Over the past few months, I’ve written a bit about the Jönköping, Sweden-based trio SVVAMP, and the band which is comprised of longtime friends Adam Johansson, Henrik Bjorklund and Erik Stahlgren can trace their origins to a mutually shared love of rock, folk and the blues — and the band since its formation has received praise for a classic rock-inspired, heavy psych sound that has drawn comparisons to Cream, Eric Bell-era Thin Lizzy, Creedence Clearwater Revival, and Neil Young and Crazy Horse but with an unpretentious, uncontrived vibe. Or in other words, while clearly drawing from the sounds of the late 60s and early 70s, the Swedish rockers aren’t in it for irony-fueled shits and giggles, there’s real soul and heart in what they do and how they do it. And as a result, the Swedish trio’s self-titled debut landed in the Top 20 Albums of 2016 in the Doom Charts consortium of music journalists, critics and radio stations.
SVVAMP 2, the Swedish trio’s highly-anticipated sophomore, full-length effort is slated for a June 8, 2018 release through RidingEasy Records, and the album finds the band making the massive, technological jump from self-recording on a 4-track tape deck to a 6-track tape deck, which allows the band to expand upon their overall sound while improving its fidelity. Interestingly, SVVAMP’s move from 4-track to 6-track recording follows the development of early psych rock bands moving towards increasingly state-of-the-art studio equipment (for their day), going from 4, then 6, then 8 and eventually 16 tracks and onward; however, as the band’s Adam Johansson explains, their sophomore effort finds the band stripping some elements of their sound down with all of the instruments being treated equally. “They all have their place in a song,” he says. “Obvious with 6-tracks now available, we’ve had a bit of fun with that.”
Earlier this year, I wrote about “Queen,”SVVAMP 2‘s swaggering and self-assured first single, a track that finds the band crafting a sound that sounded as though it could have been released in 1968, thanks in part to its enormous, power chord-based riff, and arena rock friendly hooks that immediately bring Steppenwolf’s “Magic Carpet Ride,” The Allman Brothers Band and Neil Young and Crazy Horse to mind but within a rather expansive, jam-like song structure. “Hillside,” the album’s second single may remind some listeners of Mountain’s “Mississippi Queen,” with an effortless balance of the cool, self-assuredness of old pros and the immediacy of three musicians with an incredible simpatico, who are honored into the exact same frequency. SVVAMP 2’s latest single “Alligator” is a full-throttle, swampy and bluesy affair that nods at Thin Lizzy and Grand Funk Railroad.