Tag: Barsuk Records

Initially began as the solo recording project of the Seattle, WA-based multi-instrumentalist, singer/songwriter Peter Michel, Hibou quickly exploded into the national scene with his self-produced, home recorded, 2015 self-titled debut, which received praise from Pitchfork, Stereogum, Consequence of Sound and others for crafting shimmering yet introspective bedroom pop. And adding to a growing profile, Michel opened for the like son Metric, Phantogram and Unknown Mortal Orchestra.

Michel’s sophomore Hibou effort Something Familiar is slated for a March 2, 2018 release through Barsuk Records finds Michel embracing a number of changes. The Seattle, WA-based singer/songwriter, multi-instrumentalist and producer made a rather conscious choice to track the album’s material in a real studio — this time, Chris Walla‘s Hall of Justice Studios, with an outside producer, Dylan Wall, who has worked with Craft Spells, a band that Michel once played drums in. Adding to a string of changes to his creative and recording process, Something Familiar finds Michel recording with his touring band. “I toured for a long time with the band, and it was really interesting to see how the songs changed when there were four people playing them, as opposed to just me in my bedroom,” Michel explains in press notes.

Along with that, the material reflects a period marked by profound changes. “I was still a teenager when I was writing the first album,” Michel says. “All of the songs feel a little one-faced. They’re about relationships and love and summertime and things like that. On this upcoming album, I really challenged myself lyrically to get a little more personal, and talk about some of the darker parts of myself.” In fact, the material addresses Michel’s ongoing bouts with anxiety and depersonalization. (Depersonalization is a disorder generally distinguished by feeling disengaged from the mind and body. as if if the sufferer is an outsider looking in at their own self.) Naturally, while still retaining elements of the sound that first caught both national attention and the attention of the blogosphere — namely, lush keys, reverb soaked guitars and Michel’s dreamy crooning.   “It was strange to start consciously writing from a different stylistic standpoint, but I didn’t want to totally turn the page,” Michel notes. “There is still a fundamental Hibou sound in there. It just is drenched in a little more honesty.”

You might remember that “Junipero Love” was reportedly inspired by the Emmy Award-winning “San Junipero” episode of Black Mirror.  Interestingly, Michel found common ground with the episode’s protagonist Yorkie, who navigated two different realities and a burgeoning relationship.  “The contrast between the two worlds depicted in the episode hit very close to home for me,” Hibou’s creative mastermind says in press notes. “I often feel torn between a conscious state and losing a hold of my memories and who I am.”  And while the single will further cement Hibou’s reputation for crafting breezy and shimmering guitar pop, there’s a subtle expansion of his sound as you’ll hear a tight and funky groove throughout; but underneath the breeziness is a wistful and bittersweet tone that suggests that the song’s narrator isn’t quite sure if he’s dreaming or awake or if he’s experiencing is actually real.

Something Familiar‘s latest single “Malison” is a breezy bit of power pop that features enormous power chords, soaring synths and a rousingly anthemic hook paired with Michel’s dreamy yet deeply anxious vocals within a song that sounds indebted to 90s alt rock, complete with a radio friendly air; but underneath, the swaggering arena rock sound, the song is much darker with Michel admitting in press notes that the song is “the most honest song I’ve ever written. It confronts the attention that my anxiety demands and handicaps me into a spiral of routines that only end up making things worse. I can’t remember the last time I had a day where I felt comfortable in my own skin and felt like I wasn’t putting on an act of normality.”

 

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Initially began as the solo recording project of the Seattle, WA-based multi-instrumentalist, singer/songwriter Peter Michel, Hibou quickly exploded into the national scene with his self-produced, home recorded, 2015 self-titled debut, which received praise from Pitchfork, Stereogum, Consequence of Sound and others for crafting shimmering yet introspective bedroom pop. And adding to a growing profile, Michel opened for the like son Metric, Phantogram and Unknown Mortal Orchestra.

Michel’s sophomore Hibou effort Something Familiar is slated for a March 2, 2018 release through Barsuk Records finds Michel embracing a number of changes. The Seattle, WA-based singer/songwriter, multi-instrumentalist and producer made a rather conscious choice to track the album’s material in a real studio — this time, Chris Walla‘s Hall of Justice Studios, with an outside producer, Dylan Wall, who has worked with Craft Spells, a band that Michel once played drums in. Adding to a string of changes to his creative and recording process, Something Familiar finds Michel recording with his touring band. “I toured for a long time with the band, and it was really interesting to see how the songs changed when there were four people playing them, as opposed to just me in my bedroom,” Michel explains in press notes.

Along with that, the material reflects a period marked by profound changes. “I was still a teenager when I was writing the first album,” Michel says. “All of the songs feel a little one-faced. They’re about relationships and love and summertime and things like that. On this upcoming album, I really challenged myself lyrically to get a little more personal, and talk about some of the darker parts of myself.” In fact, the material addresses Michel’s ongoing bouts with anxiety and depersonalization. (Depersonalization is a disorder generally distinguished by feeling disengaged from the mind and body. as if if the sufferer is an outsider looking in at their own self.) Naturally, while still retaining elements of the sound that first caught both national attention and the attention of the blogosphere — namely, lush keys, reverb soaked guitars and Michel’s dreamy crooning.   “It was strange to start consciously writing from a different stylistic standpoint, but I didn’t want to totally turn the page,” Michel notes. “There is still a fundamental Hibou sound in there. It just is drenched in a little more honesty.”

