JOVM’s William Ruben Helms celebrates the 78th anniversary of Led Zeppelin drummer John Bonham’s 78th birthday.
Category: metal
Throwback: Happy 62nd Birthday, Tom Morello!
JOVM’s William Ruben Helms celebrates Tom Morello’s 62nd birthday.
New Video: Glasgow’s Cwfen Shares Broodingly Atmospheric and Cathartic “Whispers”
Glasgow-based quartet Cwfen (pronounced coven) — Agnes Alder (vocals, rhythm guitar), Guy DeNuit (backing vocals, lead guitar), Rös Ranquinn (drums) and Mary Thomas Baker (bass) — quickly built up a reputation as one of the UK’s hottest, emerging doom bands with 2024’s “Reliks,” which won over fans and critics and landed on Kerrang‘s release of the week playlist.
Building upon a growing profile, the Scottish outfit released their Kevin Hare and band co-produced debut Sorrows last year. Recorded at Deep Storm Productions, the album’s material lives in the space around doom, where the weight of its riffs are matched by the weight in your chest, and where the lyrics and songwriting as equally as important as the music. The band specifically intends to write songs that are big on riffs but even bigger on feeling; to create songs that speak to the listener and are carried throughout their lives. Sonically, the band sees Cwfen’s Agnes Alder bearing her (proverbial) claws one minute and howling, whispering and pleading the next one, all while her and her bandmates craft arrangements that evoke a brewing storm front on the horizon, looming larger as you approach.
“We never set out to write an album. We were just four friends making music we wanted to hear. But then Sorrows emerged, and when it did, it pulled us into its orbit. We couldn’t ignore it,” Alder says. “When we stopped trying to fit into any one space, what came out was this beautiful mix of dark and light. Something visceral and cathartic.”
The album which included long-anticipated and long-desired reworkings of “Embers” and “Bodies,” two self-recorded demos and long-time fan favorites, received unexpected and widespread acclaim from the heavy metal music press, landing on several Best of Lists last year. Since the album’s release, the Glasgow-based quartet have toured extensively with Paradise Lost and Faetooth and they’ve made runs of the UK and European festival circuit, building a growing international presence through their live performances of Sorrows‘ material.
To celebrate a breakthrough year and the anniversary of the album’s release, the rapidly rising Scottish band have released a video for “Whispers,”a broodingly atmospheric song that’s one-part A Storm in Heaven and Souvlaki-era shoegaze, one-part doom metal and showcases Alder’s remarkable vocal range, which goes from a sultry croon to a feral howl. While cathartic, the song comes from a deeply personal place, capturing a narrator in the midst of an all-consuming mix of despair and rage.
“It’s taken a while to feel comfortable releasing ‘Whispers’ as its own thing. The song itself, lyrically, came from a very personal place, in contrast to the broader themes elsewhere on the record,” Cwfen’s Alder says. “This, for me, is a song that cuts right to the bone; it might not be too obvious in the lyrics themselves, but it’s taken a year of seeing the fans respond to it, watching it become one of their favourites, to really have the courage and the confidence to give it some of the love it deserves.
“The screams weren’t planned. They weren’t on the first version, but when we went back into the studio after a few weeks, that’s what had to come out, so what you hear in this song is the depth of that feeling,” Alder adds. “It’s one of the most cathartic, tender, and ultimately visceral songs on the album, and deciding to release it now feels like the acceptance of a direction in my songwriting that I feel ready to explore on the next record.”
Filmed and edited by Amy Greenbank, the accompanying video for “Whispers” is shot in a gorgeously cinematic black and white, and juxtaposes footage of the band playing shows across Finland, Norway, Sweden, Denmark and Ireland to wrapt audiences with haunting wintry landscapes across Northern Europe, the band doing promo shoots and behind the scenes tour footage.
“We were so lucky that our Creative Scotland funding allowed us to take this tour and to bring Amy Greenbank with us,” Cwfen’s Alder says of the tour and video,. “We got to work with an incredibly talented videographer, and we made a friend for life. She’s someone who will always be part of the Cwfen family. We made incredible memories on this tour and it’s so lovely to see some of them here.’”
