shearer, and Benjamin Robinson, the band was discovered by Alan Willis, the late founder of Deltasonic Records, who noticed potential in the band and guided the quintet through their development as a band and as songwriters. Over the course of the following year, the British shoegaze quintet locked themselves away in their rehearsal space, where they jammed and began writing material that was inspired by FunkadelicAphrodite’s Child, krautrock and classic shoegaze.

Coshh,” the second single off the band’s debut EP Pangea had the Liverpool-based quintet pairing a tight, motorik groove consisting of a wobbling bass line and propulsive four-on-the-floor-like drumming, shimmering guitar chords played through layers of reverb and effects pedals, atmospheric electronics, falsetto vocals, anthemic hooks and a cosmic sheen. “Self-Realization,Pangea‘s third single further cemented the quintet’s growing reputation for shimmering and anthemic shoegaze in an expansive and sprawling song that nodded at  The Verve, as the song structurally twisted, turned and bent at weird and unpredictable angles — with guitar work that also subtly nodded at Nick McCabe’s expansive and expressive sound.

Interestingly, “La Jette,” The Vryll Society’s latest single is a dreamier and ethereal single that hints at the contemporary obsession with the sound of 60s psych rock that sounds as though it draws from the likes of Elephant Stone, Sleepy Sun and others; in other words, shimmering and jangling guitar chords, ethereal vocals and a strutting bass line are paired together in the Liverpool-based quintet’s trippiest, most subdued  and most introspective song to date.