Tag: Travis

Beginning his professional life with working in finance and as a co-owner of London‘s The Society Club, the Norwegian-born, London-based singer/songwriter, composer and multi-instrumentalist Erik Brudvik left both to pursue a career with his solo recording project Brudini. Slated for a May 15, 2020 release, Brudvik’s forthcoming self-recorded and self-produced Brudini debut From Darkness, Light is a conceptual album that draws from his own personal experience traversing between two seemingly contradictory worlds before finding his creative voice — and of a life spent as a sort of itinerant traveler.

From Darkness, Light is reportedly a soul searching effort that thematically and narratively weaves an abstract, wandering tale through feelings of loss and longing, anger, lust and despair, towards cosmic consolation as the album features Brudvik’s lyrics and the poems of California-based poet Chip Martin paired with old-timey and atmospheric arrangements featuring creaky pianos, analog synths, syncopated jazz-inspired lyrics and occasional blasts of distorted guitar. The end result is a contemplation of the various transitions, compromises and dashed dreams of adulthood.

The album’s first three singles — “Reflections,” ‘Emotional Outlaw” and “Pale Gold” — were released to widespread critical praise in the UK with Louder Than War referring to the rising singer/songwriter as “an indescribable talent,” as well as praise from NYC music legend Danny Fields. Each of the album’s first singles have received airplay on Radio X, BBC Radio 6 and BBC Radio 2 personality Frank Skinner‘s program. Building upon a growing profile, Brudvik has developed a reputation as a must-see live act, collaborating with Lulu Gainsbourg, Lanah P, and Erasure‘s Andy Bell.

“Radiant Man,” From Darkness, Light‘s fourth and latest single finds the rising Norwegian-born, British-based singer/songwriting crafting a song that balances a thoughtful and earnest intimacy with a widescreen, cinematic quality that subtly recalls Harvest-era Neil YoungOK Computer-era Radiohead and The Invisible Band-era Travis — thanks, in part to an arrangement centered around strummed guitar, atmospheric synths, twinkling piano, shuffling jazz-like rhythms and Brudvik’s plaintive vocals.

Thematically, the song is centered around a narrative that’s older than time, and yet strangely relevant and contemporary: it follows a well-meaning protagonist, full of good intentions who fights onward despite being slowly crushed by a tidal wave of enormous forces beyond his control.  The human spirit can be indefatigable — and in these very dark and uncertain times, we’ll need to dig deep, perhaps deeper than ever before to make it to whatever awaits us on the other side.

“‘Radiant Man’ is the story of a person fighting against a tidal wave. In the midst of a crisis, I find there is something about the enduring human spirit that emerges and brings us closer. ‘Radiant Man’ is an homage to this human radiance, echoed today in streets everywhere from Wuhan and New York to Sao Paolo and Milan.” 

With the release of their debut EP last year’s I Used to Love You, Now I Don’t, the rapidly rising Brighton-based dream pop act Hanya — Heather Sheret (vocal, guitar), Benjamin Varnes (guitar), Dylan Fanger (bass) and Jack Watkins (drums) — received attention nationally for a sound that meshes 90s dream pop and shoegaze. Building upon a growing profile in England, the Brighton, UK-based dream pop act has opened for Honeyblood, Lazy Day and Tess Parks.

2020 looks to be a breakthrough year for Hanya: they’ll be making their Stateside debut at the 2nd Annal New Colossus Festival in March. But they begin the year with their latest single, “I’ll Do It Tomorrow.” Centered around shimmering guitar chords, Sheret’s gorgeous and achingly plaintive vocals and a rousingly anthemic hook, the track further establishes the dreamy  Brit Pop-like sound that has won them attention nationally while subtly nodding at 70s AM rock. In fact, in some way the song reminds me of The Sundays, Travis and others.

“I’ll Do It Tomorrow” was the result of realising that rarely does anyone take the advice we ask for, we love to procrastinate and wait until things change around us, it’s the magic of the human psyche,” the members of the band explain in press notes. “The song is pretty much advice to an old friend…be every version of yourself, let go, do it now, don’t wait until tomorrow”.

The band has a handful of tour dates, including their Stateside debut at the New Colossus Festival. Check out the dates.

 

Live Dates
17th January – The Hope & Ruin, Brighton (Love Thy Neighbours ‘Triptych’ Series)
1st February – The Piper, Saint Leonards (w/ Penelope Isles)
11-15 March – New Colossus Festival, New York City

New Audio: Native Sons, Shoegaze-Leaning, New Single “Pictures”

With members based in London UK and Brighton UK, the British indie rock trio Native Sons first caught my attention with the release of their first single “Humanise,” which was a breezy bit of Brit pop reminiscent of The Invisible Band-era Travis and […]

Comprised of Alan Croft (vocals), Austin Logan (guitar), Paul Jones (bass), Steven Taylor (guitar) and Gareth Dawson (drums), the Liverpool-based quintet Cavalry have quickly caught the attention of major tastemakers such as BBC Radio 1′s […]

If you read this blog regularly, you know that over the past 18 months or so i’ve been receiving an increasing number of emails from PR firms, labels, artists and band management from all over […]

Spacehopper is the Stateside debut for the Reading, UK-based band Tripwires and it’ll see a June 18th release through Frenchkiss Records. “Catherine, I Feel Sick” the first single from Tripwires’ forthcoming debut reveals the band’s sound […]