Tag: Bad Bad Hats

New Video: Bad Bad Hats’ Triumphant Return in Wacky Visual for Anthemic “Detroit Basketball”

Rising Minneapolis-based indie rock band Bad Bad Hats — currently founding members Kery Alexander (vocals, guitar) and Chris Hoge (bass) along with newest member Con Davidson (drums) — can trace its origins back to when Alexander and Hoge met while attending Saint Paul-based  Macalester College: the band’s founding duo had admired each other’s music on MySpace and the pair began writing songs together in 2010, eventually recording a collection of demos that would eventually comprise their debut EP.

Alexander and Hoge recruited their friend Noah Boswell (bass) to solidify their initial lineup and flesh out their sound. After playing in and around the Minneapolis area, the trio caught the attention of Afternoon Records, who signed the band and released their debut EP and their Brett Buillion-produced full-length debut, 2015’s Psychic Reader and 2018’s sophomore album Lightning Round.

hanges. Noah Boswell left the band and was replaced by Con Davidson — and as a result, some duties have been reshuffled: Hoge, who initially played drums is now playing bass. The Minneapolis-based trio recently signed to Don Giovanni Records, who will be releasing their highly anticipated third album, Walkman on September 17, 2021.

lkman’s first single “Detroit Basketball” derives its name from the call-and-response chant Pistons fans routinely fill Little Caesar’s Arena with during game night. The phrase stuck in Alexander’s head, and she later drew on it for inspiration. “Detroit Basketball” finds the rising Midwestern trio further refining their sound: sonically, the track is a breezy mix of power pop, 120 Minutes MTV-era alt rock and 00s pop punk centered around Alexander’s deeply personal songwriting, a rousingly anthemic, sing-along worthy chorus and an infectious hook. But underneath the song’s breezy infectiousness, the song balances bittersweet and sour as it’s one- part tell off to a lover that jilted its narrator, one-part feminist anthem in which its narrator boldly tells the world what she deserves and one-part tale of heartbreak by a cold and indifferent former lover — with a sort of winking acknowledgment of the whole ordeal’s shittiness.

The recently released video for “Detroit Basketball” is a playful and absurd romp: The video begins with the band disappearing off the face of the earth, and a devoted fan attempting to find them. We see that each of the members have started new, very weird careers — presumably as a result of the pandemic: Hoge has become devoted to placing miniature chip bags in bottles. Davidson has become a competitive puzzler. Alexander has become a motivational speaker for a rip off TED-like series. They each get summoned to reunite. Of course, there’s a workout montage. (I mean there has to be a workout montage) And then the band’s triumphant return — at a backyard birthday party in front of that devoted fan.

Lyric Video: Seattle’s Deep Sea Diver Releases an Anthemic and Vulnerable New Single

Led by its accomplished, Los Angeles-born, Seattle-based singer/songwriter, multi-instrumentalist and frontperson Jessica Dobson, the Seattle-based indie rock act Deep Sea Diver can trace its origins back to when Dobson was 19: Dobson, who has had stints  playing with a who’s who list of contemporary acts, including Beck, Conor Oberst, Spoon, Yeah Yeah Yeahs and The Shins signed with Atlantic Records. And while with Atlantic Records, Dobsons wrote and recorded two albums that she wasn’t completely satisfied with — and Atlantic ultimately shelved the material and dropped her from the label. 

After leaving Atlantic, Dobson wrote and recorded her official solo debut EP New Caves under the name Deep Sea Diver. The project expanded to a full-fledged band with the addition of John Raines (bass) Dobson’s spouse Peter Mansen (drums), Garrett Gue (bass), and Elliot Jackson (guitar, synth), who helped to flesh out the project’s sound. Since then the band has released two albums — 2012’s self-released debut History Speaks, 2014’s Always Waiting EP and 2016’s acclaimed Secrets. 

Slated for an October 16, 2020 release through High Beam Records/ATO Records, Deep Sea Diver’s third album Impossible Dream follows a busy year of touring with Wilco and Joseph. The album’s sonic and emotional expanse reportedly stems from a period of sometimes brutal self-examination — a process that began for Dobson, not long after the Seattle-based indie quartet finished touring to support Secrets. “We went into the studio pretty quickly after the tour ended, and I sort of hit a wall where I was feeling very detached from making music, and unable to find joy in it,” Dobson recalls in press notes. “I realized I had to try to rediscover my voice as a songwriter, and figure out the vocabulary for what I needed to say on this album.”

Stepping back from music and the studio, Dobson focused on dealing with the depression she had been struggling with, and soon started volunteering for Aurora Commons, a  drop-in center for unhoused people, most whom are drug-dependent and frequently engage in street-survival-based sex work. “I spent a lot of time with the women who frequent the Commons, and it taught me a new depth of empathy,” she says. “They’re people who don’t have the luxury of going back to a home at the end of the day and hiding behind those four walls, so they’re sort of forced to be vulnerable with what their needs are. Talking with them and listening to them really freed me up to start writing about things I’d never written about before in my songs.”

