Tag: ARIA Award

New Video: JOVM Mainstay Tame Impala Releases a Lysergic and Feverish Visual for “Breathe Deeper”

Over this site’s decade-plus history, I’ve managed to spill quite of virtual ink covering Perth, Australia-born and-based singer/songwriter, multi-instrumentalist, producer and JOVM mainstay Kevin Parker, best known as the creative mastermind behind the multiple Grammy Award-nominated, critically applauded and commercially successful psych pop/synth pop at Tame Impala.

Parker’s fourth Tame Impala effort, The Slow Rush was released earlier this year, and the album continues an impressive and downright enviable run of critically applauded and commercially successful material. But thematically the album focuses on the rapid passing of time and life’s infinite cycles of creation and destruction — with the material conjuring the feeling of a lifetime in a lighting bolt, and of major milestones and events whizzing by you, while you stare at your phone. “A lot of the songs carry this idea of time passing, of seeing your life flash before your eyes, being able to see clearly your life from this point onwards. I’m being swept by this notion of time passing. There’s something really intoxicating about it,” Parker told the New York Times.

So far I’ve written about five of The Slow Rush’s singles:

“Patience,”an upbeat meditation on the cycles and phases of life, centered around a sound that seamlessly meshed 70s funk and 90s house.
“Borderline,” a hook-driven, blissed out track with house music flourishes.
“It Might Be Time,”a swaggering prog rock meets psych pop anthem featuring shimmering synth arpeggios, thumping beats and an enormous hook.
Lost in Yesterday,” a woozy and lysergic, disco-tinged banger that explores time’s distorting effect on perspective and memories
“Is It True,”a swooning, dance floor friendly banger that focuses on the countless paths our lives can take with just one single decision — and the confusion and uncertainty of love.

2020 has managed to be a momentous year for the Aussie JOVM mainstay in terms of accolades:

Earlier this year, Parker was nominated for two Billboard Music Awards and an American Music Award.
Last month, Tame Impala won 5 of the 7 categories he was nominated for at this year’s ARIA Awards: Album of the Year, Best Group, Best Rock Album, Best Engineer and Best Producer.
Parker recently received nominations for two Grammy Awards — Best Alternative Album and Best Rock Song for “Lost In Yesterday.” The latest Best Alternative Album Grammy is Parker’s third, after receiving nominations for Currents and Lonerism.

And to cap off a busy year, Parker has released the sixth single off The Slow Rush, “Breathe Deeper,” a woozy pop banger, centered around shimmering synths, twinkling keys, skittering beats, and a sinuous bass line and Parker’s plaintive cooing. And much like its immediate predecessors, “Breathe Deeper” finds Parker crafting a hook-driven and seamless synthesis of synth pop, psych pop, house music and Quiet Storm soul.

Directed by Butt Studio, the recently released video is a lysergic fever dream that follows two brightly colored, CGI mosquitos flying through an otherworldly landscape.


New Video: Rising Ghanian-born Aussie-based Artist Genesis Owusu Peers into Madness

With the releases of his debut effort, 2017’s Cardrive EP, which garnered an ARIA Award nomination for Best R&B/Soul Release and praise from Sir Elton John (!), NME, i-D, mixmag and others, the rapidly rising Ghanian-born, Canberra, Australia-based, , 20-something artist Genesis Owusu — born Kofi Owusu-Anash — quickly developed a reputation for being a maverick presence with an ability to conjure powerful and deeply personal storytelling in diverse forms, centered around a genre-defying sound and approach that’s uniquely his own. Adding to a growing profile, Owusu has opened for the likes of Dead Prez, Col3trane, Sampa The Great, Cosmo’s Midnight, Noname, Animé, Ruel and others in Australia.

Building upon a rapidly growing profile, Owusu-Anash has released a handful of highly-celebrated singles over the past year, which have included “Whip Cracker,” and the ARIA Award-nominated smash hit “Don’t Need You,” which quickly became the #1 most played song on triple J radio — and since then has received airplay in the UK on both BBC Radio 1 and BBC Radio 6 and recently here in the States on KCRW, KUTX, The Current and Alt98.

“Whip Cracker” and “Don’t Need You” will be prominently featured on Owusu-Anash’s forthcoming 15 song Andrew Klippel-produced full-length debut Smiling With No Teeth. Slated for a March 5, 2021 release through House Anxiety/Ourness, Smiling With No Teeth reportedly sees the rising Ghanian-born, Aussie artist further honing and developing his genre-confounding sound and approach while charting the epic peaks of troughs of mental health struggles and his experience as a black man in a very white world. Centered around raw hip-hop energy, the material routinely veers into industrial, punk, funk and pop, sometimes within the same song. And as a result, the album’s brash and defiant material is dedicated to those who boldly refuse to be boxed in by stereotypes or cultural norms, or at the very least, don’t feel that they fit in anywhere.

