JOVM celebrates Dave Grohl’s 53rd birthday,
JOVM celebrates Eddie Vedder’s 57th birthday.
Sub Pop Records will be releasing a remastered, 30th anniversary deluxe edition of Mudhoney’s classic second album Every Good Boy Deserves Fudge on July 23, 2021. The expanded release will include the original album in its entirety, a 15-track bonus LP and a CD of additional material with seven previously unreleased songs. The album also includes liner notes from MOJO journalist and Mudhoney biographer (Mudhoney: The Sound and the Fury from Seattle) Keith Cameron, new album cover art, archival band photos and a full-color fold-out poster. And for those record collectors out there, the first run of LPs will be on colored vinyl.
To celebrate the remastered, 30th anniversary deluxe edition of Every Good Boy Deserves Fudge, Sub Pop and the band — currently founding members Mark Arm (vocals, rhythm guitar), Steve Turner (lead guitar) and Guy Maddison (bass), along with Dan Peters (drums) — released a new video for mosh pit friendly ripper “Ounce of Deception,” which was previously released as a B-side to 1991’s “Let It Slide” seven inch — and was also included on 2000’s 52-track compilation of Mudhoney smash hits and rarities March to Fuzz (which is currently only available on CD).
Directed by Duncan Sharp, the recently released video features vintage footage of the band playing life — and it reminds me of the boisterous, chaotic energy of shows that I miss so very much. But soon, right?
I remember my response the first time I heard Nirvana’s “Smells Like Teen Spirit:” I was 11 and was sitting in the backseat of my father’s brown ’79 Dodge Aspen — and my mind was blown. I was an instant fan and wanted more. And although I don’t listen to Nirvana as much as used to, the music that Kurt Cobain, Krist Novoselic and Dave Grohl wrote were an important part of my teen years.
Today would have been Kurt Coban’s 54th birthday. Thank you, Kurt for music that was so instrumental to me. Nirvana forever! Kurt Cobain forever!
Early last year, Foo Fighters — Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear, and Rami Jaffee — finished work on what would eventually become their tenth full-length album, the Greg Kurstin and Foo Fighters co-produced Medicine at Midnight. At the time, Grohl and company intended for the album’s release to coincide with a massive world tour that the applauded act was about to embark on to celebrate the band’s 25th anniversary. But like countless other acts around the globe, the COVID-19 pandemic threw a monkey wrench into their plans.
Because of the uncertainty of the situation, the members of the band waited for a while, trying to figure out what their next steps were, but eventually they all came to the realization that music is meant to be heard, no matter“whether it’s in a festival field with 50,000 of our coolest friends or alone in your living room or on a Saturday night with a stiff cocktail,” the band’s Dave Grohl wrote in an letter accompanying press notes.
Now, as you may recall, Foo Fighters’ tenth album Medicine at Midnight is slated for a February 5, 2021 release through Roswell Records/RCA Records — and they managed to start off the New Year with the enormous arena rock friendly ripper “No Son of Mine,” a track that nods at Ace of Spades-era Mötorhead, Kill ’em All-era Metallica and Queen‘s “Stone Cold Crazy, complete with anthemic, raise-your-beer-in-the-air and shout along worthy hooks.
Medicine at Midnight’s third and latest single “Waiting On A War” continues a remarkable run of arena rock anthems — but in this case, the new single manages to pull from several different Foo Fighters eras — The Colour and the Shape, There Is Nothing Left to Lose and One By One in particular come to mind as a result of its song structure: Beginning with acoustic guitar and string arrangement driven verses and an enormous, rousingly anthemic hook, the song slowly builds up in intensity until the 3:15 mark or so, when the song turns into a cathartic explosion of power chords and thunderous drumming. Lyrically, the song manages to recall ’80s anthems like Nena’s “99 Luftballons,” Sting’s “Russians” and others, and it seems to suggest, much like the old saying, “the more things change, the more things remain the same.” Decades have changed, and we still seem to be on brink of our own annihilation . . .
Interestingly, as Dave Grohl explains in press notes, the song is inspired by personal events — and may be among the more personal songs in the band’s extensive catalog:
“Last fall, as I was driving my daughter to school, she turned to me and asked, ‘Daddy, is there going to be a war?’ My heart sank as I realized that she was now living under the same dark cloud that I had felt 40 years ago,” Grohl recalls.
I wrote ‘Waiting on a War’ that day.
Everyday waiting for the sky to fall. Is there more to this than that? Is there more to this than just waiting on a war? Because I need more. We all do.
This song was written for my daughter, Harper, who deserves a future, just as every child does. “
JOVM celebrates Dave Grohl’s 52nd birthday.
Early last year, Foo Fighters — Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear, and Rami Jaffee — finished work on what would eventually become their tenth full-length album, the Greg Kurstin and Foo Fighters co-produced Medicine at Midnight. Grohl and company originally intended for the album’s release to coincide with a massive world tour that the applauded act was about to embark on to celebrate the band’s 25th anniversary. Of course, much like countless acts and artists around the world, their plans were put on hold as a result of the COVID-19 pandemic.
The members of the band waited for a while before coming to the realization that music is mean to be heard, no matter what the environment actually was, “whether it’s in a festival field with 50,000 of our coolest friends or alone in your living room or on a Saturday night with a stiff cocktail,” the band’s Dave Grohl writes in a statement. So, they start off the New Year with the the explosive ripper “No Son of Mine.” Centered around chugging arena rock friendly riffs that nod at Ace of Spades-era Mötorhead, Kill ’em All-era Metallica and Queen’s “Stone Cold Crazy,” a propulsive rhythm section with thunderous drumming and mosh pit friendly hooks, “No Son of Mine” is the sort of song meant to be played at ear-splitting volumes, while dreaming of the day that we can be in arena or festival ground chugging beers and rocking out with each other.
“This is the kind of song that just resides in all of us and if it makes sense at the time, we let it out,” Dave Grohl explains, adding, “Lyrically it’s meant to poke at the hypocrisy of self righteous leaders, people that are guilty of committing the crimes they’re supposedly against…”
Just imagine how cathartic, how joyous, how fucking urgent that moment will be when the lights come on and your favorite artist/band gets on that stage, and it’s felt like you’ve waited a lifetime to be in that room or on the festival ground, Although I know that day won’t be for a while, I’ve been dreaming of a moment that I’ve missed and longed for with a mad desperation. But it’s getting me through. And I can’t wait to be there with all of y’all.
In the meantime, Medicine at Midnight is slated for a February 5, 2021 release through Roswell Records/RCA Records.
JOVM celebrates Eddie Vedder’s 56th birthday.
Montreal-based duo Prieur & Landry — Gab Prieur and Elliot Landry — have developed and honed a sludgy power chord riff driven rock sound that draws from ’90s grunge rock and ’00s blues rock. But more than mere mimicry, the duo’s sound and approach thrives on a careful balance of intensity and nuance with their live set finding the duo expanding upon riffs and songs structures — at will.
Prieur & Landry recently released a live session shot in a bare, wood shed in Saguenay-Lac- St-Jean, Québec that featured the bluesy “For Once I Breathe in Control” and their latest single “Surreal Memories.” Centered around sludgy power chord driven riffs, thunderous drumming and howled Kurt Cobain-like vocals, “Surreal Memories” finds the Montreal-based duo crafting a mosh pit friendly ripper that will bring memories of Nirvana, Soundgarden and Tool to mind.
JOVM celebrates Neil Young’s 75th birthday.