Tag: Angela Munoz I Don’t Care

New Video: Angela Muñoz Celebrates Young Love in Visuals for “In My Mind”

Over the past handful of months, I’ve written quite a bit about  The Midnight Hour, a 10 member ensemble founded and led by A Tribe Called Quest’s Ali Shaheed Muhammadand Adrian Younge, a Los Angeles-based composer, multi-instrumentalist, arranger, producer and Linear Labs founder. Now, as you may recall, the project prominently features singer/songwriter and guitarist Jack Waterson, singer/songwriter and multi-instrumentalist Loren Oden — and , singer/songwriter, multi-instrumentalist and 18 year old Los Angeles-born and-based phenom, Angela Muñoz.

The 10 member ensemble released their self-titled debut in 2018 — and the effort firmly established their sound: jazz and orchestral inspired soul and hip-hop heavily influenced by  David Axelrod, Quincy Jones, Curtis Mayfield, Barry White and Jazzmatazz-era Gang Starr. Since the release of their debut, Muhammad, Younge and the rest of the Linear Labs crew have been extremely busy: last year saw the release of Jack Waterson’s psych rock, solo debut Adrian Younge Presents Jack Waterson, and a lengthy tour that included a Brooklyn Bowl stop last September — and this year will see three releases from the collective and its members: the ensemble’s highly-anticipated sophomore album and solo efforts from Loren Oden and Angela Muñoz.

The young, Los Angeles-born and-based singer/songwriter, multi-instrumentalist and phenom has a beguiling voice and mature presence that belies her relative youth, who recalls that Guns ‘N’ Roses’ “Welcome to The Jungle” was the catalyst that sparked her desire to play music and become a star. As a girl, she learned to play guitar and piano — and with practice, she began to dominate singing competitions, leaving unexpected audiences in a trance.

Interestingly, a few years ago Muñoz’s brother Brandon introduced her to the Adrian Younge-produced Something About April. Muñoz was intrigued by the quality of the music, and as a result, she found herself thinking about how it would be interesting to create music that encompassed various perspectives — similar to how Younge does so with his analog recordings. Shortly after being introduced to Something About April, the Los Angeles-born and-based phenom serendipitously found herself working with The Midnight Hour, who recorded her song “Bitches Do Voodoo” on their full-length debut. They’ve since took Muñoz on tour, where she’s blown away audiences with her self-assured stage presence, her dexterous musicianship and her soulful vocals.

Earlier this month, I wrote about Muñoz’s neo-soul meets Quiet Storm-like debut single “I Don’t Care,” which featured her remarkably self-assured and effortlessly soulful vocals over an arrangement of twinkling keys and harp, soaring strings, a sinuous bass line, wah wah pedaled guitar and an enormous hook paired with an underlying youthful brashness. “In My Mind” the second single off full-length debut Introspection is a gorgeous and cinematic track centered around a pop standard-like arrangement featuring soaring and fluttering strings, a sinuous bass line, some expressive bursts of guitar, twinkling harp and Muñoz’s expressive vocal. Sonically, the song manages to recall George Gershwinand jazz ballads. From her first two singles, Muñoz is a certifiable star in the making.

“I wrote this song thinking about the journey of love,” Muñoz explains. “Despite my age, I have an awareness of what expressing love looks like. As I was writing this song, I wanted to challenge myself as a songwriter. This led me to imagine myself in the place of George Gershwin. If I could choose anyone to interpret this song it would be Sarah Vaughan. Ultimately, love can manifest itself in many ways.”

Directed by The Midnight Hour’s Adrian Younge and based on a story written by Angela Muñoz captures the swooning idealism and hope of young love in a way that proudly celebrates it. 

Muñoz’s full-length debut Introspection is slated for a May 19, 2020 release through Linear Labs.

Over the past handful of months, I’ve written quite a bit about  The Midnight Hour, a 10 member ensemble founded and led by A Tribe Called Quest’s Ali Shaheed Muhammad and Adrian Younge, a Los Angeles-based composer, multi-instrumentalist, arranger, producer and Linear Labs founder. Now, as you may recall, the project prominently features singer/songwriter and guitarist Jack Waterson, singer/songwriter and multi-instrumentalist Loren Oden — and , singer/songwriter, multi-instrumentalist and 18 year old Los Angeles-born and-based phenom, Angela Munoz.