“Smiling With No Teeth is performing what the world wants to see, even if you don’t have the capacity to do so honestly,” Owusu explains in press notes. “Slathering honey on your demons to make them palatable to people who only want to know if you’re okay if the answer is yes. That’s the idea, turned into beautiful, youthful, ugly, timeless and strange music.” Each of the album’s 15 tracks can trace their origins back to studio jam sessions with a backing band that features Kirin J. Callinan, Touch Sensitive’s Michael DiFrancesco, World Champion’s Julian Sudek and the album’s producer Andrew Klippel.

“The Other Black Dog,” Smiling With No Teeth’s third and latest single is a cinematic take on contemporary alternative hip-hop, industrial music and pop centered around Owusu-Anash’s breathlessly rapid-fire delivery and barking, and an industrial stomp featuring off-kilter, stuttering beats and wobbling synth arpeggios. Somehow managing to balance dance floor friendliness with a sweaty mosh-pit energy, the song is a full-throttled nosedive into the hell of madness that brings the drug and booze fueled chaos of ODB, and the fury and menace of DMX to mind. Thematically, the single finds the rising Canberra-based artist giving the fearsome inner and outer demons he lives with and informs his life, the “black dogs,” a name. “The track explores the internal struggle between a hopeful spirit of endurance, and a gnashing black hole of ugliness,” Owusu-Anash explains. “One is me, and the other is also me.”

Directed by Riley Blakeway, the recently released video for “The Other Black Dog” brings the track’s kinetic and forceful menace to vividly nightmarish life: the video finds the rising Aussie artist running for his life along a deserted, night time road, desperately trying to outrun a relentless and evil version of himself and the demons that feed off his fear and insecurities. The video suggests something deeply fearful and disconcerting that we all know but don’t want to admit: there’s no escape from the devils that torment our hearts and souls — and there’s no escape from the devils that torment us in our daily lives. You can run but you can never hide.

Live Footage: Amyl and The Sniffers Perform “Gacked on Anger” at The Croxton

Formed back in 2016, the acclaimed Melbourne, Australia-based punk act Amyl and The Sniffers — Amy Taylor (vocals), Gus Romer (bass), Bryce Wilson (drums) and Declan Martens (guitar) — wrote and self-recored their debut EP Giddy Up. The following year, they released the Big Attractions EP, which was packaged as a double 12 inch EP with  Giddy Up through Homeless Records in Australia and Damaged Goods in the UK.

The band made their international touring debut with an appearance at The Great Escape Festival, a series of sold out London area shows and a Stateside tour opening for JOVM mainstays King Gizzard and the Lizard Wizard. They ended a busy year with triumphant return tours to the UK and the US before signing to King Gizzard and the Lizard Wizard’s Flightless Records for distribution across Australia and New Zealand and Rough Trade for the rest of the world. They ended that massive year with a Q Awards nomination for Best New Act and won the $30,000 Levis Prize.

Building upon a growing international profile, the Aussie punk rock outfit took SXSW by storm — and they promptly followed that up with their self-titled, full-length debut, which was released to critical applause globally for their feral take on ’77 era punk rock. Adding to a breakthrough year, the band won an ARIA Award for Best Rock Album. 

The acclaimed Melbourne-based punk act released the follow-up to their critically applauded debut with a live 7 inch vinyl, Live At The Croxton, which features dynamic live version of three of their most crowd-pleasing tracks — “Control,” “Gacked On Anger” and “Shake Ya” recorded at the band’s favorite club, The Croxton. Now, as you may recall, earlier this year, I wrote about Live at the Croxton’s first single, the Highway to Hell-era AC/DC meets Headbanger’s Ball-like “Control.” The EP’s latest single is the explosive and gritty mosh pit anthem “Gacked on Anger,”  tells an all-too familiar tale of a Working Jane, who is working her ass off on minimum wage, and  recognizes that everything in the world is s a fucking scam. It’s fittingly captures the frustration and unease of working people everywhere, who realize that they can’t make ends meet because of some greedy fat cat. 

The video is comprised of live footage of the Melbourne-based punk rock act performing the song live at the Croxton — and while the band plays with a muscular insistence, watch for Taylor’s anarchic and feral energy on stage. 

