Category: bebop/bop

New Audio: Tony Moreno Pays Tribute to Mentor and Friend Elvin Jones on “EJ’s Blues”

Elvin Jones (1927-2004) was known for redefining jazz drumming as we know it, liberating the instrument from simple timekeeping and instead treating it as a fluid, multi-layered voice. He was also famously known for being the polyrhythmic backbone of John Coltrane’s legendary quartet, contributing to some of the most beloved and influential recordings ever made.

Back in 1967, an 11-year old Tony Moreno was determined to see the legendary drummer Elvin Jones perform live for the first time, and soon realizing he was out well past his bedtime fell asleep on the table of the jazz club he was at. He was awakened by Jones, who sat down at the table, and upon leaning that the young Moreno hadn’t owned a drum set yet, invited him up to his apartment. Jones quickly assembled and gifted Moreno, a drum set, which he played on as a member of the Coltrane Quartet. The exchange kicked off decades of mentorship and friendship. (And in case you were wondering, Moreno still owns that drum set.)

For Moreno, who has worked with Dave Liebman, Barry Harris, Mal Waldron, Frank Kimbroough, and a lengthy list of others across the globe, that day in Jones’ home marked the beginning of a career that has now spanned more than 50 years. In 2024. the 20th anniversary of Jones’ death, Moreno felt that the time was right to assemble a project to pay tribute to his most formative mento and dear friend.

Intent on celebrating the titan from his own lens, he collaborated with arranger Rich Shemaria to present the music orchestrally, providing an interpretation that combines the ferocity the drummer is widely known for with the sensitivity and attention to detail that isn’t brought into the spotlight often. He eventually assembled an all-star ensemble featuring there-time Grammy Award-nominated tenor saxophonist Troy Roberts, Grammy Award-nominated pianist Manuel Valera, Grammy Award-winning percussionist Mauricio Herrera, alto saxophonist Patrick Cornelius, and bassist Gene Perla, who spent the first half of the 1970s in Elvin Jones’ band.

Moreno’s newest effort, A Celebration of Elvin Jones is slated for a November 6, 2026 release through Mayimba Music. Playing tribute to his mento and friend, who gave him his first drum set, the album features ten tracks associated with Jones’ work as a bandleader with spirited new renditions that pain a portrait of the legendary drummer’s dynamism and humanity. A widely acclaimed, singular drummer, who came up in the famed Jazz Composer Orchestra Association (JCOA) loft scene, A Celebration of Elvin Jones served as a portal that transported Moreno back to the moments that sparked his profound love of the music. “Playing Elvin’s music is like going home,” he explains. “My formative years were based on the things that I learned from him, but every musician gets to a point where they realize that your own identity is paramount. It may be difficult to shed some of the history that you’ve lived in your music, but you realize at a certain point that you have to make personal statements, which took me in different directions. So this feels like returning home, and it’s been an emotional journey.”

The Jones tribute album’s first single “E.J.’s Blues” is a strutting, swinging blues that simultaneously marks Moreno’s return to his musical roots and showcases the adept, soulful musicianship of Moreno and his cast of collaborators.

Reflecting on the profound impact Elvin Jones had on him, Moreno said, “This album is a tribute to a man I consider to be my father figure. Elvin gave me a purpose, to live and grow and to be a musician, so this is my way of giving thanks.”

New Audio: Joey Alexander Tackles a Beloved Jazz Standard

22 year-old, Balinese-born, Grammy Award-nominated composer and pianist Joey Alexander has spent more than a decade establishing himself as one of jazz’s most celebrated young artists, with his career starting in earnest back in 2013 when Wynton Marsalis invited him to play at Jazz at Lincoln Center Gala. Since then, Alexander has played with Wayne Shorter and Esperanza Spalding at the Obama White House, and he has been the subject of profiles on 60 Minutes, The New York Times, and a list of others.

Alexander’s third album, the Jason Olaine-produced Celestial Keeper is slated for a July 17, 2026 through Mack Avenue Records. Celestial Keeper sees the rising, young composer and pianist reflecting on creativity, faith, gratitude and personal transformation. Inspired by what Alexander describes as his “celestial keeper” — a spiritual force akin to a muse or guardian angel — the album explores the challenge of overcoming doubt and artist’s block. “There’s a spiritual force that reminds me of the gift of music that God has bestowed upon me,” Alexander explains. “That voice prompts me to keep the lamp burning or the music playing.”

The album comes during a pivotal chapter in the rising young artist’s life, following his family’s recent move back to his native Bali after spending years in New York and Baltimore. Immersing himself in Indonesia’s nature and rhythms — again — deeply shaped the album’s aura of beauty and wonder, “I live by the mountains, which are a constant reminder of the beauty of nature and the gift of life,” he says.

Celestial Keeper also sees the debut of Alexander’s latest trio: Kris Funn (bass) returns from 2023’s applauded Continuance and Jonathan Barber (drums), recording with the Balinese-born composer and pianist for the first time, after two years of touring. The trio is joined by Philadelphia-born Jaleel Shaw (saxophone) for three tracks. Alexander added vocals to the nix for the first time on the album, collaborating with with rising singer/songwriter Alita Moses on a new original “Whispers of Love” and Grammy Award-winning singer/songwriter Lisa Fischer on a rendition of the beloved standard “My Funny Valentine.” And in a full circle moment, the album was produced by Jason Olaine, who produced Alexander’s 2015 debut, My Favorite Things.

Celestial Keeper’s first single, sees the Grammy Award-nominated composer and pianist, tackling the beloved standard, “Stella By Starlight.” Channeling Alexander’s lifelong love of Miles Davis and Bill Evans, the young Balinese delivers a vibrant and soulful take that showcases his ability to breathe new, youthful life into an oft-covered standard.