Category: Afrosoul

New Audio: JOVM Mainstays The Budos Band Release a Forceful and Funky New Track

Over the past handful of years, I’ve written about and photographed the acclaimed Staten Island-based instrumental act and JOVM mainstays The Budos Band a number of times. And as you may recall, the act, which is comprised of Jared Tankel (baritone sax), Tom Brenneck (guitar), John Carbonella (congas, drums), Mike Deller (organ), Daniel Folder (bass), Andrew Greene (trumpet), Rob Lombardo (bongos, congas), Brian Profilio (drums) and Dame Rodriguez (percussion) initially developed a reputation for a sound that they described as “Afro Soul,” which draws from Ethiopian music, classic soul and funk; however, with the most band’s most recent releases, their sound has evolved towards what they’ve referred to as “70s Psychedelic Instrumental Music.”Now, as you may recall, the acclaimed Staten Island-based act’s fifth full-length album, the aptly titled V is slated for release next week through their longtime label home Daptone Records, and as the band’s Tom Brenneck says in press notes, the band’s forthcoming album feels like the truest sonic representation of the band as the material possesses the rock ‘n’ roll/heavy metal elements off of 2014’s Burnt Offering, as well as songs that could have easily been found on their first three albums.  The album’s first single “Arcane Rambler” featured a composition that nodded at hip-hop, 70s fuck, Afro funk and psych rock — and in a way that found them at arguably their loosest and trippiest.  V‘s second single was the Ennio Morricone-like “Veil of Shadows,” a composition that’s centered around reverb-drenched guitar, shimmering and soaring organs and a big Western/Mexican-like horn arrangement — and as a result, the track possesses a cinematic quality; in fact, to my ears, it sounds as though it should have been part of the soundtrack for Kill Bill.Just before their two night NYC area run — April 5, 2019 at the Bowery Ballroom and April 6, 2019 at Music Hall of Williamsburg — the Staten Island-based JOVM mainstays released V’s third and latest single, the menacing “Maelstrom” brings several disparate things to mind — the Fela meets Black Sabbath power chord-based arrangements of Here Lies Man, a lysergic-tinged Morricone meets Quentin Tarantino Western.  The expansive composition features their imitable and explosive horn line, reverb-drenched guitar and a propulsive rhythm section, giving the track a forceful yet funky muscle.  

New Video: Introducing the Futuristic Genre Blurring Sounds of Seba Kaapstad

Comprised of founding members Sebastian “Seba” Schuster, Zoe Modiga and Ndumiso Manana with their newest member, Philip “Pheel” Scheibel, the members of indie electro pop/neo-soul act Seba Kaapstad are split between Cape Town, South Africa and Stuttgart, Germany — and interestingly, the act can trace its origins to when Schuster landed in Cape Town, South Africa in 2013. While studying at the University of Cape Town, Schuster began working with Modiga and Manana in an informal setting, in which they jammed standards and rearranged songs of their choice. As they continued to work together, the more it seemed as though the trio were experience a much deeper chemistry within their work and music. 

Before Schuster returned to Germany, he asked Modiga and Manana if they’d be interested in recording in his home country — and over the next few months, Schuster spent his time writing and organizing sessions, focusing on what would eventually become Seba Kaapstad. After a series of phone calls, emails and trips down to Cape Town, the members of the project had written the material that would eventually comprised their debut, 2016’s Tagore. 

Slated for a May 15, 2019 release through Mello Music Group, Seba Kaapstad’s highly anticipated sophomore full-length album Thina finds the act adding a new member, Philip “Pheel” Scheibel while further expanding on a genre-mashing, globalist sound that draws from neo-soul, hip-hop, jazz, electro pop and Afro pop that’s intended to demonstrate humanity’s shared commonalities. Interestingly, the album’s latest single,  “Africa,” a is track centered around a slick yet mind-melting production that features elements of moody jazz, thumping and swaggering hip hop and sultry soul and Pan African vibes that at points recalls Soul II Soul, Erykah Badu, theeSatisfaction, The Roots and Flying Lotus simultaneously — but with a futuristic leaning. Shot in a smoky purples and reds, in a mirrored room, the recently released video for “Africa” evokes the moody atmospherics of the song, while being equally futuristic. 