“Following an unexpectedly busy and wonderful 12 months since the release of Sorrows, we’re proud to share our new video for ‘Whispers,'” Cfwen’s Guy DeNuit adds. “This song has become a live favourite with the band and audiences, and we are so fortunate to have had this documented and beautifully presented by our videographer and dear friend, Amy Greenbank.”
New Audio: Los Angeles’ Primitive Ring Shares a Bluesy, Black Sabbath-Styled Ripper
Loa Angeles-based power trio Primitive Ring — Bert Hoover (bass, vocals), Charles Moothart (guitar, vocals) and Jon Modaff (drums) — formed back in 2024 when Hoover and Moothart came together seeking a new creative outlet. They hauled amps and drums into bars to hone their sound, quickly settling into a sound that aimed to capture the primal essence of rock,
Last year, the band release four 7 inches on four different labels — Greenway Records, In The Red Records, Reverberation Appreciation Society and Fuzz Club. They closed out a busy year by recording their self-titled full-length debut at Echo Park-based Station House Studio with Mark Rains.
Their 11-song, self-titled, full-length debut dropped today through In The Red Recordings. Clocking in at 42 minutes, the album showcases the distinct writing styles of each member, but while anchored around an overall aesthetic of a spawning of a collective vision. The result is a pummeling, psychedelic joyride that arrives on the heels of a recent tour supporting Ty Segall.
The album features the previously released “Lies From The Other Side,” “Heads Will Roll,” and the album’s latest single “The Callous Man” Beginning with a bluesy Pink Floyd meets Cream intro, “The Callous Man” quickly morphs into an early Black Sabbath-styled ripper in which the musicians’ dexterous and muscular playing is the star of the show. Play loud and rock out y’all.
Throwback: Happy 73rd Birthday, Alex Van Halen!
JOVM’s William Ruben Helms celebrates Van Halen co-founder Alex Van Halen’s 73rd birthday.
Throwback: Happy 75th Birthday, Mick Mars!
JOVM’s William Ruben Helms celebrates Motley Crüe co-founder Mick Mars’ 75th birthday.
New Video: Die Spitz Shares Seething “American Porn”
Rising Austin-based outfit Die Spitz — Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston and Kate Halter — can trace some of their origins back to when Schrobilgen and Livingston met in preschool. They befriended Halter in middle school. And they brought De St. Aubin into their friend group when they started the band back in 2022.
Initially, the quartet was looking to find reasons to hang out more often, and decided they should start a band after a late-night viewing of the Mötley Crüe biopic The Dirt. They settled on the name Die Spitz over a “brown bag of Fireball,” opting for the feminine German definite article in place of the English. “It reminds me of the Grim Reaper spitting,” Livingstone jokes.
Their first live shows saw them pairing originals with covers from some of their early inspirations including Black Sabbath, Pixies, Mudhoney, PJ Harvey and Nirvana. Unsurprisingly, they express their ideas and themselves through a mischievously shameless blend of classic punk, hardcore metal, alt rock and more. They’ve also become known for riotous live show, where dueling cartwheels, members climbing rafters and solos while crowdsurfing could happen at just about any moment.
The Texan quartet’s highly-anticipated full-length debut, the Will Yip–produced Something to Consume was released last September through Third Man Records. The album sees the band combining their passion, friendship, identity and artistry to fight against the inescapable decay and chaos that surrounds modern life, “There’s a political side to it, but addiction and love can also be all-consuming,” the band’s Ellie Livingston says.
Something to Consume‘s 11 tracks contains multitudes and yet feels singular. It’s an expansive and expressive collection of songs, unified in its sense of deeply held camaraderie and freedom. “We depend on our freedom — freedom to do what we want, present the ideas we want, make the music we want,” Livingston says. “Whether it’s based in metal or something soft, no matter which of us wrote the song, we all contribute and work together. As a person, I don’t have a strong ego or voice, but within this band each one of us is capable of so much more.”
“Something to Consume is an album experience for everyone. Whether you’re craving a smack of lively metal or a melancholy wave of grungey violin, there’s a piece of all of us injected. Something to Consume is a call to the multitudes of ways we as humans allow consumption to enrapture our culture as well as ourselves.”
