Gabriele Poso is an acclaimed Italian multi-instrumentalist, master percussionist, Worldwide FM presenter and director of the Yoruba Soul Orchestra. Poso’s musical passion has taken him around the world, Initially to Rome, then to Puerto Rico, Cuba and most recently, Berlin. Between 1998 and 2001. Poso delved deeply into the study of Afro-Cuban percussion — first at Rome’s Timba School of Music, under the guidance of Roberto “Mamey” Evangelista, one of the country’s most important representatives of Afro-Cuban culture and music. In late 2001, Poso relocated to San Juan, Puerto Rico, where he attended the Universidad Interamerica de Puerto Rico and continued his studies, which culminated with a masterclass at Havana’s Escuela Nacional de Arte.
Poso’s solo debut 2008’s From The Genuine World was released through Osunlade’s Yoruba Records, which de supported with tours across Europe and elsewhere. His sophomore effort, 2012’s Roots of Soul was released through German label INFRACom! Poso’s third album, 2014’s Invocation was released through German label Agogo Records. 2018’s Awakening was released through British label Barely Breaking Even. 2019’s Batik was released through British label Soundway Records. Interestingly, each album found the Italian percussion looking east, across the Atlantic for inspiration and rhythms.
n October 1, 2021 release through Wonderwheel Recordings. Recorded in Leece, Italy, almost entirely by the Italian master percussionist, the stars of the show are drum and percussion. And much like its predecessors, the album’s material finds Poso continuing to look across the Atlantic for inspiration and rhythms — this time the French West Indies, in particular Guadeloupe and Martinique. “I’m in love with everything about the sound of their drums, it’s very unique warm and deep sound,” Poso explains.
“I put a lot of attention to the sound on this record, exploring new ways for me to record, through analog tape and different analog tools, such as analog delay,” Poso says of the forthcoming 10-song album. “That’s very much present in the whole album and gives a new direction to my sound with a psychedelic touch and a dancefloor attitude that is stronger than the previous album.”
“La Bola,” Tamburo Infinito’s second and latest single features a dancehall and soca friendly bass line, the sort of spaced-out reverb that the late, great Lee “Scratch” Perry would love, exultant horns drenched in reverb, and seemingly infinite layers of Afro Caribbean percussion. The end result is a euphoric, club banger that’s soulful and lovingly crafted.