Ryan Lee West is a critically acclaimed, London-based electronic music producer, best known as Rival Consoles. Over the course of his nearly two-decade career, West’s work has diversified from the challenging electronic output of his earliest releases to gradually becoming more conceptual and metamorphic: 2020’s Articulation used drawings and sketches to imagine and developed each track while 2021’s Overflow explored themes of the human and emotional consequences of life surrounded by advancing technologies, including social media — and was composed for choreographer Alex Whitley‘s contemporary dance production of the same name.
West’s consistent desire to create a more organic, humanized sound often sees the acclaimed British producer often developing early ideas on guitar or piano; forming pieces that capture and evoke a sense of songwriting behind the electronics. His eighth album, 2022’s Now Is featured some of the most playful and melodic material of West’s catalog in some time, with the album’s material drawing from music, art, film, colors, shapes and even human emotions.
“The title of the record Now Is interests me because it is the beginning of a statement, but it is incomplete. I like art that is open and suggestive of ideas even if they are inspired by very specific things,” West explains. “With my previous record Overflow being very dark, heavy and almost dystopian, I wanted to escape into a different world with this music and ended up creating a record which is a lot more colorful and euphoric.”
West followed Now Is with 2023’s standalone single “Coda,” an incredibly nocturnal song built around an eerie chord progression that slowly twists, turns and morphs as it builds up tempo paired with skittering beats and a relentless motorik-like groove. The composition manages to evoke a somnambulant and woozy buzz of energy. “’Coda’ started as a really late night experiment around a chord progression that seemed haunting but also had some strange beauty,” West says. “The whole piece is centered around this theme. I wanted to embrace the dark and quiet moments of the nighttime but also the energy of people who were maybe moving around London late at night with a nod to house music.”
West’s ninth Rival Consoles album Landscape from Memory is slated for a July 4, 2025 release through his longtime label home, Erased Tapes. The album’s material blossomed following a frustrating fallow year away from the production desk.
For West, having spent the past decade producing and writing in a habitual way, falling out of love with creativity was a a sort of slowing of the clock that has long made him tick, a sense of being swallowed whole by some elementary force. And yet, the time out of the studio and writing room, helped inform what may arguably be his most invigorating album to date.
Partly stitched together from a scrapbook of discarded audio snippets, Landscape from Memory reportedly demanded a degree of openness and vulnerability from West during its assembly. “There is a kind of strange beauty to it because it involves the past, present and future in a very strong way,” West says.
The album’s climatic productions are frequently characterized by their propulsive quality and driven by West’s own push to step outside his comfort zone, having found inspiration from new and unfamiliar sources. Because his self-built Hackney studio suddenly felt too controlled of an environment, West changed up his creative process, mapping out tracks away from is studio desk. And as a result West’s forthcoming ninth album is a sort of travelogue of creativity on the move, a collection of postcards from a everywhere that features material defined by restlessness.
Landscape from Memory’s lead single “Catherine,” dedicated to West’s partner is a haunted yet remarkably upbeat track featuring propulsive, skittering and shuffling beats paired with a glistening synth-driven melody that twists and turns throughout a cinematic and expansive song structure.
“I recently came across this sketch of a melodic idea that I created many years ago,” West explains. “The title is named after the person who made me realise in that moment, that this idea had something special about it that should be returned to.”
