Category: electronica

Video by William Ruben Helms

New Video: JOVM Mainstays The KVB Offers a Glimpse Into Our Dystopian Future

Currently based out of Manchester, UK, the acclaimed shoegazers and JOVM mainstay outfit The KVB initially started in 2010 as the solo recording project of founder, singer/songwriter and multi-instrumentalist Nicholas Wood. Wood released a series of limited cassette an vinyl releases as a solo recording project; but by 2011, vocalist, keyboardist and visual artist Kat Day joined the project.

In the decade since Day joined the project, The KVB have released several critically applauded albums and EPs through a number of different labels before signing to Geoff Barrow‘s Invada Records,who released 2018’s Only Now Forever. Interestingly, each of the duo’s acclaimed releases saw them crafting a sound simultaneously inspired by The Jesus and Mary Chain and Cabaret Voltaire; however, with each subsequent effort, the band has managed to streamline their sound.

Through extensive touring across the European Union, the UK, China, Russia and Japan, the duo have amassed a devoted fanbase globally. Now, as you may recall during the pandemic, Day and Wood relocated from Berlin to Manchester to work on their sixth album, the Andy Savors-produced Unity. Slated for a November 26, 2021 release through Invada Records, the duo’s sixth album will reportedly represent a new and exciting development in their sonic development: Through the album’s ten songs, the duo pull together their trademark components, radiant guitars, textured synths and an near for a moody, brooding melody paired with a renewed dynamism.

Interestingly, the initial writing sessions for their forthcoming album took place in Spain during early 2019, where the duo found influence from the “half built luxury villas, still unfinished from the crash in 2008. There was something eerie and beautiful about the desolate landscapes and concrete in the sunshine,” the band says in press notes. While their sound and approach has always been informed by what seems like our inevitable dystopian future, there is also more of a rapturous release to the material. Thematically, the album combines double meanings and there’s a sleight of hand present.

Earlier this year, I wrote about “World on Fire,” a single that found the duo continuing to refine their sound: Starting with burst of drum machine, the song was centered around buzzing and slashing power chords, shimmering and arpeggiated synths, a relentless motorik groove and a euphoric hook paired with the duo’s breathy boy-girl harmonies. Sonically, the track — to my ears, at least — found the duo pushing the boundaries of shoegaze in a similar fashion to Lightfoils, BLACKSTONE RNGRS and others while giving their sound a gauzy, New Order-like sheen. 

“Unité,” Unity‘s latest single may arguably be their most dance floor friendly track of their growing catalog: Centered around thumping beats, shimmering synth arpeggios, and a relentlessly hypnotic, motorik groove paired with Kat Day’s ethereal deadpan delivery, “Unité” sounds as though it could have easily been part of the Trans Europe Express or Man Machine sessions. The duo explains that the new single is “a homage to our time living in Berlin, with the pounding kick drum and grinding electronics.” Te song is a perfect example of the Manchester-based duo meshing dark and light sensibilities in a seamless fashion: while being a euphoric club banger, the song references urbanization and its dystopian potential.

The recently released video is set in a dystopian future, much like that in Minority Report, in which the viewer is inundated by advertisements and screens.

Single Review by William Ruben Helms

New Audio: JOVM Mainstay El Dusty Teams Up with DJ Buddha and Hitz on a Club Banger

Over the past handful of years, Corpus Christi, TX-born and-based Latin Grammy-nominated producer, DJ, songwriter, arranger and electronic music artist and JOVM mainstay El Dusty has been simultaneously hailed as the inventor of cumbia electronica and a pioneer of nu-cumbia while establishing a swaggering, genre defying, club friendly sound with elements of hip-hop, drum ‘n’ bass, house music, trance, electronica and cumbia inspired by its mastermind’s experiences growing up near the US-Mexico border.

Since the release of the JOVM mainstay’s full-length debut, 2018’s Cumbia City, the Corpus Christi-born and-based producer and artist has been extremely busy: he’s the founder and head of his own label Americano Label — and through the label, he has produced and released new material, including his popular Americano Beat Tape Vol. 1 and a boatload of acclaimed one-off collaborations. 

