Category: Video

Throwback: Happy Belated 57th Birthday, CL Smooth!

JOVM’s William Ruben Helms belatedly celebrates CL Smooth’s 57th birthday.

New Video: Amadou & Mariam Share Swooning “L’amour à la folie”

Over the course of their almost 50-year career run together, the iconic and beloved Malian duo Amadou & Mariam have had an illustrious career that saw them take the Malian blues that made them a household name in Africa and opened it up to rock, hip-hop and EDM/dance influences, which led to spreading their country’s culture and beloved sounds, as well as the pair’s unique joie de vivre. “We’ve always dreamed of tearing down walls and opening people’s ears to new sounds so the whole world can discover and appreciate Malian music,” Amadou & Mariam says.

Late last year, the pair released the compilation album La Vie Est Belle, an album that highlighted their legacy as one of Africa’s most famous duos and the massive influence they’ve had while paving the way for an exciting, new generation of African artists, who have begun to dominate the Western mainstream.

The legendary Malian duo have also acted as Afro-pop ambassadors, who have collaborated with some of the biggest names of Western mainstream music, including U2ColdplayStevie Wonder, Sofi TuckerBLOND:ISHSantigoldAkonTV on the RadioDamon Albarn and David Gilmour — with their seven studio albums selling over one million records globally. Adding to a globally recognized profile, the duo made the rounds of the global festival circuit, playing sets at CoachellaLollapalooza and Glastonbury. They’ve also performed at The World CupNPR’s Tiny Desk and last year’s Paris Paralympic Games Closing Ceremony, where they covered Serge Gainsbourg‘s “Je Suis Venu Te Dire Que Je Me’n Vais.” And lastly, they made the run of the late night TV circuits of both the US and UK.

The duo’s final album together, L’amour à la folie is slated for an October 24, 2025 release. Written and recorded together over the past seven years, the acclaimed and beloved Malian duo’s soon-to-be released eighth album conveys the duo’s raw joy through incandescent, exuberant music that perfectly complements their messages of love and unity — and the hope of a peaceful world in which diversity is celebrated and championed. And with love with a capital L as the driving force, music and fuel and sharing as the spark, the duo’s radiant power continues to shine on their final album.

Final mixes of the album’s material were completed last winter. They shared a deep excitement about the album’s release in October. But sadly, Amadou Bagayoko died back in April. It’s Mariam Doumbia’s wish, after the mourning period, to return to stages and perform the album she spent seven years working on with her beloved while celebrating the music and life her and beloved created.

L’amour à la folie‘s latest single, album title track “L’amour à la folie,” is a defiantly upbeat and urgent declaration of a swooning and ridiculously passionate love, featuring a propulsive and funky Afro pop-meets-dance floor groove, driving polyrhythm and Bagayako’s woozy guitar riff paired with the duo’s unerring knack for incredibly catchy hooks and their imitable harmonizing. And at its core, “L’amour á la folie,”is a much-needed joy bomb in bleak, desperate times that reminds all of us that life isn’t worth a damn without a love that drives you mad.

The accompanying video features footage of the pair performing on stages across the world, bursts of behind the scenes footage from video and album art shoots, small moments of families together, behind the scenes footage of the duo together and more.

New Video: Sessa Shares Swinging and Strutting “Nome de Deus”

São Paulo-based singer/songwriter and musician Sergio Sayeg, best known as Sessa will be releasing his third album Pequena Vertigo de Amor on November 7, 2025 through Mexican Summer.

The nine-song album is not just an evolution of the Brazilian artist’s sound; it’s a thorough transformation. Sayeg describes the album’s material as “a bit more nocturnal, open-ended, crooked funky,” while highlighting inspiration from soulful influences across both North and South America, including Shuggie Otis, Roy Ayers, Sly Stone, Erasmo Carlos, Tim Maia, Hyldon and more.

Recorded to tape at Cosmo, the studio that the Brazilian artist co-founded with Biel Basile, over five sessions between last April and March 2025, Pequena Vertigem de Amor sees Sessa expanding his sonic palette and stretching in multiple directions simultaneously. There’s a greater emphasis on rhythm and enhanced tempos, as he experiments with new vocal cadences and textures, and the addition of instrumentation not heard in his previously released work like piano, synthesizer, wah-wah pedaled guitar and even a primitive drum machine.

