Category: music video

New Video: JOVM Mainstays Yumi Zouma Releases a Gorgeous and Heartfelt Visual for Shimmering Pop Confection “Cool For A Second”

Originally formed in  Christchurch, New Zealand, the internationally acclaimed synth pop act Yumi Zouma, currently features members spread out across the globe with Josh Burgess (guitar, vocals) based in New York, Charlie Ryder (guitar, bass, keys) based in London and Christie Simpson (vocals, keys) based in Christchurch. Writing and recording by email out of necessity, the band initially wasn’t meant to be a live project but over the years, they’ve received praise across the blogosphere and international outlets for a breezy yet bittersweet, 80s synth pop inspired sound centered around Christie Simpson’s ethereal and achingly tender vocals.

Now, as you may recall, the acclaimed indie electro pop act signed to Polyvinyl Record Co. late last year, and to celebrate the occasion, they released the self-produced single “Right Track/Wrong Man,” an upbeat, disco-tinged meditation on the closure gained by accepting that it’s time to move on and forward. Yumi Zouma begin 2020 with the announcement that the band will be releasing their highly-anticipated third full-length album, the self-produced Truth or Consequence on March 13, 2020 through their new label home. Thematically, the album focuses on distance — both real and metaphorically, with the album’s material touching upon romantic and platonic heartbreak, real and imagined emotional distance, disillusionment and being out of reach. 

Interestingly, along with the announcement of their third album, the JOVM mainstays released their latest single, Truth or Consequence’s first official single “Cool For A Second.”  Christie Simpson’s ethereal, wisp-like vocals effortlessly glide over softly padded beats and shimmering synth arpeggios and soaring hooks. While being simultaneously melancholy and hopeful, the song is centered around the idea that life doesn’t always provide answers nor closure and captures the release that comes from saying the truth — even if only to oneself.   

Yumi Zouma’s Charlie Rider explains in press notes that the song was almost scrapped for a B-side before becoming a single. “The song was demoed in Los Angeles and then long forgotten, destined for the scrap heap. A spark of inspiration from Josh in the introduction reestablished that for us, the most conspicuous of melodies are often hidden in modest beginnings.”

Directed by Nick Mckk, the recently released video for “Cool For A Second” stars Benji Mazzone and Yumi Zouma’s Christie Simpson. Fittingly, the cinematically shot accompanying video seems to recall classic 80s movies — but with a seemingly soft focus.  Centered around the central pair of the boy and woman, we see a relationship that’s profoundly affectionate, intimate and familiar. Throughout, there’s a sense that they’re dealing with something monumental in which there’s no real closer — and yet, they have each other to lean on. 

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New Video: Introducing the Shimmering and Infectious Retro-futuristic Pop of London’s Planet 1999

Planet 1999 is a rapid rising London-based trio that specializes in melancholic yet dance floor friendly songs that mesh elements of 90s shoegaze with bubble gum pop, at points referencing Cocteau Twins, labelmate Hannah Diamond and others. Since their debut last year, the members of Planet 1999 have been busy: the trio co-wrote and co-produced Charli XCX’s “February 2017” off her most recent album Charli; played their live debut with Hannah Diamond; and they’ve been busy putting the finishing touches upon their forthcoming — and highly-anticipated — debut EP Devotion which is slated for release on March 6, 2020.

Their debut single “Spell” was a more of a slow-burning ballad; however, the London-based trio’s latest single “Party” is a decidedly upbeat track, centered around shimmering synth arpeggios, thumping boom-bap beats, plaintive and ethereal vocals and an infectious hook. Simultaneously recalling Stereo MCs and JOVM mainstays Yumi Zouma, the track is a dance floor friendly, sugary pop confection that the band says is an ode to “taking a break from a party to go outside and look at the stars.”  