It’s been close to a year since I’ve last written about the Corpus Christi-born and-based JOVM mainstay but he’s been continued upon a long-held reputation for being prolific: so far, he has released two new singles — and his latest single, a collaboration with DJ Buddha, and Hitz titled “Socumbia,” a club banging mix of cambia and soca rhythms, tweeter and woofer rocking beats and soca delivered lyrics that will make you want to wine down with that pretty young thing nearby.

Video by William Ruben Helms

New VIdeo: Holy Fuck Teams Up with Kero Kero Bonito’s Sarah Bonito on the Frenetic “Airport Dreams”

Acclaimed Toronto-based electronic rock outfit Holy Fuck — Brian Borcherdt, Graham Walsh, Matt McQuaid and Matt Schultz — have developed and honed a long-held reputation for playing and crating by their own rules, while never being overly concerned about chasing the limelight or after genre-based trends. Along with that, they’ve established a unique, gritty, analog-based sound created through the use of both organic instruments and non-instruments including a 35mm film synchronizer, toy keyboards and toy phaser guns to achieve electronic-sounding effects without the use of laptops, programmed backing tracks, splicing and so on.

The Toronto-based act’s fifth album, last year’s Deleter found the band boldly pushing their sound in a new direction: polyrhythmic and euphoric, the album’s material meshed elements of krautrock, deep house and trance fittingly paired with relentless motorik groove. Thematically, the album explored what happens when humanity and technology coalesce into one big semi-organic celebration of the joys of spontaneity, repetition and individuality. As the band puts it, “the robots are smarter than ever, and the algorithm knows more and more what we like as individuals, but we have to remind ourselves that there is music in the margins that can go missing and that that music is more important than ever.”

Of course, much like countless other acts across the globe, the pandemic threw a monkey wrench into the acclaimed Canadian act’s plans to tour to support the album. But interestingly enough, they’ve managed to work on a new single, “Airport Dreams,” a collaboration with Kero Kero Bonito‘s Sarah Bonito. Interestingly, the new single sees the members of Holy Fuck continuing to push their sound in new directions — this time in a decidedly pop friendly direction: Featuring a more polished production, the track features snappier beats, razor sharp hooks and Sarah Bonito’s coquettish vocals while retaining the fuzzy and dusty analog texture of their previously released material.

Thematically and lyrically, the song evokes the frustration, boredom and longing for the places, people and things we couldn’t enjoy and experience as a result of pandemic-related lockdowns and restrictions — and the hope of being able to travel, to see and do things, to see and be around others.

In a personal statement, Holy Fuck dive into the background behind the creative inspiration:

“Contrary to our usual method of recording ‘live off the studio floor’ where we prefer to hash out and capture the core of our songs together in the same room, we found ourselves, like a lot of people in 2020/21, working remotely. This meant building up tracks and song ideas separately at our own various recording and rehearsal spaces and then sharing them with each other online. In spite of the physical distance, we still dug into our classic ‘holy fuck spirit’: embracing whatever tools we have at hand to make the music we want. Voice memos of drum ideas Matt Schulz recorded of himself playing at home were shared, then edited together, forming the rhythmic foundation for ‘Airport Dreams.’ This later gave life to Matt McQuaid’s bass parts which were recorded over WiFi from Dartmouth, Nova Scotia to Toronto, Ontario. Situations are not always ideal, but can be used to an advantage – idea over execution. Branching even further into the spirit of collaboration, we sent these ideas to an incredibly talented artist, Sarah Bonito (of Kero Kero Bonito). Sarah’s super catchy and inspiring vocal parts were initially intended for a different song altogether. Their frenetic energy, however, became the catalyst for what is now called “Airport Dreams”. 

“During lockdown, I was having recurring dreams about being at the airport catching a flight every night,” Kero Kero Bonito’s Sarah Bonito says of the new single. “I feel like my mind was trying to break free from the physical constraints by travelling the universe whilst I slept. We are all free in our dreams!”

