Over the course of his career, JOVM mainstay and acclaimed Aussie singer/songwriter, multi-instrumentalist and producer Jay Watson has developed a reputation as one of his homeland’s most prolific and exploratory artists, and as arguably one of the country’s busiest musicians: He currently splits his time between JOVM mainstay acts, Tame Impala, POND and his own project GUM.
Watson recently signed to King Gizz‘s p(doom) records, who will be releasing his self-produced seventh album Blue Gum Way. The album’s title reference Australia’s blue gum eucalyptus trees, while subtly nodding to melancholy, place and atmosphere.
The album, which dropped today follows his 2023 GUM effort Saturnia and his 2024 collaboration with King Gizz’s and The Murlocs‘ Ambrose Kenny-Smith, Ill Times.
The JOVM mainstay’s seventh album marks a deliberate shift in approach. While his previous releases embraced restless experimentation and stylistic left turns, Blue Gum Way finds Watson focusing on a singular mood and sonic identity, allowing atmosphere, emotion and restraint to take center stage.
The nine-song album inhabits a widescreen, jazz-influenced psychedelic soundscape, drawing from Talk Talk, John Martyn and Radiohead. Elegant, patient and quietly melancholy, the album showcases an artist comfortable with vulnerability and clarity of expression, unburdened by the desire to prove anything. Interestingly, the album emerged in complete contrast to his concurrent work with POND and his collaboration with Kenny-Smith, and sees him favoring harmonic density and unhurried ambience over immediacy or roots-driven simplicity.
Written largely in insolation, the album allowed Watson to lean into deeply personal thoughts and emotions. Lyrics, which were one secondary in his creative process, now play a much more central role, exploring anxiety, adaptation and life’s pivotal moments with an impressionistic touch.
Blue Gum Way includes the previously released “Expanding Blue” “Celluloid” and the album’s latest single “In Life.” “In Life” is a meditative tune featuring atmospheric synths, a supple bass line and arguably some of the most gorgeous and expressive guitar work Watson has recorded to date. And while mediative, it’s not sad. But it does carry a wizened sense of “well, what if x instead of y. Where would I be? Who would I be?”
“This song is about a fork in the road, a sliding doors moment where your life could have been completely different based on one decision,” Watson says.
Directed by Sam Eastcott, the accompanying idle for “In Life” features Watson as a stranded man, akin to Castaway in the brush. Desperately trying to survive and to keep himself entertained, he sets up a place to play music. Because I mean, of course.