Tag: Big Muff

 

I’ve written quite a bit about the Brooklyn-based JOVM mainstays Russian Baths over the past couple of years, and as you may recall the act — Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner — received attention both locally and elsewhere for a sound that has been described by the band and by some critics as nodding at Big Black, 70s space rock, Big Muff and British post punk. Although with the release of their debut EP Penance, an effort that featured singes like “What’s In Your Basement,” “Slenderman” and “Poolhouse,” the Brooklyn-based JOVM mainstays — to my ears, at least —  established a reputation for crafting a brooding 120 Minutes-era alt rock-like sound.

Slated for release later this year, Russian Baths’ forthcoming debut finds them pushing their sound — a sound centered around juxtapositions to its most extreme, as feedback and dissonance manage to swallow softly whispered harmonies; arpeggiated synths and booming 808s are paired with angular, shrieking guitars and propulsive drumming. Thematically the material touches upon personal regret, cultural guilt, reflections and observations on systems on the verge of collapse and a growing sense of unease and anxiety. The album’s first single “Parasite” was a decidedly muscular and grunge-like single that brought Nirvana, The Breeders and others to mind — but while evoking someone on the verge of destroying themselves.

“Tracks,” the forthcoming album’s latest single is an an aggressively abrasive song that’s one part shoegaze, one part post-punk, one part noise rock and one part grunge, as fuzzy and distorted power chords are paired with thunderous drumming and plaintive, falsetto vocals. And while being one of the most feral and mosh pit friendly songs they’ve released in their growing catalog, the song finds the band asking some important questions. “If a friend takes something very personal, very private from you, do you forgive them? If you see someone’s worst self, how do you react? Would you choose yourself to be yourself? Is self respect something you feel because you’re good or does self-respect make you good?” The band says in press notes. As a result, the song possesses the uneasy, claustrophobic air of paranoia and distrust.

 

 

 

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New Video: JOVM Mainstays Russian Baths Return with a Disturbing Visual for “Parasite”

Over the past 18 months or so, I’ve written quite a bit about the the Brooklyn-based JOVM mainstays, Russian Baths. And as you may recall, with the release of their debut single “Ambulance,” the act comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner quickly received attention locally and elsewhere for a sound that the band has described by some as nodding at Big Black, 70s space rock, Big Muff and British post punk among others. The Brooklyn-based JOVM mainstays released their debut EP Penance last year through Good Eye Records and from EP singles “What’s In Your Basement,” “Slenderman” and “Poolhouse,” the band established a sound that recalled brooding, 120 Minutes-era alt rock. 

Russian Baths’ full-length debut is slated for release later this year, and the album’s first, official single”Parasite” may arguably be the one of the most muscular and grunge-like songs of the band’s growing catalog, as the song is centered around distortion pedal-drenched power chords, thundering drumming, a mosh pit friendly hook and male-female harmonizing within a tried-and-true, alt rock, alternating quiet, loud, quiet song structure. And while bringing Nirvana, The Breeders and others mind, the song has a deeply unsettling and violent air, capturing someone on the verge of destroying themselves.

Interestingly, the recently released video for “Parasite” follows an incredibly dysfunctional and parasitical relationship between two women, one who has just left a hospital for some unknown treatment or procedure.  Throughout their day together, the healthier woman takes her friend’s medication, frequently teasing and mocking her friend, who by the end of the video collapses. “Have you ever had an insect burrow into your brain and force you to drown yourself? Cured a headache with a hand grenade?” Koz says in press notes about the single and the accompanying video. “This song is about these legitimate questions.”

Over the past 15-16 months or so, I’ve written about the Brooklyn-based JOVM mainstays, Russian Baths. And with the release of their debut single “Ambulance,” the act comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner quickly received attention locally and elsewhere for a sound that the band has described as nodding at Big Black, 70s space rock, Big Muff and British post punk among others. The band released their debut EP Penance last year through Good Eye Records and from EP singles “What’s In Your Basement,” “Slenderman” and “Poolhouse,” the Brooklyn-based JOVM mainstays established themselves for brooding 90s alt rock 120 Minutes-era MTV-like sound.

