Tag: Tim Carman Trio

Single Review by William Ruben Helms

Drummer and composer Tim Carman is best known for his work with acclaimed Boston-based blues act GA-20, an act which also features Pat Faherty (vocals, guitar) and Matt Stubbs (guitar), who is also an acclaimed bandleader and composer in his own right.

Carman’s latest side project, Tim Carman Trio, which features Carman, Steve Fell (guitar) and Ken Clark (electric organ) can trace its origins back to 2020: While quarantining in a New Hampshire cabin, Carman spent his time revisiting records records that his first drum teach and mentor Bob Gullotti introduced him to during Carman’s formative years as an aspiring jazz drummer. 

Inspired by 60s soul jazz artists like Jimmy Smith, Brother Jack McDuff and others, The Tim Carman Trio is a no-fills, B3 organ, soul jazz outfit. The trio’s Carman and Dave Brophy co-produced full-length debut, Key Lime is slated for release this year through Color Red Music.  

So far I’ve written about two previously released singles from the band’s forthcoming debut:

  • “Blues for Bob,” the Carman written composition, written as a tribute to his mentor and drum teacher, is a cool and funky strut centered around Carman’s steady and efficient time-keeping and some self-assured and fiery soloing from Fell and Clark. 
  • A shuffling Art Blakey-like Latin take on the Bud Powell composition “Buster Rides Again,” centered around Clark’s muscular organ work, Fell’s bluesy guitar lines, Carman’s hi-hat-driven time-keeping and some additional percussion accents from Dave Brophy.

Key Lime‘s latest single is the trio’s take on “Not A Tear,” inspired by Wynton Kelly Trio’s take, which appeared on 1964’s It’s Alright. It’s a rarely covered, beautiful tune that makes a unique transition from slow-burning ballad to 6/8 bembe-like feel. The Tim Carman Trio take is a loose yet soulful take that displays the individual members’ musicianship and their unique simpatico — with a subtle reworking of the arrangement to accommodate organ and guitar.

Carman mentions the the composition is “fun as hell to play” and notes that the trio had a great time working it out in the studio.

Single Review by William Ruben Helms

Drummer Tim Carman is best known for his work with acclaimed Boston-based blues act GA-20, an act which also features Pat Faherty (vocals, guitar) and Matt Stubbs (guitar).

Carman’s latest side project, Tim Carman Trio, which features Carman along with Steve Fell (guitar) and Ken Clark (electric organ) can trace its origins back to 2020: While quarantining in a New Hampshire cabin, Carman spent his time revisiting records records that his first drum teach and member Bob Gullotti introduced him to during Carman’s formative years as an aspiring jazz drummer.

Inspired by 60s soul jazz artists like Jimmy Smith, Brother Jack McDuff and others, The Tim Carman Trio is a no-fills, B3 organ, soul jazz outfit. The trio’s Carman and Dave Brophy co-produced full-length debut, Key Lime is slated for release this year through Color Red Music.  

Late last year, I wrote about album single and original composition “Blues for Bob.” Written as a tribute to Gulloti, the composition is a cool and funky strut centered around Carman’s steady and efficient time-keeping and some self-assured and fiery soloing from Fell and Clark.

Key Lime‘s second and latest single see the Tim Carman trio putting a shuffling Art Blakey-like Latin groove on their take on the Bud Powell tune “Buster Rides Again” that features Clark’s muscular organ playing, Fell’s bluesy guitar lines, Carman’s hi-hat driven drumming and some additional percussion accents from Dave Brophy.

“‘Buster Rides Again'” was one of the first tunes I learned when I started studying jazz in high school. After the death of my first drum teacher Bob Gullotti, I spent a lot of time reminiscing about my early years studying music,” Carman recalls. “This recording really stuck with me. I combined this tune with a latin groove inspired by Art Blakey, who I’ve spent a lot of time listening to during quarantine. I didn’t know if the combination of the tune and feel would work until we tried it in the studio. We did one take and that ended being the take we used for the album.”

Single Review by William Ruben Helms

Tim Carman (drums), may be best known for his work with acclaimed Boston-based blues act GA-20, which features Pat Faherty (vocals, guitar) and Matt Stubbs (guitar). Carman’s latest project, Tim Carman Trio — Carman (drums), Steve Fell (guitar) and Ken Clark (electric organ) — can trace its origins back to last year: While quarantining in a New Hampshire cabin, Carman revisited records that his first drum teacher and mentor Bob Gullotti introduced him to during his formative years as an aspiring jazz drummer.

Inspired by 60s like Jimmy Smith, Brother Jack McDuff and others, The Tim Carman Trio is a no-fills, B3 organ, soul jazz outfit. The trio’s Carman and Dave Brophy co-produced full-length debut, Key Lime is slated for release sometime next year through Color Red Music. Key Lime‘s first single, the original composition “Blues for Bob ” sees Carman playing tribute to Gulloti — and the composition is a cool yet funky strut centered around Carman’s steady and efficient time-keeping and some self-assured and inspired soloing.