JOVM celebrates John Coltrane’s 94th birthday.
JOVM celebrates what would have been B.B. King’s 94th birthday.
On the evening of September 11, 2005, I returned home from a day job working as an Editorial Assistant at a small, Midtown Manhattan-based, family-owned book publisher of bilingual dictionaries and phrasebooks and international cuisine cookbook to my father cooking and playing John Coltrane‘s A Love Supreme.
My father was a very troubled man with whom I had a uneasy and difficult relationship for a significant portion of my life. But for some reason, playing Coltrane’s gorgeous and meditative opus on a day of such horror and terror seems like a fitting response. And it’s quickly become an annual tradition for me.
As always cherish life — especially today.
JOVM celebrates what would have been Otis Redding’s 79th birthday.
JOVM celebrates Robert Plant’s 72nd birthday.
JOVM celebrates Buddy Guy’s 84th birthday.
JOVM celebrates George Clinton’s 79th birthday.
Throughout the course of this site’s almost ten year history, I’ve managed to spill quite a bit of virtual ink covering the legendary Chicago-born singer, actress, and civil rights activist Mavis Staples. Going into a deep dive into her career as a member of the Staple Singers and and a solo artist will be a bit gratuitous — but throughout her career, she has received commercial and critical success, as well as a proverbial boatload of accolades. Stapes has received eight Grammy Awards nominations with the Staple Singers, winning one — a Lifetime Achievement Grammy in 2004. She also received a Grammy nod for a collaboration with longtime friend Bob Dylan. And as a solo artist, she’s been nominated for five Grammys, winning two — Best Americana Album for 2010’s You Are Not Alone and a Best American Roots Performance for 2015’s ”See That My Grave Is Kept Clean.”
She also has been nominated for 11 Blues Music Awards, winning nine, including Album of the Year for 2004’s Have A Little Faith, which featured Song of the Year and album title track “Have A Little Faith.” She’s also won three Soul Blues Female Artist Awards — one in 2004 and back to back wins in 2017 and 2018. Staples was also inducted into Rock & Roll Hall of Fame as a member of The Staple Singers in 1999, was a Kennedy CenterHonoree in 2016 and inducted into the Blues Hall of Fame in 2017.
Today is the legendary vocalist’s 81st birthday and I personally wanted to wish the national treasure a very Happy Birthday. May there be at least another 80 more!
Over this site’s 10 year history — 10 years y’all! — Brown Acid, Permanent Records’ and RidingEasy Records’ ongoing collaborative proto-metal and pre-stoner rock compilations from the 1960s and 1970s have become a regularly occurring biannual feature. Each individual edition of the series is based around RidingEasy Records’ founder Daniel Hall’s and Permanent Records co-owner Lance Barresi’s extensive, painstaking research and curation — with Hall and Barresi spending a great deal of time tracking own songs’ creators. The Brown Acid series proves that there’s a massive amount of heavy psych and proto-metal that has managed to be lost to the sands of time, including Indianapolis-based act ICE, who were prominently featured on Brown Acid: The Ninth Trip.
Formed during the late 1960s, the members of the Indianapolis-based quintet — Barry Crawford (vocals, keys) Jim Lee (lead vocals, bass), Mike Saligoe (drums), John Schaffer (lead guitar) and Richard Strange (rhythm guitar, vocals) — grew up in Indianapolis’ West Side. In a relatively short period of time, the members of ICE became one of the first emerging bands from their hometown to tour across the Midwest, playing a set of originals at high schools, college campuses and small clubs. Eventually the band built up enough of a profile regionally that they wound up opening for nationally touring acts like Three Dog Night, SRC,Kenny Rogers & the First Edition, The Nitty Gritty Dirt Band and others in arenas and theaters.
Back in 1970, Crawford, Lee, Saligoe, Schaffer and Strange recorded 10 songs of original material at Chicago’s 8-Track Studios. But shortly after the sessions, the band split up. Confusingly, two of tracks recorded during those sessions were eventually as a 45 in 1972 — but under a completely different band name, Zukus! That 45 managed to receive regional airplay: the A side of that 45 was “Running High,” which appeared on the aforementioned Brown Acid: The Ninth Trip. While Permanent Records and RidingEasy Records were going through the process to license “Running High,” they discovered that ICE had an entire album of material, recorded on 2 inch tape that had languished for over 40+ years on a shelf somewhere.
RidingEasy Records then converted the analog tape tracks to digital files and then remixed them to preserve the original vocals and instrumentation. Packaging the material as The Ice Age, the material will see the light of day for the first time in 50 years with the album’s release next week. The album is 10 songs of hard-edged rock with enormous, arena rock friendly hooks that may remind some listeners of the Grand Funk Railroad, The Guess Who, The Move and others.
So far I’ve written about two of the album’s previously released singles: the Steppenwolf and The Guess Who-like “Run To Me,” and the album’s shimmering The Byrds-like “Gypsy.” Interestingly, the album’s third and latest single “Satisfy” strikes me as being a synthesis between the shimmering psych rock of its immediate predecessor, the soaring and propulsive organ work of Iron Butterfly’s “In A Gadda Da Vida” and The Doors with a subtle nod to prog rock paired with enormous hooks. Certainly, in an alternate universe, “Gypsy” and “Satisfy” would be in the classic rock canon.