The recently released video for “Airport Dreams” features footage of the members of the acclaimed Canadian electronic act performing the song, superimposed with aviation and travel stock footage — people boarding planes, planes taking off and people exploring foreign places. We also see Sarah Bonito playing with her phone, goofing off and sleeping, presumably dreaming of the places she’d go if she were able to. Ah, how that feels so very familiar!

Video by William Ruben Helms

New Video: Immersion Team Up with Laetitia Sadier on an Atmospheric Yet Uplifting New Single

Malka Spiegel and Colin Newman are a husband and wife team and the creative masterminds behind Immersion. Although they’re individually known for their acclaimed and influential work with Minimal Compact and Wire respectively, their work in Immersion provides an outlet for their ongoing fascination for crafting enthralling, unique musical soundscapes through five albums and three EPs released between 1995 and 2018.

er, run by Speigel and Newman, alongside writer, broadcaster and DJ Graham Duff and promoter Andy Rossiter. The night features a range of influential and cutting edge acts but the unique aspect of it all is that each show ends with a one-off collaboration between Immersion and that night’s headliner: with one notable exception, the songs have been written and recorded in the studio a few days before the show.

we had these recordings” Malika Spigel adds. The recordings have been since further developed with Speigel and Newman heading up production duties. The end result may arguably be the duo’s most unique yet beautiful albm to date. “I think the really interesting thing is how different everybody is,” says Spigel. “Both as people and creatively.”

Nanocluster Vol. 1 sees Immersion collaborating with some of the most acclaimed left field artists of our day — Tarwater, Laetitia Sadier, Ulrich Schnauss and Scanner. The album’s latest single “Riding the Wave” sees Spigel and Newman collaborating with Laetitia Sadier. Initially making a name for herself as a member of Stereolab, Sadier has since become an acclaimed solo artist, who has created a number of applauded solo works. Centered around atmospheric synths, a sinuous bass line and shimmering and spidery guitar lines, “Riding the Wave,” features a plaintive lead vocal from Newman on the song’s verses and a sunny vocal delivery from Spiegal and Sadier on the song’s uplifting chorus, which finds them singing “Things have a way of working out.” Considering how uneasy everything in the world is at this moment, the slow-burning and atmospheric song may unexpectedly be the anthem — and mantra — we need right now.

The accompanying video for “Riding the Wave” features some gorgeously shot footage shot in what appears to be the English seaside and countryside — and while beautiful, the visual is imbued with the bittersweet reality that all things pass.

Single Review by William Ruben Helms

Oxydane is a new series of free, monthly tracks written and recorded by artists on French electronic music label Lake of Confidence. The latest single in the monthly series is “Venus” by the young, mysterious Bastia, Corsica, France-based producer Yiós. Centered around layers of shimmering synth arpeggios, a relentless motorik groove, the incredibly cinematic “Venues” sonically brings John Carpenter soundtracks to mind, as it seems to come from a dystopian future much like our own.

Video by William Ruben Helms

New Video: Acclaimed Argentine Producer Lagartijeando Releases a Mischievous and Trippy Dia de Los Muertos-like Visual for “Sidreal Cumbia”

lobal electronic music circles as Lagartijeando. Zundel’s work has been deeply influenced by this travels throughout Latin America: his psychedelic dance tracks often feature traditional folk sounds from the Bolivian altiplano, shaman chants, charagano loops, Brazilian jungle beats centered around modern electronic production.

the forthcoming album’s latest single “Sideral Cumbia” is a sculptured soundscape centered around minimalist drums, a bouncing baseline, brief bursts of staccato guitar, delicate synth arpeggios, traditional Latin percussion and an enormous horn section that keeps the song tethered to the earth just before it’s about to float off into the stratosphere.

eputation for blurring the boundaries between Latin music, folk. funk and electronic music with a mischievous and trippy flare. 

Directed and edited by Lucía Cárdenas, the fittingly trippy and mischievous visual for “Sidreal Cumbia” is shot in a gorgeous and cinematic black and white and follows a trio of people wearing black robes performing mysterious rituals while skeleton wearing kids bop around. It’s dia de los muertos surreally thrown into every day life.