Though they’ve only been playing together for a few years, the album shows a maturity and technical prowess wielded and wed to the service of their deep and abiding friendship — and a hope to inspire change. “Some people aren’t interested in being political activists via music, but it weighs on me heavily and I feel misaligned with my calling if I don’t,” Chloe De St. Aubin says. “The four of us are free spirits with multiple interests, and there’s no limit or power dynamic that can derail us.”
The album features the previously released “Throw Yourself to the Sword,” a bruising mosh pit friendly synthesis of thrash metal, stoner rock and punk featuring some of the hardest and grimiest guitar riffs I’ve heard in some time. The album’s latest single “American Porn” comes as the quartet announces a lengthy list of summer and fall tour dates. The tour includes three New York City dates: November 13, 2026 and November 14, 2026 at Warsaw. Both of those shows are sold out. But don’t worry, they’ve got a February 19, 2027 stop at Brooklyn Steel. As always, all tour dates are below.
“American Porn” sees the rising Texans channeling a seething synthesis of grunge and riot grrl punk that calls out sexist record industry insiders and perverted older dudes, who come to their shows to leer and objectify them. “It’s a very angry song,” says the band’s Eleanor Livingston.” “And I want the people that come to our shows just because we’re pretty women or they want to sexualize or objectify us to listen to that song and tell us if they’re still a fan.”
Continuing an ongoing collaboration with director Emily Sanchez, the accompanying video for “American Porn” is a surreal fever dream of a visual that wouldn’t be out of place on 120 Minutes. The video calls out gender-roles, stereotypes and beauty standards with seething anger and a sense of mischief.
Throwback: Happy 71st Birthday, Angus Young!
JOVM’s William Ruben Helms celebrates AC/DC co-founder Angus Young’s 71st birthday.
Throwback: Happy 78th Birthday, Steven Tyler!
JOVM’s William Ruben Helms celebrates Aerosmith frontman Steven Tyler’s 78th birthday.
Throwback: Happy 63rd Birthday, Jason Newsted!
JOVM’s William Ruben Helms celebrates Jason Newsted’s 63rd birthday.
Throwback: Happy Black History Month!/Happy 68th Birthday, Ice-T!
JOVM’s William Ruben Helms celebrates Ice-T’s 68th birthday.
New Audio: The Wright Valley Trio Share Expansive and Bruising “Leben ist Schmerz”
Deriving their name from one of the most barren and foreboding locations on Earth, a huge, dry valley in Antartica, the Wiesbaden, Germany-based doom metal outfit The Wright Valley Trio — Dominque Fricker (vocals, guitar), Robert Krause (bass, synths)_ and Matthias Rodig (drums) — was founded back in 2013, but can actually trace their origins to working together in different projects over the years.
In their decade-plus history, the trio have released two albums, 2023’s Bitter Alter, a collaborative effort with Blackstaff; and 2021’s Der Wag, as well as three EPs 2017’s Shackleton, 2018’s Submarine Funeral and 2022’s Metal Doom. And through these releases, the German doom trio have developed a sound that seamlessly meshes elements of doom, sludge and post-black metal, anchored around extremely long songs that range from cultivated boredom to heavy riffs and massive walls of sound.
The German trio’s recently released album Leben ist Schmerz is a two-song album that the band explains tells the story of a life with bipolar disorder, exploring the extremes of that condition — and the struggles it brings. Clocking in at a little under 27.30, the album’s first single, album title track “Leben ist Schmerz” is an expansive, slow-burning and downright bruising bit of sludgy doom that captures the album’s central concept with a seemingly lived-in accuracy.
Throwback: Happy 65th Birthday, Vince Neil!
JOVM’s William Ruben Helms celebrates Motley Crüe frontman Vince Neil’s 65th birthday.
Throwback: Happy 62nd Birthday, Duff McKagan!
JOVM’s William Ruben Helms celebrates Guns ‘N’ Roses and Velvert Revolver bassist Duff McKagan’s 62nd birthday.