The recently released video by Aidan Zamiri and Eamonn Freel, features the members of the rapidly rising London-based act and cameos from PC Music label head A.G. Cook and Zippy, the band’s mascot designed by visual artist Leon Sandler. The video finds the members of the band performing in and exploring surreal yet evolving 3D landscapes created by Eammon Freel. Much like its accompanying song, the video is mischievously anachronistic, bringing to mind synth pop and dance music videos from the late 80s and early 90s. “We wanted to make a video that felt as cool and surreal as the song,” explains director Aidan Zamiri. “I think it’s the perfect starting point to enter the world of Planet 1999”. 

New Video: Introducing the Motorik Groove Driven Psych Rock of Paris’ MAGON

MAGON is an Israeli-born, Paris-based psych rock singer/songwriter and producer. His latest album Out in the Dark was released last October through December Square/Differ-Ant Records. And with the release of the album’s first single “The Streets,” the Israeli-born, Paris-based artist quickly established a unique sound, which he has described as urban rock on psychedelics. 

Out in the Dark’s latest single is the decidedly cocaine fueled, glam rock-like “My Reflection.” Centered around a chugging motorik groove, angular and slashing guitars and MAGON’s ironically detached vocals, “My Reflection” may remind some listeners of The Strokes — but with an unvarnished sense post-modern self-awareness. “‘My Reflection’ is one of the most introspective songs on the album,” MAGON wrote to me in an email. “It resumes my life up and evokes my life philosophy. it’s also one o the rare songs for which I wrote the lyrics fully before composing it.” 

Shot on a grainy VHS-like film, the video which is set in a rainy European town, follows a beautiful woman as she vamps, runs, smokes and generally pisses away her time. It’s purposefully DIY — but while possessing a mischievous sense of humor: it evokes what bored, self-aware and yet cool young people do all over the world. “I shot the video one day in December in Bucharest with my girlfriend Alexa and her sister Yvonne, who are natives of the city,” MAGON explains in an email. “We used an old DV camera that my bassist Gauthier gave me, which has a great vintage look, and in post production, we really had fun grading (mainly to b&w) editing and superimposing the footage. Yvonne, who is 17 was really happy with the final result, although she was quite worried it would turn out to be shit. I would like to keep on making videos with Alexa because she’s super talented and intuitive with visual arts.” 

New Video: Rapidly Rising Early James Releases a Southern Gothic-Influenced Visual for Brooding “It Doesn’t Matter Now”

Early James is a Birmingham, AL-based singer/songwriter, guitarist and frontman of the Birmingham-based act Early James and The Latest. Along with bandmates James Mullis and Adrian Marmolejo, the act seamlessly meshes roots rock, the blues, early rock and classic country.  The band is Dan Auerbach’s latest singing to his Easy Eye Sound Records — and as the story goes, Auerbach decided he needed to produce James’ work after watching roughly two seconds of the Birmingham-based singer/songwriter and guitarist performing. “Every line has to mean something to him, personally. It’s not good enough to just write a good song, it needs to have a deeper meaning,” Auerbach says of working with James. “He’s unlike any person I’ve ever worked with. He’s not writing a song to be universal; he’s writing a song for him.”

Singing for My Supper, Early James’ full-length debut is slated for a March 13, 2020 release through Easy Eye Sound/Nonesuch Records.  Reportedly, the Dan Auberach and David “Fergie” Ferguson-produced debut features ten-wide ranging songs that span across blues, folk and old-timey pop crooning that are influenced by Fiona Apple, Tom Waits and the Southern Gothic poets — while being deeply personal, full of world weary wisdom and informed by lived-in experience.  

Singing for My Supper’s second and latest single “It Doesn’t Matter Now” tells a tale of a bitter breakup of a dramatic and dysfunctional relationship with recriminations and accusations and deliberately hurtful actions coming from both sides. Musically, the song is centered around a cinematic and brooding Chris Issak “Wicked Game” meets Mississippi Delta Blues arrangement — reverb drenched guitars, gently padded drumming, a sinuous bass line and James’ incredible vocals, which express the heartbreak, bitterness, pride, longing and ambivalence at the core of the song. 