The 10 member ensemble released their self-titled debut in 2018 — and the effort firmly established their sound: jazz and orchestral inspired soul and hip-hop heavily influenced by  David Axelrod, Quincy Jones, Curtis Mayfield, Barry White and Jazzmatazz-era Gang Starr. Since the release of their debut, Muhammad, Younge and the rest of the Linear Labs crew have been extremely busy: last year saw the release of Jack Waterson’s psych rock, solo debut Adrian Younge Presents Jack Waterson, and a lengthy tour that included a Brooklyn Bowl stop last September — and this year will see three releases from the collective and its members: the ensemble’s highly-anticipated sophomore album and solo efforts from Loren Oden and Angela Munoz.

The young, Los Angeles-born and-based singer/songwriter, multi-instrumentalist and phenom has a beguiling voice and mature presence that belies her relative youth, who recalls that Guns ‘N’ Roses’Welcome to The Jungle” was the catalyst that sparked her desire to play music and become a star. As a girl, she learned to play guitar and piano — and with practice, she began to dominate singing competitions, leaving unexpected audiences in a trance.

Interestingly, a few years ago Munoz’s brother Brandon introduced her to the Adrian Younge-produced Something About April. Munoz was intrigued by the quality of the music, and as a result, she found herself thinking about how it would be interesting to create music that encompassed various perspectives — similar to how Younge does so with his analog recordings. Shortly after being introduced to Something About April, the Los Angeles-born and-based phenom serendipitously found herself working with The Midnight Hour, who recorded her song “Bitches Do Voodoo” on their full-length debut. They’ve since took Munoz on tour, where she’s blown away audiences with her self-assured stage presence, her dexterous musicianship and her soulful vocals.

Earlier this month, I wrote about Munoz’s neo-soul meets Quiet Storm-like debut single “I Don’t Care,” which featured her remarkably self-assured and effortlessly soulful vocals over an arrangement of twinkling keys and harp, soaring strings, a sinuous bass line, wah wah pedaled guitar and an enormous hook paired with an underlying youthful brashness. “In My Mind” the second single off full-length debut Introspection is a gorgeous and cinematic track centered around a pop standard-like arrangement featuring soaring and fluttering strings, a sinuous bass line, some expressive bursts of guitar, twinkling harp and Munoz’s expressive vocal. Sonically, the song manages to recall George Gershwin and jazz ballads. From her first two singles, Munoz is a certifiable star in the making.

“I wrote this song thinking about the journey of love,” Munoz explains. “Despite my age, I have an awareness of what expressing love looks like. As I was writing this song, I wanted to challenge myself as a songwriter. This led me to imagine myself in the place of George Gershwin. If I could choose anyone to interpret this song it would be Sarah Vaughan. Ultimately, love can manifest itself in many ways.”

Munoz’s full-length debut Introspection is slated for a May 19, 2020 release through Linear Labs.

 

New Video: Los Angeles-based Phenom Angela Munoz Reveals Her True Self in Visuals for “I Don’t Care”

Founded and led by A Tribe Called Quest’s Ali Shaheed Muhammad and Adrian Younge, a Los Angeles-based composer, multi-instrumentalist, arranger, producer and Linear Labs founder, The Midnight Hour is a 10 member ensemble that also prominently singer/songwriter and guitarist Jack Waterson, singer/songwriter and multi-instrumentalist Loren Oden — and , singer/songwriter, multi-instrumentalist and 18 year old Los Angeles-born and-based phenom, Angela Munoz. 

The Midnight Hour released their self-titled debut back in 2018, an effort that established their sound: jazz and orchestral inspired soul and hip-hop heavily influenced by  David Axelrod, Quincy Jones, Curtis Mayfield, Barry White and Jazzmatazz-era Gang Starr. Now, as you may recall, since the release of  the ensemble’s full-length debut, Muhammad, Younge and and the Linear Labs crew have been extremely busy: last year saw the release of Jack Waterson’s psych rock, solo debut Adrian Younge Presents JackWaterson, and a lengthy tour that included a Brooklyn Bowl stop last September. This year will see the release of the ensemble’s highly-anticipated sophomore album, as well as solo efforts from Loren Oden and Angela Munoz.

