Tag: Adeline Before

I’ve written quite a bit about the acclaimed New York-based electronic dance music/neo-disco outfit Escort and their indomitable frontwoman and bassist  Adeline Michele throughout the course of this site’s eight-plus year history.  Now, as you may recall, the Escort frontwoman will be releasing her self-titled full-length on Friday, and the album is a bit of a sonic and aesthetic reset button from the full-length that she released a few years ago.  In fact, the album’s first single “Emeralds” was a slinky, 80s Quiet Storm-inspired synth soul that brought Prince to mind, while being centered around a a sinuous bass line and Adeline’s sultry vocals. “Before,” the album’s  Chaka Khan and Rufus‘ “Ain’t Nobody,”  Mary J. Blige’s “Be Happy,” and Patrice Rushen‘s “Feels So Real”-like featured shimmering and arpeggiated synths and Adeline’s pop superstar vocals. 

“Hi Life,” the latest single off the Escort frontwoman’s soon-to-be released album is a straightforward yet ecstatic house music banger featuring shimmering and arpeggiated synths, thumping tweeter and woofer rocking beats, a rousing hook and Adeline Michele’s sultry pop superstar vocals. Sonically, the song brings Inner City’s house music classic “Good Life” and Larry Levan to mind but with a modern sheen.

 

 

 

Now, throughout the the bulk of this site’s eight year history, I’ve written quite a bit about the acclaimed New York-based dance music outfit Escort,which features their indomitable frontwoman and bassist Adeline Michele, and as you may recall she released a solo album a few years ago — but her forthcoming self-titled, full-length effort slated for a November 9, 2018 release is something of a reset button; in fact, the Morgan-Wiley-produced “Emeralds” found the Escort frontwoman’s sound moving towards slinky 80s Quiet Storm-inspired synth soul reminiscent of Prince and others, centered around a sinuous bass line and Adeline Michele’s sultry vocals.

“Before,” the self-titled album’s latest single is centered around a funky, disco-like bass line, twinkling keys, shimmering and arpeggiated synths and Adeline’s effortless and self-assured pop superstar vocals — and while the song sonically nods at Chaka Khan and Rufus‘ “Ain’t Nobody,”  Mary J. Blige’s “Be Happy,Patrice Rushen‘s “Feels So Real” and classic Chicago house music, it possesses a soulful and disco-like ecstasy.