JOVM’s William Ruben Helms celebrates Slowdive co-founder Rachel Goswell’s 55th birthday.
Category: singer/songwriters
Throwback: Happy 60th Birthday, Janet Jackson!
JOVM’s William Ruben Helms celebrates Janet Jackson’s 60th birthday.
New Audio: Genesis Owusu Shares Glistening, Woozy “BIG DOG”
Acclaimed multi-ARIA Award-winning Ghanian-born Canberra-based JOVM mainstay Genesis Owusu released this highly anticipated third album REDSTAR WU & THE WORLDWIDE SCOURGE today through OURNESS.
REDSTAR WU & THE WORLDWIDE SCOURGE sees one of Australia’s most celebrated and visionary contemporary artists construct an exposed state-of-the-day record that’s experimental yet cohesive, desolate yet ecstatic, unflinching yet free. Duality is at the core of an album that sees the JOVM mainstay layering musings on an unsettled world with piercing reflections of his, and our own places within the world. Rich in lyricism and earnest in its message, REDSTAR WU & THE WORLDWIDE SCOURGE is a resolute effort that confronts a divisive era in which humanity and its institutions seem to be ripping apart at the seams and heeds a desperate need for unity.
Sonically drawing from and meshing elements funk, neo-soul, Brit rock and alt pop the album’s overall sound feels both sprawling and deliberate. “The world hasn’t ended yet,” Owusu. says. “We’re still moving, we’re still jumping, we’re still living, and so we shall continue. Through rain, shine, exploitation and warfare. We, the people, will always stubbornly persist, and hopefully persist hand in hand.”
The album includes the previously released “DEATH CULT ZOMBIE,” “STAMPEDE, “LIFE KEEPS GOING,” and the album’s latest single “BIG DOG.” Drawing from footwork, drum ‘n’ bass, glitchcore, and alt R&B, “BIG DOG” is anchored around a dense layers of dizzying synth arpeggios and skittering beats. The acclaimed JOVM mainstay alternates between punchily delivered bars and crooning over the woozy, uneasy production. The song sees Owusu surveying the world’s wreckage and takes aim at the higher institutional forces at play while still being danceable and oddly enough, almost feel good.
Owusu says of the “It’s a jam, man. Just something to have fun and feel good to. In the context of everything I’ve been releasing, the political, the disruptive, the punk – it’s important to remember what all that fighting is for: we’re fighting to be able to live life to the fullest. Live, laugh, love and all that. Fight for your right to party, as some wise men once said.”
Live Footage: MHUD Performs “Ô Calypso” at Mastoid Studio
The mysterious Strasbourg-born, Paris–based singer/songwriter, multi-instrumentalist, publicly known as MHUD initially began his creative career as a painter before turning to music as a creative outlet relatively recently. And within a relatively short period of time, the Strasbourg-born, Paris-based artist quickly established a genre-defying approach to his music that thematically touches upon humankind’s spiritual, emotional and intellectual split from itself.
Released last year, the Strasbourg-born, Paris-based artist’s sophomore album was largely conceived in the morning and at home with co-writer Felipe Sierra (guitar, synth). The pair wrote with the album’s material with the common thread of giving all their musical influences a chance to shine. Thematically, the album touches on consciousness and the unconscious, the chaotic noise of information overload, the lack of nuance, the inability to find a quiet moment to think or to process anything, and how easy it is to lose the thin thread of time that seems to barely hold everything to together.
NONO features the previously released, bruising “Toucher le sol,” and its latest single “Ô Calypso.” “Ô Calypso” is a shuffling and furiously unhinged bit of Bossa Nova that simultaneously seems to draw from Osees, Population II and VICTIME, Thematically, the song asks a deeply existential question: Will the 21st century man attain happiness or merely a nauseating madness?
The accompanying live footage, filmed at Mastoïd Studio by Nicolas Giraldo sees MHUD with a backing band featuring Felipa Sierra, Pedro Barrios (percussion), Biscuit (saxophone), Thomas Chalindar (drums) and Paul Dussaux (bass, modular synth).
News: JAZZ HOUSE KiDS Announces Partnership with Smithsonian Institution and 2026 Montclair Jazz Festival Lineup
Throwback: Happy 74th Birthday, David Byrne!
JOVM’s William Ruben Helms celebrates David Byrne’s 74th birthday.
Throwback: Happy 76th Birthday, Stevie Wonder!
JOVM’s William Ruben Helms celebrates Stevie Wonder’s 76th birthday.
New Audio: Alex Amen Returns with Homesick and Weary “California Blues”
Alex Amen is a rising, 26 year-old Texas-born, Los Angeles-based indie folk/country singer/songwriter. When he was four, he took up piano and studied with the same Houston-based jazz pianist through the end of high school. The rising, young country folk artist started playing guitar in his mid-teens after discovering Nirvana, Neil Young and the like. When he was 18, Amen relocated from Texas to California to study filmmaking — with the intention of making documentaries about rock climbing, one of his lifelong passions.