Single Review by William Ruben Helms

New Audio: French Producer Ukiyoe Releases a Trippy and Infectious Banger

Born in Southern France, the emerging Paris-based artist Ukiyoe grew up surrounded by and immersed in music: she listened to Nirvana, George Michael, The Cure, Ellen Allien, punk rock and cold wave; in fact, the emerging French artist can trace her love of music to listening to George Michael’s “Amazing.”

As Ukiyoe got older, she began to sing and write original material about life and love, eventually developing a difficult to pigeon sound and style that draws from and meshes alternative, indie pop and techno. Interestingly, despite the uncertainty of the pandemic, the emerging Paris-based artist released new material including her debut single “Angel” earlier this year. Her latest single “On est tous des animals” is a dense layered and trippy take on techno featuring skittering beats and the Paris-based artist’s vocals fed through distortion. Interestingly, the track is a mischievously forward-thinking yet accessible song.

Single Review by William Ruben Helms

New Audio: Polish Producer and Singer/Songwriter SOUNDQ Releases a Woozy Banger

who performs as SOUNDQ (shortened from Soundquake) and has developed a reputation for crafting dizzyingly innovative, alternative dance and outsider pop that sonically draws from house, drum ‘n’ bass, IDM and even contemporary pop. Thematically though, his work generally focuses on the dynamics of interpersonal struggle, the vagaries and cruelties of fate, power imbalances. And as a result, his work manages to be heady and forward-thinking yet accessible, propulsive and dance floor friendly.

Released earlier this year, “Disco Turrista Antifascita” is centered around a brash and infectious production featuring skittering, tweeter and woofer rocking beats, shimmering synth arpregios, a rousingly anthemic hook, and Kubica’s dreamy falsetto. But underneath the club rocking vibes, the song as the rising Polish producer explains “is an encouragement to go ut there — back into the wild world. Even if it’s gotten a lot wilder while we were locked inside. It’s a rallying cry in times of confidence depletion. Don’t take things for granted. Be cautious and watchful. You have every right to be pissed off with the turn the world has taken. You have every right to be scared. But it’s your world, and you can’t let the loud ones take it from you. Don’t get bullied. Don’t get hurt. Don’t engage in physical contact. You’ll be fine.”

Single Review by William Ruben Helms

Groovemonk is an Istanbul-based electronic music, who has developed a sound influenced by his love of ’90s club music, rave and breakbeat sounds, jazz, disco, hip-hop, funk, soul and traditional genres. The Turkish producer’s latest single “In Silico” derives its name from a scientific term that describes biological experiments carried out entirely by computer simulation.

Interestingly, “In Silico” is a glitchy and feverish collage of constantly morphing sonic ideas held together by tweeter and woofer rocking beats, euphoric hooks and a relentless energy that twists and turns and morphs constantly, which makes it feel off-kilter and angular yet somehow accessible and club friendly reminiscent of old school house. It’s the rare track that manages to be danceable yet mind-bending.

Video by William Ruben Helms

New Video: Montreal’s Tommy Lunaire Releases a Brooding and Cinematic Single

Tommy Lunaire is a a Montreal-based electronic music producer and artist, who has a lifelong obsession nd love of analog synthesizers. His debut EP, the five-song Until I Melt EP is heavily inspired by the likes of Jamie xx, Flume and Rival Consoles — while featuring highly personal compositions.

The EP’s latest single “Hailstorm” is brooding and cinematic track centered around dense layers of shimmering synth arpeggios, fluttering flute, skittering beats and a driving groove. Sonically, the track — to my ears, at least — reminds me a bit of Octo Octa’s oft-mentioned Between Both Selves while evoking the bracing chill of a summer rainstorm.

Featuring art direction and motion design by Louis Robert and 3D art by William Thibault (Loodious) is a trippy mix of modernist painting-like animation and computerized art.