“Junipero Love,” the latest single off Hibou’s forthcoming, sophomore effort was reportedly inspired by the Emmy Award-winning “San Junipero” episode of Black Mirror.  Interestingly, Michel found common ground with the episode’s protagonist Yorkie, who navigated two different realities and a burgeoning relationship.  “The contrast between the two worlds depicted in the episode hit very close to home for me,” Hibou’s creative mastermind says in press notes. “I often feel torn between a conscious state and losing a hold of my memories and who I am.”  And while the single will further cement Hibou’s reputation for crafting breezy and shimmering guitar pop, there’s a subtle expansion of his sound as you’ll hear a tight and funky groove throughout; but underneath the breeziness is a wistful and bittersweet tone that suggests that the song’s narrator isn’t quite sure if he’s dreaming or awake or if he’s experiencing is actually real.

 

 

Last month, I wrote about the indie rock All-Star act Lo Tom, an indie rock act, which features some incredibly accomplished musicians and artists, with more than 125 combined years of playing, writing, recording and touring as professional musicians. And interestingly enough, the band, which is currently comprised of  David Bazan, best known for his work in Pedro the Lion; Trey Many, a member of Velour 100 and Starfinder 59; TW Walsh, a bandmate of Bazan’s in Pedro the Lion, a member of The Soft Drugs and a well-regarded solo artist; and Jason Martin, a bandmate of Trey Many in Starfinder 59 are long-time friends, who used to mess around and jam together, missed playing together and decided that they should spend some time writing and recording together.

The quartet’s self-tiled debut is slated for a July 14, 2014 release through Barsuk Records and was written and recorded during a rare period of free time that each member of the quartet could spare. And the sessions consisted of the longtime friends meeting up with some loose riffs and beats and seeing where things would go, while Bazan, who wrote most of the album’s lyrics would make up something quickly and on the spot, before eventually refining them. Interestingly enough, the album’s first single “Overboard” possessed the looseness of four, friends and old pros getting together and jamming, and as soon as someone starts off with a idea, the other bandmates know where to go and how to flesh it out.  The band manages to find a comfortable balance a free-flowing, jam session within a band that also manages to seamlessly mesh elements of the work of each individual member; in fact, the single features the soaring hooks and power chords of the alt rock and power pop that have clearly influenced it, and each member’s own work.

The album’s second and latest single “Covered Wagon” will further cement each member’s individual reputation for crafting hook-laden, anthemic, power chord-based indie rock. But interestingly enough, the song to my ear reminds me of Steve Wynn and the Miracle 3‘s excellent Northern Aggression, Vs. and Vitalogy-era Pearl Jam, as it may arguably be one of the more straightforward and forceful rock songs off the new album — and one of my favorites of the entire summer so far.

Last month, the band announced their first live dates together, and as you may recall, the tour includes an August 12, 2017 stop at Rough Trade. Check out the tour dates below.

TOUR DATES:

08/11 Boston, MA – Brighton Music Hall (tickets / info)
08/12 Brooklyn, NY – Rough Trade (tickets / info)
08/17 Santa Ana, CA – Constellation Room (tickets / info)
08/18 Los Angeles, CA – Bootleg Theater (tickets / info)
08/19 Seattle, WA – Tractor Tavern (tickets / info)

Comprised of David Bazan, best known for his work in Pedro the Lion; Trey Many, a member of Velour 100 and Starfinder 59; TW Walsh, a bandmate of Bazan’s in Pedro the Lion, a member of The Soft Drugs and a well-regarded solo artist; and Jason Martin, a bandmate of Trey Many in Starfinder 59, the members of indie rock All-Star act Lo Tom   features some incredibly accomplished members, with more than 125 combined years of playing, writing, recording and touring as professional musicians. And interestingly enough, the project can trace its origins to its members being long-time friends, who used to mess around and jam together, missed playing together, and decided to spend some time writing and recording together.

In fact, the quartet’s self-titled debut, which is slated for a July 14, 2017 release through Barsuk Records was written and recorded during the rare free time each of its members could spare and consisted of the four friends convening with some loose riffs and beats and seeing where things would go while lyrically speaking Bazan, who wrote most of the album’s lyrics, would make up something quickly and on the spot before eventually refining them. And as you’ll hear on “Overboard,” Lo Tom’s first single of their self-titled debut, the song possesses the looseness of four, old pros and friends jamming together and knowing where each one is going while seamlessly meshing elements of the sounds and aesthetics that have made each of them success within their own projects, complete with the soaring hooks and huge power chords of the alt rock and power pop that have clearly influenced it; but perhaps more important the song has a swooning and urgent earnestness that belies the bandmembers’ casual and off-hand manner in describing how things came together.

With the release of the new single, the band announced their first live dates together, and it includes an August 12, 2017 stop at Rough Trade. Check out the tour dates below.

TOUR DATES:

08/11 Boston, MA – Brighton Music Hall (tickets / info)
08/12 Brooklyn, NY – Rough Trade (tickets / info)
08/17 Santa Ana, CA – Constellation Room (tickets / info)
08/18 Los Angeles, CA – Bootleg Theater (tickets / info)
08/19 Seattle, WA – Tractor Tavern (tickets / info)