Tag: Beck Sea Change

New Audio: Los Angeles’ Swimming Bell Lovingly Tackles Beck’s “The Golden Age”

Los Angeles-based singer/songwriter and musician Katie Schottland is the creative mastermind behind Swimming Bell. Earlier this year, she released her five-song  Rob Schnapf-produced EP Somnia  through Perpetual Doom

Somnia invites listeners to an ethereal sonic realm, a sort of underwater dreamworld where melodies drift effortlessly and rhythms pulse like ocean currents. Schottland envisioned the EP as an escape from the crushing weight of reality, a space where listeners could feel suspended — as though they were floating — between wakefulness and dreaming. Collaborating with Schnapf, Schottland embraced a much more percussive approach, allowing textures and rhythms to guide the listener through the material’s shimmering soundscapes.

I wanted this EP to feel like sinking into water, where everything is softened and suspended,” says Schottland. “Given all the stress and tension in the world, I wanted to make a feeling of escape – something hypnotic and transportive. Rob and I explored percussive layers in a way that felt both grounding and dreamy, creating movement within.”

Her first single since the release of Somnia EP is a gorgeous and lovingly faithful cover of “The Golden Age,” off Beck’s critically acclaimed and beloved 2002 effort Sea Change. “Sea Change has always been one of my favorite albums. I love the production so much,” Schottland says. “I’ve wanted to cover ‘The Golden Age’ for a long time and when my pedal steel and keyboard players lit up at the idea too, it felt right. Rob Schapf produced this version, and we kept it minimal and open, letting the song unfold naturally.”

Founded by its creative mastermind Chris Karman, the Los Angeles, CA-based psych folk act Historian derive their name from an long-held inside joke for the members of the band had developed, based around Karman’s encyclopedic knowledge of music. And as Karman asserts in press notes, his fanatical and obsessive nature spilled into the band’s songwriting process. We like to put down tons of ideas. And then meticulously pull back the layers, pouring over every detail.”

The band’s 2013 debut Shelf Life was supported with a West Coast tour, while Karman moonlighted as a music supervisor. 2015’s sophomore full-length effort, Current was released by The Record Machine to critical praise from Buzzbands L.A., Impose and Austin Town Hall, and as a result of their growing profile, the band opened for the likes of Haunted Summer and Globelamp. Not bad for a songwriter and band that have openly mentioned that they’ve felt “more comfortable when our music is a little out of step with its surroundings.”

Unsurprisingly the members of Historian had gone into the studio during the Current sessions with a number of songs that just didn’t make the cut for the album; however, a number of those songs signaled an interesting new direction that the band felt compelled to pursue towards their natural conclusion — with the end result being the band’s third full-length effort, Expanse. And as you’ll hear off album single “Thrown on the Road,” the band has gone on a decided sonic left turn, with the band pairing  pastoral-like folk music with the sort of lush string arrangements (played by renowned renowned string quartet Quartetto Fantastico) reminiscent of Beck‘s Sea ChangeR.E.M.’s Automatic for the People and the early work of the under-appreciated Scott Walker.

But what sets “Thrown on the Road” apart is that the song is a brooding and melancholy meditation on the passage of time that evokes a lonely man sitting in front of a glass of 12 year old, single malt scotch, contemplating the messiness of human life and relationships, of lingering ghosts that alternately haunt and taunt at the strangest times, of family, friends and lovers departed. Simply put, it’s music meant for those occasions when you’re feeling lost and alone and can’t seem to figure out the meaning of anything anymore.

 

 

 

Split Screens is the solo project of multi-instrumentalist Jesse Calfiero. Influenced by Pink Floyd and Beck’s Sea Change, his self-titled, debut EP is reportedly sort of a love letter to both coasts and to muses left behind, […]