Co-produced by Dobson and Andy D. Park and recorded at Seattle’s Studio X and The Hall of Justice, Impossible Weight finds Dobson and company digging far deeper emotionally than ever before — and pairing it with a bigger, more grandiose sound. While revealing Dobson’s dexterous and powerful guitar work, the album’s lush textures and mercurial arrangements allow room for Dobson to fully demonstrate her vocal range in a way that she hadn’t before. “’I’d never produced a record before and I started out with low expectations for myself, but at some point I realized, ‘I can do this,’” Dobson recalls. “I decided to completely trust my voice and make really bold decisions in all my production calls—just push everything to the absolute outer edges.” 

Interestingly, for Dobson redefining the limits of her artistry goes hand-in-hand with deeper identity issues that came up while Dobson and her bandmates were working on the band’s third album. “I was adopted and just recently met my birth mother, and found out that I’m half-Mexican and half-Jewish,” Deep Sea Diver’s frontperson explains. “Discovering my heritage and learning things about myself that I never knew before really fed into that question of ‘Where do I belong?’” Simultaneously, Dobson rediscovered the sense of possibility, adventure and joy that she first felt when she started out as a 19 year-old.  “I think being signed at such a young age messed me up in terms of the expectations I put on myself,” she says. “Somewhere along the way I lost confidence in my own vision, but after making this record I feel a much larger freedom to go in whatever direction I want with my music.”  

With Impossible Weight, Dobson hopes that others might reclaim a similar sense of freedom in their emotional lives. “Especially right now when the world is in disarray and there’s so much fear, I want this record to give people room to feel whatever they need to feel,” she says. “I hope it helps them recognize that it’s okay to fall apart, and that they’re meant to let others in instead of trying to work through everything on their own. Because the point is that the impossible weight isn’t yours to carry alone—that’s why it’s impossible.”

Impossible Weight’s third and latest single “Lights Out” is a track that’s defiant and anthemic, yet delicate and vulnerable, centered around a slick production, Dobson’s expressive work, thunderous and propulsive rhythm section, enormous, raise-your-beer-in-the-air and shout along worthy hooks and Dobson’s equally expressive vocals alternating between an achingly tender croon and a self-assured defiant growl. And while reminding me a bit of Bad Bad Hats and Nicole Atkins, “Lights Out” features a narrator expresses her needs with a bold and fearless vulnerability. “‘Lights Out’ was written around the time I hit that wall when we first started working on the record; it’s about fumbling through the darkness and knowing I damn well need help getting out,” Dobson explains. 

The recently released lyric video was created by Dobson and features the guitar tablature for the song as the notes are being played. 

New Video: Bad Bad Hats Release a Shimmering and Swooning Ode to the Pangs of First Love

Comprised of founding members, Birmingham, AL-born, Minneapolis, MN-based frontwoman and primary songwriter Kerry Alexander (vocals, guitar) and Minneapolis, MN-born and -based Chris Hoge (drums) with Noah Boswell (bass), the Minneapolis, MN-based indie rock trio Bad Bad Hats can trace their origins to when Alexander, Hoge and Boswell all met while attending Macalester College in nearby Saint Paul. Alexander and Hoge began writing songs together in 2010, recording a collection of demos that would eventually comprise their debut EP. Their friend Boswell was later recruited to solidify their lineup, and the band quickly caught the attention of local indie label Afternoon Records, a label that has released albums by Yellow Ostrich, Now Now, Haley Bonar, One for the Team and others, as well as the band’s debut EP and their incredibly self-assured Brett Buillion-produced full-length debut Psychic Reader. 

The band’s highly-anticipated and soon-to-be released sophomore album Lighting Round not only finds the band continuing their collaboration with producer Brett Bullion, who encouraged the band to record live to tape, which not only gives the material a you-were-there-in-the-room urgency and spontaneity, but emphasizes that living, breathing, vulnerable humans created, played and recorded the material; in fact, the spontaneous approach allows little room for the prototypical overthinking and perfectionism of modern recording,  and as result, there are some minor mistakes — some wrong notes being played, maybe someone being slightly off key and so on. Of course, that’s meant to add to material’s honesty and vulnerability, as thematically its centered on dependence and independence within relationships. “Nothing Gets Me High,” the album’s latest single finds the Minneapolis trio meshing shimmering hook-driven New Wave-like pop with jangling guitar pop — and while giving their sound a clean polish, the point remains the song’s swooning, emotional heft, as the song focuses on two ironically related sensations — the all-encompassing pangs of first (or new) love, and the desire to bring about that feeling for someone else. And much like new love, it’s initially a little uncertain and a little unsure before it becomes a palpable ache.

Directed by Dan Stewart, the recently released super stylistic video features the members of the band playing the song in a studio — but from the perspective of someone watching a music video someplace else with TVs with fucked up color controls, further emphasizing the song’s initial sense of uncertain yet desperate longing.

New Video: Bad Bad Hats’ Goofy, Salad Toting Video for “Shame”

Psychic Reader, the debut full-length effort from the Minneapolis, MN-based trio Bad Bad Hats has received quite a bit of attention across the blogosphere, since its July release through Afternoon Records. The album’s first single “Shame”  is comprised of angular […]