The young, Los Angeles-born and-based singer/songwriter and multi-instrumentalist phenom has a beguiling voice and mature presence that belie her relative youth. Munoz recalls Guns ‘N’ Roses’ “Welcome to The Jungle” as the catalyst that sparked her desire to play music and to become a star. As a girl, she learned to play guitar and piano — and with practice, she began to dominate singing competitions, leaving unexpected audiences in a trance. Interestingly, a few years ago Munoz’s brother Brandon introduced her to the Adrian Younge-produced Something About April. Munoz was intrigued by the quality of the music, and as a result, she found herself thinking about how it would be interesting to create music that encompassed various perspectives — similar to how Younge does so with his analog recordings.

Shortly after being introduced to Something About April, the Los Angeles-born and-based phenom serendipitously found self working with The Midnight Hour, who recorded her song “Bitches Do Voodoo” on their full-length debut. They’ve since took Munoz on tour, where she’s blown away audiences with her self-assured stage presence, a maturity that belies her age, some dexterous musicianship and her soulful vocals. 

Munoz’s debut single “I Don’t Care” features the Los Angeles-born and-based phenom’s remarkably self-assured and effortlessly soulful vocals over a gorgeous arrangement of twinkling keys and harp, soaring strings, a sinuous bass line, wah wah pedaled guitar and an enormous hook.  And while the material is deceptively anachronistic sonically with the song drawing from classic Quiet Storm soul and 90s neo soul, there’s an underlying youthful brashness that’s beguiling and infectious. Munoz wrote “I Don’t Care” about how difficult staying true to who you are can be, especially as an artist, and ultimately realizing that she doesn’t need to fit into a mold — or be something that she never wanted to be. Unsurprisingly, she’s been told since she was a child that, in order to succeed as a musician she needed to change herself to look like a “superstar.” 

Directed by Adrian Younge, the recently released, gorgeously cinematic video sees Munoz peeling back the layers of the glamorous look that is expected of her to reveal her true self — and by doing so, we wind up seeing how truly beguiling the young artist really is.  “I knew that my purpose in life isn’t to be anyone’s object, it’s to share my experiences and impact people in the most positive way,” Munoz says in press notes. “I hope the song and video helps people realize that they don’t need to change the way they are to feel accepted.” 

New Video: Loren Oden Releases a Gorgeously Shot and Intimate Visual for Slow-burning “Is There A Way”

Founded and led by A Tribe Called Quest’s Ali Shaheed Muhammad and Adrian Younge, a Los Angeles-based composer, multi-instrumentalist, arranger, producer and Linear Labs founder, The Midnight Hour is a 10 member ensemble that also prominently singer/songwriter and guitarist Jack Waterson,  singer/songwriter, multi-instrumentalist and 18 year old Los Angeles-born and-based phenom, Angela Munoz — and Compton-born, Los Angeles-based singer/songwriter and multi-instrumentalist Loren Oden.

The Midnight Hour released their self-titled debut back in 2018, an effort that established their sound: jazz and orchestral inspired soul and hip-hop heavily influenced by  David Axelrod, Quincy Jones, Curtis Mayfield, Barry White and Jazzmatazz-era Gang Starr. Now, as you may recall, since the release of  the ensemble’s full-length debut, Muhammad, Younge and and the Linear Labs crew have been extremely busy: last year saw the release of Jack Waterson’s psych rock, solo debut Adrian Younge Presents Jack Waterson, and a lengthy tour that included a Brooklyn Bowl stop last September. This year will see the release of the ensemble’s highly-anticipated sophomore album, as well as solo efforts from Loren Oden and Angela Munoz.

Oden was born into a musical family and grew up in the church, studying gospel, as well as Marvin Gaye and Sam Cook. Throughout the years, he developed an affinity for vocal arrangements and earnest lyricism, which caught the attention of Younge, who’s a a long-time friend.  Slated for a May 1, 2020 release through Linear Labs, My Heart, My Love finds Oden sharing a uniquely curated sound with the listener: pairing lyrical transparency and vulnerability with orchestral arrangements and production by Adrian Younge — with the material being reminiscent of classic soul and progressive R&B. “This album is an amalgamation of my life in love: the ups, the downs, the good, the bad and the heartbreak,” Loren Oden says in press notes. “I strive to be transparent in my songwriting and I hope that the listener can hear and feel all the emotions that I’ve poured into this album.” As a result, the album is specifically written for the sophisticated, grown and sexy lovers out there, with the material delving into the guarded emotions we feel so deeply but try to avoid. 