After one semester, he dropped out to focus on music full-time and moved to the Dittman Family Commune, an Anaheim-based commune with historic ties to the countercultural movements of the mid 1960s, where he started his first band, a psychedelic folk rock outfit named American Slang in 2017.“The commune was a crazy place to live—there were hippies and punks and skaters, all in this beautiful house that used to be on six acres of strawberry fields but now it’s surrounded by strip malls,” the Texan-born singer/songwriter says. ““The house was owned by a professor who’d bought it in the mid-’60s and still lived there with his family, so it had this fascinating history with the anti-war movement and renowned civil-rights/psychedelic activists from that time. We’d have these big communal meals every day and debate art and God and food and politics. It was a pretty amazing place to live for a while.”
The band broke up shortly after its formation. And Amen relocated yet again from Southern California to an island in Washington State’s Puget Sound. Over the course of the next three years, Amen spent n relative isolation, taking up interests in mycology, mountaineering, poetry and wooden boat building. But as the years began to pass, he felt an increasing need to return to California to pursue music.
In January 2023, Amen self-produced his debut EP, last year’s The Zorthian Tapes in a self-built studio at Altadena, CA’s historic Zorthian Ranch. He now resides in Los Angeles, releasing music among the city’s growing folk/Americana/country scene and playing shows across North America and elsewhere.
The past 18 months or so have been very busy: Last year he toured with Folk Bitch Trio, a tour that included a stop at Baby’s All Right. He has also made the rounds of the international festival circuit, playing Pitchfork Festival London and Pitchfork Festival Paris, Newport Folk Festival, Iceland Airwaves, Austin City Limits and Outside Lands. And he participated in the Americana Music Association‘s annual Grammy Eve concert at the Troubadour to honor the legendary Neil Young.
The rising young singer/songwriter recently signed to ATO Records, who will be releasing his highly-anticipated debut Sun of Amen on June 12, 2026. The album will include “Cabin by the Sea,” which features some gorgeous and expressive pedal steel from Tommy de Bourbon and strutting bass from Grammy-nominated Billy Mohler, and the album’s second and latest single “California Blues.”
Subtly channeling a mix of John Denver’s “Take Me Home, Country Roads” and the Laurel Canyon sound, “California Blues” features a homesick vagabond and wandering troubadour narrator, who illuminates an uneasy contrast between the quintessential California dream and its lived reality of heartbreaking isolation and desperation. “‘California Blues’ is a song I wrote years before I ever lived in California that somehow expressed the things I felt living there years later,” says Amen. “More than any other song made during my time in California it touched on the balance between excitement and isolation one can face when they chase their dreams out West.”
Amen is currently on tour. And along with the new single, he announces a summer run of tour dates that includes a July 29, 2026 stop at Elsewhere Rooftop. Check out the rest of the tour dates below.
Throwback: Happy 98th Birthday, Burt Bacharach!
JOVM’s William Ruben Helms celebrates the 98th anniversary of the birth of Burt Bacharach.
Throwback: Happy 78th Birthday, Steve Winwood!
JOVM’s William Ruben Helms celebrates Steve Winwood’s 78th birthday.
New Audio: lazybed Shares Jangling, Hook-Driven “time”
Macau-based Filipino artist Richard Winstanley can trace the origins of his music career back to high school, when he started writing, producing and mixing demos using GarageBand. His first solo project, a fictional band he called The Yankies saw him writing and recording songs in both English and Filipino. Although he never released those early tracks publicly, this early work wound up laying the foundation for his future musical explorations.
Winstanley stepped away from music while attending college. But after graduation, he found his passion for music re-ignited. He publicly emerged with his second solo recording project Cardz, which saw him release 2024’s mini-album Lok Kuan Express through Bandcamp and YouTube. For the most part, music was a beloved hobby that offered him a creative escape from his full-time job.
Earlier this year, the Macau-based artist emerged with his latest solo project lazybed, which derives it name from “lazy afternoons on [sic] my bedroom making music.” lazybed reflects a shift in sonic direction that sees Winstanley embracing guitar-driven indie rock. jangle pop and psych pop. Drawing from Broken Social Scene, MGMT, Blur, Eraserheaads, Mac DeMarco and more, the Macau-based artist creates songs from his bedroom using his MacBook and Logic Pro X.
The Macau-based artist’s latest single “time” is a remarkably catchy, hook-driven song that seemingly channels 00s jangle pop, slacker pop and New Order while thematically focusing on the inevitable passing of time, getting older and feeling like you’ve wasted both time and your life away. The song is rooted in a timeless theme that would be familiar to someone in their 20s or their 40s — but with a slightly different weight.
Throwback: Happy 85th Birthday, Eric Burdon!
JOVM’s William Ruben Helms celebrates Eric Burdon’s 85th birthday.
Throwback: Happy 61st Birthday, Greg Dulli!
JOVM’s Wiliam Ruben Helms celebrates Afghan Whigs’, Gutter Twins and Twilight Singers’ co-founder Greg Dulli’s 61st birthday.
Throwback: Happy 66th Birthday, Bono!
JOVM’s William Ruben Helms celebrates U2 co-founder and frontman Bono’s 66th birthday.
Throwback: Happy 64th Birthday, Dave Gahan!
JOVM’s William Ruben Helms celebrates Depeche Mode frontman Dave Gahan’s 64th birthday.