Sayeg describes the forthcoming album’s songs as “a mix of personal chronicles and quiet meditations about life in the face of personal change, of experiencing something so big that you realize your insignificant size in space and time.” That new perspective and reality wound up remaking his personal life and his connection to music. “For the first time I saw music move from the center to the side of my life.” The radical reordering of priorities presented fresh opportunities in his music. “In an interesting way, music became more mixed with my life,” Sessa explains as he found ways to conjure melodies, lyrics and inspiration from the daily rhythms of life.

His personal evolution has brought into sharp contrast “the ambiguities and contradictions in life, which is a place that has always inspired my writing.” Pequena Vertigem de Amor reminds the listener that experiencing vertigo can be simultaneously terrifying and exhilarating, sentiments expressed through the material’s lyrics and overall aesthetic, a fusion of novel and familiar sounds, styles and instrumentation.

In making Pequena Vertigem de Amor, a cosmic connection by way of his son’s pre-school managed to yield a missing musical ingredient—an “element on piano, which I had never put in my music, that fulfilled my search for a classic samba jazz sound,” Sessa says.  A fellow musician and parent at his son’s pre-school suggested pianist Marcelo Maita, the younger brother of São Paulo samba legend Amado Maita. Sayeg invited the younger Maita to contribute to a few songs, including the album’s second and latest single “Nome de Deus” (“Name of God”).

Maita’s urgent, staccato piano attack paired with Biel Basile’s rolling percussion and a supple, throbbing bass line create a soulful, mischievously swinging and strutting samba-inspired bed for Sessa’s impassioned vocal defiantly asserting agency in bold defiance of deities and nonsensical laws and rules.

Directed by Rollinos, and shot in a cinematic black and white with illustrated burts of color exploding across the screen, the accompanying video features the Brazilian artist playing all of the song’s instrumentation and singing in a recording studio.

New Video: Danger Mouse and Black Thought Team Up with Rag’n’Bone Man on Cinematic and Soulful “Up”

Danger Mouse (born Brian Burton) is arguably one of the most versatile and prolific artists and producers in music right now: As an artist he has been one-half of Broken Bells and Grammy Award-winning Gnarls Barkley. As a producer, he has recorded collaborative albums with  Yeah Yeah Yeahs‘ Karen O and the late, legendary MF DOOM. And he has worked with AdeleU2The Black KeysGorillazRed Hot Chili PeppersMichael KiwanukaParquet Courts and a lengthy list of others. 

Black Thought (born Tariq Trotter) is a co-founder and frontman of Grammy Award winning, pioneering hip-hop act The Roots. Trotter is also an accomplished solo artist who has released a critically applauded album and two EPs: 2020’s Streams of Thought Vol. 3: Cane & Able and 2018’s Streams of Thought Vol. 1 EP and Streams of Thought Vol. 2 EP, which helped further his reputation among the cognoscenti — and real hip hop heads — as one of the dopest living emcees to ever spit bars. Adding to a lengthy list of accolades and accomplishments, Trotter has acted in film and theater, along with having writing and producer credits.

The duo’s acclaimed collaborative album, 2022’s Cheat Codes simultaneously marked Danger Mouse’s first hip-hop album since 2005’s DANGERDOOM with the legendary and beloved MF DOOM and the follow=up to Black Thought’s solo trilogy Streams of Thought. But their collaboration can actually be traced back almost 20 years earlier: Trotter and Burton first met back in 2005. They started working on material — but time went on, life happened, other projects and obligations came up.

Following 2004’s acclaimed The Grey Album, Burton became one of the most in-demand and prolific producers of the day, helming several commercially and critically successful projects, which led to a bevy of accolades and awards. He also developed collaborations with a unique and eclectic array of artists while expanding upon and honing his own musicianship, production and writing. 

