Comprised of Brian Purington (guitar), Chris Hackstie (electric and pedal steel guitar), Earl Bowers (drums), James Alexander (viola), Kirk Latkas (keys) and Scott Telles (bass), the Austin TX-based prog rock sextet my education have four previously released albums — 5 Popes, Italian, Moody Dipper, Bad Vibrations, Sunrise, and A Drink for All My Friends with material off those albums being remixed by members of Kinski, Pelican, Red Sparowes and Dalek — and the members of the band released a remastered editor of their full-length debut back in 2013. And adding to a growing profile, the band has played with a number of national and internationally recognized bands including A Place to Bury Strangers, Kinski, Bardo Pond, Dalek, The Black Angels, The Sea and Cake, Warpaint, Alexander Hacke and Algis Kizys, The Psychedelic Furs, The Soundtrack of Our Lives, This Will Destroy You, Sleepy Sun, White Denim, Radar Bros., Eluvium, Sian Alice Group, Don Caballero, Trans Am, Maserati and The Red Sparowes among others.
The Austin, TX-based septet’s forthcoming full-length effort Schiphol is reportedly influenced by the band’s relentless North American touring schedule, which they began back in 1999 and by a grueling tour across Europe in which they played 20 shows in 21 days. And as the band, along with producer Mike McCarthy, who’s best known for his work with Spoon, . . . And Know You Will Know Us By The Trail of Dead and Patty Griffin, began working on the material that would comprisgggge Schiphol, the band began recognizing that a series of themes would seem to repeatedly come up with their latest mat rial — expressing feelings of paranoia, longing, fear, the desperate desire to escape and an overwhelming sense of statelessness, of being on the road and forgetting where you were from or what home was like. Schiphol‘s latest single “Open Marriages” is a moody and cinematic track in which shimmering guitar chords, an angular and propulsive bass and an expansive sound structure familiar to Remember Remember, Mogwai and others.