Directed by Tim Hardman, the recently released video is a Southern Gothic-influenced visual that recalls Deliverance, A Time to Kill and others, as it stars James, his backing band and a collection of sideshow freaks and primarily set in and around a creepily beaten up cabin in the middle of nowhere. But the video’s protagonist are the sideshow freak couple, who inflict pain on each other — and gleefully enjoy it. “The subject matter for this song is pretty heavy. I felt there needed to be some aggression on screen but didn’t want it to play out like a typical break up,” Hardman told Billboard. “For some reason, Sideshow Bennie, whom I worked with several years ago, popped in my head. I looked him up and learned he was now working with a sidekick, Anna Fiametta. When I read how they met, I thought it was a funny story that would fit the song. The thought of them inflicting pain on each other, and the pleasure they receive from it, was intriguing. I pitched the idea to Early and I’m grateful he got it and trusted my vision for his song.”

New Video: Tel Aviv’s Cherie and Renno Release an Old-Timey Visual for Stomping and Strutting New Single “Be My Baby”

Cherie and Renno are an emerging Tel Aviv, Israel-based indie rock act founded by its core duo Ran Shem Tov (vocals, viola) and Shiri Hadar (vocals, keys, bass), with Guy Ben Ami (drums). Interestingly, the rising Israeli act can trace its origins to when its core duo of Shem Tov and Hadar were members of acclaimed act Izabo — but with material centered around a wooden, electronic multi-synth viola that has been built from collected vintage parts. 

“Be My Baby,” the Israeli act’s latest single is a strutting and self-assured track that possesses elements of indie rock, the blues and rockabilly paired with anthemic hooks — and the end result is a mischievously anachronistic sound that’s one part Odelay-era Beck, one part Sun Records, one 60s psych rock and 60s pop. Co-directed by Nissim Farin Shtamper, Lioh Sadeh and Eliran Peled, the recently released video for “Be My Baby” is  fittingly anachronistic visual: shot in an old-timey black and white, the video features stock footage of stock footage of a 60s dance show split with footage of the members of the band performing the song and some low-budget, Twilight Zone-like imagery.  

The members of Cherie and Renno have developed a reputation for their award-winning music production company, The Sound Makers Productions, which specializes in original compositions and scores for film, TV and commercials. They recently wrote the soundtrack for Uri Zohar Returns, a documentary on one of Israel’s biggest cultural figures, including “Summer Smile” based on the film’s theme song.  

New Video: New York Indie All-Star Act Releases an Uneasy and Menacing Visual for Geoff Barrow-like “Calls Your Name”

Formed last year, Activity is a New York-based avant/experimental act featuring Grooms’ Travis Johnson (vocals, sampler) and Steve Levine (drums), Field Mouse’s Zoe Browne (bass) and Russian Baths’ Jess Rees that discard the more weary connotations of indie rock through a natural, minimalist and intelligent use of modern implements paired with organic instrumentation. 

Their Jeff Berner-produced full-length debut Unmask Whoever is slated for a March 27, 2020 release through Western Vinyl. The forthcoming album’s material reportedly sees its creators’ abilities gel with one another to reach new levels of interplay and fruitful cooperation while sonically forming a menacing and uneasy framework to touch upon lyrical themes of paranoia, exposed character flaws and the broader human capacity for growth when an ugly truth is laid bare. The album’s first single “Calls Your Name” is centered around an atmospheric, uneasy and menacing Geoff Barrow-like production featuring woozy and shimmering synth arpeggios, and a relentless stuttering beat paired with half-song half-spoken lyrics inspired by C.S. Lewis’ 1945 novel The Great Divorce. In the novel, characters stuck in a grey, joyless conception of hell repeatedly deny opportunities to be taken into heaven, instead making excuses as to why they should remain in their embittered purgatory states. 

The recently released video captures this seemingly unending sensation of unease as it captures the band members in what seems to be their own personal purgatory. 

New Video: Greg Dulli Pays Homage to Bob Fosse’s “All That Jazz” in Cinematically Shot Visual for “Pantomina”

Best known as the founding member, frontman and creative mastermind behind JOVM mainstays The Afghan Whigs and The Twilight Singers, Greg Dulli has a well-established reputation as a poet laureate of the bizarre whims and cruel tangents of desire and all things dark and brooding.