New Audio: The Budos Band Return with an Ennio Morricone-like New Single

I’ve written and photographed the acclaimed Staten Island-based instrumental act The Budos Band a number of times over the years, and the act which is comprised of Jared Tankel (baritone sax), Tom Brenneck (guitar), John Carbonella (congas, drums), Mike Deller (organ), Daniel Folder (bass), Andrew Greene (trumpet), Rob Lombardo (bongos, congas), Brian Profilio (drums) and Dame Rodriguez (percussion) initially developed a reputation for a sound that they described as “Afro Soul,” which draws from Ethiopian music with a soul undercurrent, and some sound of the sounds of the 60s; however, with the most band’s most recent releases, their sound has evolved towards what they’ve referred to as “70s Psychedelic Instrumental Music.”

Now, as you may recall, the acclaimed Staten Island-based act’s fifth full-length album, the aptly titled V is slated for an April 12, 2019 release through their longtime label home Daptone Records, and as the band’s Tom Brenneck says in press notes, the band’s forthcoming album feels like the truest sonic representation of the band as the material possesses the rock ‘n’ roll/heavy metal elements off of 2014’s Burnt Offering, as well as songs that could have easily been found on their first three albums.  The album’s first single “Arcane Rambler” featured a composition that nodded at hip-hop, 70s fuck, Afro funk and psych rock — and in a way that found them at arguably their loosest and trippiest.  V’s latest single is the Ennio Morricone-like “Veil of Shadows,” a composition that’s centered around reverb-drenched guitar, shimmering and soaring organs and a big Western/Mexican-like horn arrangement — and as a result, the track possesses a cinematic quality; in fact, to my ears, it sounds as though it should have been part of the soundtrack for Kill Bill. 

New Audio: The Budos Band Release a Funky and Cinematic New Single

I’ve written and photographed the acclaimed Staten Island-based instrumental act The Budos Band a number of times over the years, and as you may recall the which is comprised of Jared Tankel (baritone sax), Tom Brenneck (guitar), John Carbonella (congas, drums), Mike Deller (organ), Daniel Folder (bass), Andrew Greene (trumpet), Rob Lombardo (bongos, congas), Brian Profilio (drums) and Dame Rodriguez (percussion) initially developed a reputation for a sound that they described as “Afro Soul,” which draws from Ethiopian music with a soul undercurrent, and some sound of the sounds of the 60s; however, with the band’s most recent releases, they’ve moved towards what they’ve referred to as “70s Psychedelic Instrumental Music.” 

The acclaimed instrumental act’s fifth album, aptly titled V is slated for an April 12, 2019 release through their longtime label home Daptone Records, and as the band’s Tom Brenneck says in press notes, the band’s forthcoming album feels like the truest sonic representation of the band as the material possesses the rock ‘n’ roll/heavy metal elements off of 2014’s Burnt Offering, as well as songs that could have easily been found on their first three albums.  The album’s latest single, the cinematic  “Arcane Rambler” is centered around a looping and whirring guitar line, boom bap-like percussion, an enormous horn line and a propulsive and incredibly tight groove — and interestingly enough, the composition, which nods at hip-hop, 70s funk and psych rock finds the members of the collective at arguably their loosest and trippiest.

New Video: Introducing the Global, Genre- Blurring Sound of Up-and-Coming Benin-born, New York Artist Shirazee

Shirazee is  Benin-born, New York-based Afrosoul artist and singer/songwriter, who studied in Ghana, overcame homelessness and after spending a stint in Atlanta, relocated to New York to pursue his dream of being a performer and singer/songwriter. Since then, Shirazee has written for and collaborated with Afrojack, Sting, Ty Dolla $ign and Kiesza — and as a solo artist, the Benin-born, New York-based artist has received attention from Wonderland, OkayAfrica and Hunger Magazine, as well as millions of streams across Spotify and Apple Music for a sound that draws from Afropop, American hip-hop and contemporary electronic music paired with songs that possess underlying personal narratives.

The up-and-coming Benin-born, New York-based Afrosoul artist’s debut EP Make Wild finds him collaborating with the Brooklyn-born and-based hip-hop artist and producer SAINt JHN — and as the Brooklyn-based artist and producer says of their collaboration, “he’s a friend first and a rising star in his own right second. When he heard me playing Juju in Toronto and asked to jump on it, I thought he was kidding, until he insisted, ‘Juju issa vibe!’”

“Make Wild,” the EP title track and latest single is a breezy and summery track featuring thumping, tweeter and woofer rocking beats, shimmering and looping guitar lines, and a sinuous and infectious hook — and while managing to be a slickly produced amalgam of African pop, Afrobeat, American electro pop and soul, the up-and-coming Benin-born, New York-based artist manages to do so in an incredibly accessible, crowd pleasing fashion.

Produced by WOVE, the recently released video employs the use of incredibly vibrant video, full of colors meant to evoke sunset over the Sahara Desert as Shirazae sings to a gorgeous woman just out of his reach.