Single Review by William Ruben Helms

Mati Zundel is an acclaimed Argentine producer, musician and DJ best known worldwide as Lagartijeando. Throughout Zundel’s career, his work has been deeply influenced by his travels through Latin America: his psychedelic dance tracks often feature traditional folk sounds from the Bolivian altiplano, shaman chant and charango loops, Brazilian jungle beats and contemporary electronic production.

The Argentine producer, musician and DJ will be releasing a new album through Wonderwheel Recordings, which is slated for an October release Interestingly, the album’s latest single “Sideral Cumbia” is a sculptured soundscape centered around minimalist drums, a bouncing baseline, brief bursts of staccato guitar, delicate synth arpeggios, traditional Latin percussion and an enormous horn section that keeps the song tethered to the earth just before it’s about to float off into the stratosphere. The song will further cement the Argentine producer, musician and DJ’s reputation for blurring the boundaries between Latin music, folk. funk and electronic music with a mischievous flare.


Single Review by William Ruben Helms

New Audio: French Electronic Project VAPA teams up with VoxAxoV’s Charlotte Cegerra on a Sultry Club Banger

Formed in 2017, VAPA (an acronym for the French phrase Vous n’Avez Pas d’Avis, which translates into English as “You Have No Opinion”) is an emerging French electronic music collective that’s inspired by what the French journalist Jean-Yves Leloup has dubbed “conscious dance floor,” the project aims to bring people together through music but while addressing larger social issues, linking the hedonism and freedom of the party to the seriousness of our age — with a hint of optimism.  

The project’s sound draws influences from Thylacine, Jon Hopkins, Agoria, and Essaie Pas but paired with the voices of personalities, fellow musicians and journalists as a way to  to take an honest look at the world, to raise questions and our fears as a way to push the listener into action. “An introspective quest put into words and melodies!” VAPA’s mysterious creative mastermind says in press notes. 

VAPA’s latest single “Nuages Oranges” is an eerily atmospheric track and sensual track centered around shimmering and squiggling synth arpeggios, rapid-fire beats, a dance floor rocking hook and the dreamily sultry French vocals of VoxAxoV’s Charlotte Cegarra. And while sonically bearing a resemblance to Octo Octa’s Between Two Selves and From Here to Eternity and From Here to Eternity . . . And Back-era Giorgio Moroder, the track focuses on the climate crisis, exile, existential anguish in the face of the world that’s adrift — and then hope. 

Single Review by William Ruben Helms

Best known for being the frontman of New York-based indie act Wild Pink, singer/songwriter and multi-instrumentalist John Ross is also the creative mastermind behind the ambient and electronic solo recording project Eerie Gaits. Ross’ Eerie Gaits’ full-length debut, 2017’s critically applauded Bridge Music was inspired by driving over bridges. And under the Eerie Gaits moniker, Ross released a digital 45 with Dondadi in 2018 — and last year, as Eerie Gaits, Ross remixed Wild Pink’s “All Some Frenchman’s Joke” on the 5 Songs EP.

Slated for a Friday release through sound as language, Ross’s highly-anticipated sophomore album Holopaw derives its title from Holopaw, FL, the unincorporated community near where Ross grew up. Because Holopaw is technically not a town, village or even a hamlet, it’s administered under the jurisdiction of Osecola County, rather than its own municipality. And as a result, the 5,000 or so people who live in Holopaw don’t have a local government to call their own with its residents living in a liminal space between established community, odd backwater and remote hinterland.

Aesthetically, Holopaw‘s material bears an uncanny similarity to its namesake: untied to genre and unmoored from singular temperament. The album’s nine instrumental compositions undulate and ripple around arrangements that feature strummed guitar, contemplative and atmospheric synths and full-bodied yet placid indie rock, similar to what he has written with his primary gig.  Ross explains that Holopaw is “darker and more joyful at the same time.”

Interestingly, Holopaw‘s second and latest single is the incredibly cinematic and upbeat “The Rainbow Trout and the Wicker Creel.” Centered around shimmering and atmospheric  synth arpeggios, rolling drums, strummed guitars, “The Rainbow Trout and the Wicker Creel” is a contemplative track that evokes rippling and undulating water — and while intimate, possesses a widescreen and cinematic air.