Although Dulli has been involved in a number of projects during his 30+ year recording career, his first solo full-length album under his own name Random Desire is slated for a February 21, 2020 release through Royal Cream/BMG. Random Desire can trace its origins to the aftermath of The Afghan Whigs’ most recent album, 2017’s critically applauded In Spades: Patrick Keeler was about to take a short sabbatical from the band to record and tour with his other band, The Raconteurs. Dulli’s longtime collaborator and bandmate John Curley went back to school. And the band’s longtime guitarist Dave Rosser tragically died after a battle with colon cancer.

So Dulli returned to his teenaged bedroom roots, finding inspiration through the model of legendary, one-man, multi-instrumentalist band visionaries like Prince and Todd Rundgren with the Hamilton, OH-born, Los Angeles-based singer/songwriter writing and playing almost every part of the album — from piano and bass lines to drums. Much like he’s always done throughout his career, the music came first and the lyrics completed later. Written and recorded in several different locations including Dulli’s Silver Lake home; Crestline, CA, in the mountains above San Bernardino; and New Orleans — with the bulk of the album being done at Christopher Thorne’s Joshua Tree, CA-based studio.  While Dulli handled most of the album’s instrumental duties, he managed to collaborate with an all-star cast of musicians including his Afghan Whigs bandmates Jon Skibic (guitar) and multi-instrumentalist Rick G. Nelson, his Twilight Singers bandmate Mathias Schneeberger, Dr. Stephen Patt (pedal steel and upright bass) and Queens of the Stone Age‘s and The Mars Volta‘s Jon Theodore (drums).

“Pantomina,” Random Desire‘s swaggering and self-assured first single is centered around layers of buzzing power chords, a handclap-led hook and lyrics that alternate between sardonic, desperately lonely, and triumphant — often within a turn of a phrase.  Much like his acclaimed work with The Afghan Whigs and The Twilight Singers, the new single delves into the psyche and emotions of a deeply fucked up, dysfunctional narrator with fucked up, dysfunctional relationships — but there’s also a hard fought, world-weary wisdom at its core.

Directed by longtime Afghan Whigs visual collaborator Philip Harder, who stars as Bob Fosse, along with dancers, Paula Vasquez Alzate, Desare Cox, Elayana Waxse, Maggie Zepp, LaTanya Cannaday, Karen Yang, Mia Bird and Reyona Elkins, the recently released and gorgeously shot video for “Pantomina” captures the life behind-the-scenes and on-stage with an intimacy and familiarity of  performer, before going to the frenetically shot performance and the collapse, then death of its hard-living, harder working choreographer protagonist. As Greg Dulli says in press notes. the video “is a homage to the movie All That Jazz. ‘Pantomina’ feels like a show tune to me.”

New Video: Dutch Indie Act The Homesick Release a Surreal, Animated Visual for Expansive Single “Male Bonding”

With the release of 2018’s full-length debut Youth Hunt, the Dokkum, The Netherlands-based trio The Homesick — Jaap van der Velde, Erik Woudwijk and Elias Elgersma — were quickly typecast as being resident tricksters, shrewdly courting spirituality under their own nonconformist whims. For outsiders, it was hard to tell whether the band was being ironic and taking the piss out of things — or genuinely unraveling themselves as starry-eyed romantics. Interestingly, even the album’s production values were quixotic and highly unusual: Elgersma and Van der Velde’s vocals were drenched in reverb  and paired with warped synths and distorted guitars within hook-driven guitar pop.

