Over the better part of the past few years, Permanent Records’ and RidingEasy Records have collaborated on an expansive series of proto-metal and pre-stoner rock compilations, Brown Acid. Each individual edition of the series is based on RidingEasy Records’ founder Daniel Hall’s and Permanent Records co-owner Lance Barresi’s extensive, painstaking research and curation — with both Hall and Barresi spending a great deal of time tracking down songs’ creators, most often bands that haven’t written, played or recored together in 30 or 40 years, and then encouraging them to take part in the compilation process. As Permanent Records’ Barresi explained in press notes regarding the previous editions of the compilations “All of (these songs) could’ve been he given the right circumstances. But for one reason or another most of these songs fell flat and were forgotten. However, time has been kind in my opinion and I think these songs are as good now or better than they ever were.”
Naturally, by having the original artists participate as much as possible in their compilations, it frequently can give the artists and their songs, a real, second chance at attention and success. And certainly as a critic and as a fan, these songs help fill in the larger picture of what was going on in and around the underground music scenes during the 60s and 70s. Following the critical and commercial success of its first five volumes, RidingEasy Records and Permanent Records’ sixth volume of 60s and 70s proto-metal and pre-stoner rock Brown Acid: The Sixth Trip is slated for an April 20, 2018 continuing an annual rite of passage. And much like the previous five editions, the sixth edition continues on Barressi’s and Hall’s exhaustive, painstaking research and curation with the duo continuing to discover that the well of hard rock, psych rock and proto-metal 45s from the period is incredibly deep — with the sixth edition featuring 9 deep cuts from bands based in Continental USA and one Canadian act.
Interestingly, each edition of Brown Acid has begun with an barn burner of a track and the sixth edition also continues that honored tradition with a swaggering yet frenetic, mind-melting, guitar pyrotechnic-fueled track from San Francisco, CA-based act Gold, “No Parking” recorded circa 1970. Reportedly, the band used to open their sets with the song — and as soon as you hear it, you’ll hear why: it captures a band that’s completely unafraid to kick ass and take names.