Earlier this week, I wrote about Angela Munoz’s incredibly self-assured debut  “I Don’t Care” and interestingly enough, the Linear Labs collective end the week with the Valentine’s Day themed “Is There A Way,” the first single off Loren Oden’s forthcoming debut album My Heart, My Love. Centered around fluttering beats, a shimmering and gorgeous orchestral arrangement and Oden’s plaintive falsetto, the song balances a cinematic sound with an intimate feel. Recalling Al B. Sure! (in particular “Night and Day”) and Maxwell, the song is deceptively anachronistic Quiet Storm-era soul.

“‘Is There A Way’ is an optimistic song about love, romance, and true happiness with a person that you feel soulmate status with,” Oden explains in press notes. “‘Is There A Way’ is a simple melody taking the listener on a journey with me in my quest to rekindle love’s first spark. It’s that spark that sets everything in motion, and breathes life back into a failing love.” The song was written after Oden reconnected with an old love that he had a deep connection and very loving relationship with. And as a result, the song is Oden pouring his heart out to her as a way to try to find a way back to the love they once had.

Directed by Adrian Younge, the recently released video is a gorgeously shot visual, capturing the intimate moments of a couple — one-half of which is Oden. Throughout the video, Oden pours his heart out to his lover. 

New Audio: Introducing Los Angeles-based Phenom Angela Munoz

Founded and led by A Tribe Called Quest’s Ali Shaheed Muhammad and Adrian Younge, a Los Angeles-based composer, multi-instrumentalist, arranger, producer and Linear Labs founder, The Midnight Hour is a 10 member ensemble that also prominently singer/songwriter and guitarist Jack Waterson, singer/songwriter and multi-instrumentalist Loren Oden — and , singer/songwriter, multi-instrumentalist and 18 year old Los Angeles-born and-based phenom, Angela Munoz. 

The Midnight Hour released their self-titled debut back in 2018, an effort that established their sound: jazz and orchestral inspired soul and hip-hop heavily influenced by  David Axelrod, Quincy Jones, Curtis Mayfield, Barry White and Jazzmatazz-era Gang Starr. Now, as you may recall, since the release of  the ensemble’s full-length debut, Muhammad, Younge and and the Linear Labs crew have been extremely busy: last year saw the release of Jack Waterson’s psych rock, solo debut Adrian Younge Presents Jack Waterson, and a lengthy tour that included a Brooklyn Bowl stop last September. This year will see the release of the ensemble’s highly-anticipated sophomore album, as well as solo efforts from Loren Oden and Angela Munoz. 

The young, Los Angeles-born and-based singer/songwriter and multi-instrumentalist phenom has a beguiling voice and mature presence that belie her relative youth. Munoz recalls Guns ‘N’ Roses’ “Welcome to The Jungle” as the catalyst that sparked her desire to play music and to become a star. As a girl, she learned to play guitar and piano — and with practice, she began to dominate singing competitions, leaving unexpected audiences in a trance. Interestingly, a few years ago Munoz’s brother Brandon introduced her to the Adrian Younge-produced Something About April. Munoz was intrigued by the quality of the music, and as a result, she found herself thinking about how it would be interesting to create music that encompassed various perspectives — similar to how Younge does so with his analog recordings. 

Shortly after being introduced to Something About April, the Los Angeles-born and-based phenom serendipitously found self working with The Midnight Hour, who recorded her song “Bitches Do Voodoo” on their full-length debut. They’ve since took Munoz on tour. where she’s blown audiences. 

Munoz’s debut single “I Don’t Care” features the Los Angeles-born and-based phenom’s remarkably self-assured and effortlessly soulful vocals over a gorgeous arrangement of twinkling keys and harp, soaring strings, a sinuous bass line, wah wah pedaled guitar and an enormous hook.  And while the material is deceptively anachronistic sonically with the song drawing from classic Quiet Storm soul and 90s neo soul, there’s an underlying youthful brashness that’s beguiling and infectious.