Slated for a February 7, 2020 release through Sub Pop Records, the Dutch trio’s forthcoming sophomore album The Big Exercise derives its title from a passage in acclaimed singer/songwriter Scott Walker’s biography Deep Shade Of Blue, the album reportedly is a concentrated effort by the trio to explore the physicality of their music in fresh ways.  “When we were on tour in 2018, I bought Meredith Monk’s Dolmen Music in Switzerland,” Van der Velde says in press notes. “Elias and I have been completely immersed in her music ever since. But also the work of Joan La Barbara for example, who also did things with extended vocal techniques, that was also quite vital to us. We discovered that the human voice offers so many beautiful elements that can still feel very physical and intrusive.”

“That’s also a  phenomenal aspect of the position we’re now in as a band,” Van der Velde adds. “I consider The Homesick a pop band first and foremost. If you’d introduce a late-era Scott Walker-record to a layman, it would likely fall on flat ears. But put it in the right scene of a good movie, and that person may finally understand its potential. The Homesick is allowed to play around in that pop framework, and the goal is to explore what’s possible within it. You can do super radical and weird things, and at the same time convey it all as straightforward pop music. With this album, I hope people will hear things anew after multiple listens.”

Additionally, the album finds the members of The Homesick second-guessing their long-held core chemistry as a live unit, adding baroque instrumentation like piano, acoustic guitar, percussion and clarinet to angular post-punk arrangements. “It’s the opposite of trying to translate recorded music to the stage,” the band’s Elias Elgersma says in press notes. “We were already playing these songs live for quite some time, so for this album, we wanted to unlock the potential of these songs further in the studio.”

Youth Hunt thematically touched upon a quest for belonging, roots and provenance; however, The Homesick’s sophomore album is centered around a headstrong wanderlust, which is fitting for a small-town Dutch band, anxious to take over the world while featuring meditations on family ties, alternate realities and commonplace encounters. Interestingly, the album’s latest single “Male Bonding” is a galloping genre-defying track that possesses elements of angular, Gang of Four-like post-punk, 90s grunge, Devo-like New Wave and hints of psych folk placed within an expansive, breakneck arrangement that’s wildly eccentric yet mosh pit friendly.

Directed by Karlos Rene Ayala and featuring work by Skinner Illustration andMatt Brown 3D Animations, the recently released video is surreal sort of a Dada-esque nightmare that pulsates with the song’s chugging, motorik-like groove.

New Video: Brighton Psych Act Wax Machine Releases a Gorgeous and Mind-Bending Animated Visual for “Shade”

Led by its Brazilian-born founder Lau Ro (vocals, guitar), who spent time living in Italy and England, along with Isobel Jones (vocals, flute) and Toma Sapir (drums), the Brighton, UK-based psych rock act Wax Machine draws heavily from its founder’s international’s upbringing. With a handful of EPs under their collective belts, the band has developed a reputation for drawing from a number of disparate genres and styles.  The Brighton-based act’s forthcoming Go Kurosawa-produced album Earthsong of Silence will further cement the Brighton-based act’s growing reputation for a genre-defying, anachronistic sound, as the album reportedly finds the band incorporating elements of spiritual jazz, krautrock. tropicalia and library music filtered through a psychedelic lens.

Slated for a March 20, 2020 release through Beyond Beyond Is Beyond Records, Earthsong of Silence continues where “Mind Palace,” off their last EP, Mind Palace left them — exploring English psych folk but while also touching upon the sunny tranquility of West Coast psych. As the band’s Lau Ro says in press notes, the album thematically “is an exploration into paradoxes, meditation and magic, predicated on the underlying idea of becoming one with nature and in harmony with the environment.”

“Shade” Earthsong of Silence’s latest single is a lysergic and seamless synthesis of Nick Drake-like folk, Haight-Ashbury-era grooves and vibes, Brazilian tropicalia-like breeziness and free-flowing jazz-tinged improvisation that manages to sound decidedly anachronistic — as though it could have been released sometime between 1967-1969 or so. The song — to me, at least — manages to evoke an easygoing summer afternoon, observing nature under the influence of hallucinogens.

The recently released animated video for “Shade” is fittingly mind-altering: in the background the viewer will see leaves fluttering in the wind, the rippling of water. But superimposed over that are gorgeous line animations of the band performing the song, with equally hallucinogenic imagery.