Live Footage: Aussie Punk Rockers Amyl and The Sniffers Perform “Control” at The Croxton

Acclaimed Melbourne, Australia-based punk act Amyl and The Sniffers — Amy Taylor (vocals), Gus Romer (bass), Bryce Wilson (drums) and Declan Martens (guitar) — formed back in 2016. During that first year together, they wrote and self-recorded their debut EP Giddy EP. The Aussie quartet then released 2017’s Big Attractions EP, which they released as a double 12 inch EP with Giddy Up through Homeless Records in Australia and Damaged Goods in the UK.

Amyl and The Sniffers made their international touring debut with an appearance at The Great Escape Festival, a series of sold out London area shows and  a Stateside tour opening for JOVM mainstays King Gizzard and the Lizard Wizard. The ended a busy 2017-2018 with triumphant return tours to the UK and US — and signing with  Flightless Records for distribution across Australia and New Zealand and Rough Trade for the rest of the world. They also received a Q Awards nomination for Best New Act and won the $30,000 Levis Prize. 

Building upon a growing international profile, the Aussie punk rock outfit took SXSW by storm and released their critically applauded, self-titled, full-length debut, which established their frenetic and feral take on ’77 era punk and won an ARIA Award for Best  Rock Album. Slated for a May 1, 2020 release, the Melbourne-based punk act will be releasing a live 7 inch, Live At The Croxton, which features dynamic live version of three of their most crowd-pleasing tracks — “Control,” “Gacked On Anger” and “Shake Ya” recorded at the band’s favorite club, in their hometown. 

Live At The Croxton’s first single is a live version “Control” which manages to recall Highway to Hell-era AC/DC, compete with a feral and booze-fueled intensity, centered by Taylor’s howling and some explosive, Headbanger’s Ball-like riffage. The recently released video is centered around live footage of the band performing the song — and it should serve as prefect example of what to expect from their live show: Taylor howling and stomping about the stage while the band rips and roars. 

With the release of her first two singles “Touch” and “Almost Here,” which both amassed over 900,000 streams on Spotify, the Melbourne, Australia-based singer/songwriter, multi-instrumentalist and producer Annika Schmarsel, quickly exploded into the national scene with her solo recording project Alice Ivy. Adding to a growing profile, Schmarsel played Australia’s festival circuit, including sets at Strawberry Fields, Paradise, Queenscliff, Listen Out and NYE on The Hill, BIGSOUND and went on two national, headlining tours before a series of dates in Singapore and the States.

Slated for a February 9, 2018 release through Last Gang Records, Schmarsel’s forthcoming, full-length debut I’m Dreaming was written, recorded and self-produced in her home studio and features the up-and-coming Australian producer and pop artist collaborating with the likes of Georgia Van Etten, Cazeaux O.S.L.O. and Tim De Cotta, RaRa, E˄ST and Charlie Threads and ARIA Award-winning singer/songwriter Bertie Blackman, among others.  Interestingly, I’m Dreaming‘s latest single “Chasing Stars,” a collaboration featuring Bertie Blackman can trace its origins to when Schmarsel met Blackman while they were both opening for Urthboy, and they quickly bonded over a mutual appreciation of each other’s work. As the story goes, Schmarsel reached out to Blackman with a slickly produced instrumental track that featured shimmering and soaring synths, trippy blasts of horns and thumping beats that that reminded (and gave) Blackman the sensation of flying. And although Schmarsel typically takes the reins of the entire creative process, she let her collaborator take the lead lyrically; in fact, Blackman’s tender and aching vocals add a yearning quality to the endeavor, with the ARIA Award-winning artist’s lyrics reaching for something that’s just beyond her grasp.

“’Chasing Stars’ is one of my favorite moments on the album,” Schmarsel explains in press notes. “Being given the opportunity to work with Bertie was a dream come true for me. The dynamics of the instrumentation are the perfect fit to the strong and sometimes fragile moments of Bertie’s vocals on the song, which are so rich with emotion and meaning. Bertie and I started writing it over email, however the finished song came together in a couple of hours in the Joyride’s studio above a pub in suburban Sydney. The vocal tracking only took three hours; however, the instrumentation is what took the longest. I’ve hung onto this song in demo form for about a year and a half now. Lyrically, ‘Chasing Stars’ is about Lincoln Beachey, the first man to do a loop to loop in an airplane. The music has many layers which depict the endless landscape of the sky.”