Roland Clark is a renowned Atlanta, GA-based house music producer, songwriter and vocalist who has recorded and released material under several different aliases including Houseboy, Keita, Jesus Jackson, People, Roland Clark Presents: Digital Pimps, Dark Clark and South Street Player, as well as releasing material under his own name. Clark has also been a member of Leviticus and Urban Soul — and has collaborated with Bob Sinclair, Todd Terry, Roger Sanchez and Fatboy Slim; in fact, “Song for Shelter,” borrows a sample from DJ Le Roi’s “I Get Deep” featuring Clark.
However, at their heyday Urban Soul was not just influential, they were commercially successful — the act had hit the US Hot Dance Music/Club Play Charts seven times during the 90s. And if you were in a club in the early 90s, you’d likely know of “Alright” one of Urban Soul’s biggest song. Skittering drum programming, thick, cascading synth chords and soulful yet ethereal vocals bubbling and floating over the mix. Although the song is now 25 years old, it manages to sound as though it could have been released within the few years — as though someone like 100% Silk Records.
Electronic music producer and artist Alexander Technique is best known for his time helping pioneer both the term and idea of the “mash up” with Princess Superstar when they launched DJs Are Not Superstars Records, where they both mixed rock, techno and 90s hip-hop, as well as releasing material under several genres and subgenres of electronic music including the work of Larry Tee, Harvard Bass, Etienne De Crecy, Zoo Brazil, Sia and others. Technique is also the co-founder of Drop Ready Records. The renowned producer, remixer, electronic music artist and label head recently remixed Urban Soul’s classic “Alright.” And as Technique explains in press notes “”The remix was originally about 7 minutes long but after playing it for Todd Terry and my label partner Pedro, they both suggested that I make it longer. Todd even got in and played some keys towards the end…”
Interestingly, the Alexander Technique remix pushes the song towards the 21st century as it pairs Clark’s soulful and sensual crooning with a dense and super slick production that sounds as though it channels both a John Carpenter soundtrack, if filtered through hyper modern European house music as layers of shimmering synth, layers of buzzing synth, are paired with explosive flashes of cymbal and skittering drum programming.