During that same period of time, The Roots released a batch of critically applauded albums and became the house band for Late Night with Jimmy Fallon then The Tonight Show Starring Jimmy Fallon. Trotter released his aforementioned, critically applauded solo trilogy Streams of Thought. He collaborated with the likes of EminemJohn LegendPusha T.Griselda, and a list of others. He wrote, composed and starred in the widely-praised off-Broadway show Black No More. And adding to a lengthy list of accomplishments, he co-produced a TV series with his Roots bandmate Questlove

Each mistakenly thought that the other had moved on and their collaboration just died, but as it turned out, neither one never stopped wanting to work together. Burton had long felt an instinctive need to return to his roots and make a timeless hip-hop album. He knew that Trotter was one of the few emcees truly capable of fulfilling that vision. Simultaneously, Trotter was seeking a space, where he could express himself musically and creatively beyond the confines and structures of his own band. 

This time, Burton was a far more seasoned songwriter and producer, Trotter an even more extraordinary emcee.  So, setting aside all distractions, Burton played Trotter some new music he had had. The ideas and words quickly flowed — and the experience was liberating. 

Meticulously built over a period of several years, Cheat Codes found Burton pushing widescreen, soul-infused hip-hop soundscapes to new directions paired with Trotter’s commanding presence, incisive lyricism and dexterous wordplay. Unlike the typical producer-meets-rapper/side project, Cheat Codes is an effort between two like-minded collaborators, who raise each other’s games to new heights. The album also featured an equally acclaimed cast of guests including A$AP Rocky, Run The Jewels, MF DOOM, Michael Kiwanuka, Joey Bada$$RussRaekwon, and Conway the Machine. Simply put, dope emcees plus dope producer equals legendary album.

Danger Mouse and Black Thought recently shared “Up (with Rag’n’Bone Man),” their first bit of new material together since Cheat Codes — and a preview of their forthcoming, highly-anticipated sophomore album together. Written and performed by Danger Mouse, Black Thought and British artist Rag’n’Bone Man (drums and vocals), whose song “Human” has amassed over 2 billion views on YouTube, “Up” features a broodingly cinematic production with clattering and percussive boom bap serving as a lush bed for Black Thought’s intense and fiery yet deeply introspective lyrics and the rising British artist’s mournful, gospel-meets-soul like hook.

Directed by Joshua Ellingson, the accompanying video for “Up” continues the Cheat Codes visual aesthetic: screens upon screens, stock footage that seemingly evokes the desperate urgency of our moment and the three collaborators.

New Video: Weird Nightmare Shares Defiantly Upbeat Anthem “Forever Elsewhere”

Known for his decade-plus stint as frontman of Toronto-based JOVM mainstays METZ, singer/songwriter and guitarist Alex Edkins developed and honed a reputation for being a master craftsman of eardrum splitting, hooky rippers.

Edkins’ recording project Weird Nightmare saw the longtime METZ frontman showcasing a sugary and distorted pop sensibility to his long-established reputation for enormous power chord riffs and rousingly anthemic hooks with the project’s 2022 self-titled, full-length debut and a handful of one-off singles.

His latest single, the Jim Eno co-produced “Forever Elsewhere” is a rollicking and defiantly upbeat, hook-driven anthem that sounds to me a bit like a synthesis of Edkins’ work with METZ and The Replacements. While retaining the anthemic hooks of his Weird Nightmare debut album, “Forever Elsewhere” is a decided departure from the lo-fi bedroom approach, and step forward into the high-fiddly, shout-along with your friends anthems. And lord knows, we need a few more of those right now.

“‘Forever Elsewhere’ is the most optimistic song I’ve written to date. I wanted to send an unequivocal positive message into the world,” Edkins explains. “The line ‘Love, it will come,’ summarizes the overall theme: if things feel hopeless and the world is bleak, don’t give up, keep pushing. I like to think of it as a pep talk wrapped in fuzzy guitars. 
 
“I recorded with Seth Manchester (he engineered the last two METZ records) and Jim Eno (Spoon), and we tracked this one really quickly. Drummer Loel Campbell (Wintersleep) and Roddy Kuester (Julianna Riolino/Sadies) nailed it in 2 takes, and you can really hear the ramshackle energy in the song where the wheels almost fall off a couple of times. We tried to keep it loose.”

Directed by Colin Medley, the accompanying video for “Forever Elsewhere,” is an adorable and fairly accurate portrayal of adolescence turning into young adulthood, with the bitter recognition that occasionally adulthood is some asshole trying to take advantage of you. And yet, love and kindness somehow sets things straight.