Building upon a growing profile, the band will be releasing their full-length debut later this year, and the album’s first, official single “Parasite” may arguably be the one of the most muscular and grunge-like songs of their growing catalog, as the song is centered around distortion pedal-drenched power chords, thundering drumming, a mosh pit friendly hook and male-female harmonizing within a tried-and-true, alt rock, alternating quiet, loud, quiet song structure. And while bringing Nirvana and others to mind, the song has a deeply unsettling and violent air, capturing someone on the verge of destroying themselves.

“Have you ever had an insect burrow into your brain and force you to drown yourself? Cured a headache with a hand grenade?” queries Koz, aptly reconstructing the same violent energy converted to guitar-driven noise rock on the single. “This song is about these legitimate questions.”

New Video: Russian Baths Release a Trippy and Unsettling Video for Brooding “Slenderman”

Last year, I wrote a bit about the Brooklyn-based indie rock quartet Russian Baths, and as you may recall with the release of their debut single “Ambulance,” the act comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner quickly received attention locally and elsewhere for a sound that the band has described as nodding at Big Black, 70s space rock, Big Muff and British post punk among others. 

The band released their debut EP Penance last year through Good Eye Records, and the EP’s first single “Slenderman” is a brooding track that strikes me as owing a sonic debt to 90s alt rock/120 Minutes-era MTV and classic shoegaze, thanks in part to an alternating quiet, loud, quiet song structure featuring layers of shimmering guitars, a throbbing bass line and propulsive, tribal-like drumming with a rousingly anthemic hook. 

Based on concept by Sarah Ver Hoeve and featuring her animation, the recently released video comes in advance of the band’s upcoming New Colossus Festival and SXSW showcases in March. And while being visually being reminiscent of Dire Straits’ “Money for Nothing,” the new video features humanoid figures floating about in space along with enormous spiders. Interestingly, at point the video feels like being caught in the middle of a terrible and nightmarish trip without anyone to help you come down. 

New Video: Russian Baths Release an Uncomfortably Intimate Visual for “Poolhouse”

Over the past few months,  I’ve written a bit about the Brooklyn-based indie rock quartet Russian Baths, and as you may recall, with the release of their  debut single “Ambulance,” the band comprised of  Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner, quickly received attention for a sound that the band has said nods at Big Black, 70s space rock, Big Muff and British post punk among others; however, “Slenderman,” the first single off Penance, which was released earlier this year, nodded at brooding, 120 Minutes-era MTV alternative rock, as the song featured the familiar alternating quiet, loud, quiet song structure and rousingly anthemic hooks while “What’s In Your Basement”  was an mosh-pit worthy song that nodded at Bleach and In Utero-era Nirvana and Finelines-era My Vitriol.

Interestingly, “Poolhouse,” Penance‘s latest single is an expansive, shoegazer rock-like song that manages to bring Sonic Youth to mind, as the band employs the use of jangling dissonance to create a an eerily gorgeous song that feels immense and downright oceanic. As the members of the band explain, “‘Poolhouse’ is about an existential crisis. It’s about feeling so overwhelmed that you can’t see the way out. It’s about moments of clam and hope being submerged in waves of pressure. It’s about losing your breath because of fear.” 

 Shot in an uncomfortably intimate close up that features the band’s frontwoman Jess Ress as she’s doused in continuous steams of water, the recently released video for “Poolhouse” evokes of submersion that the song focuses in, with the video’s protagonist struggling to keep calm. 

Now, if you’ve been frequenting this site over the past couple of weeks, you may recall that with the release of their debut single “Ambulance,” the Brooklyn-based indie rock quartet Russian Baths, comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner, received attention for a sound that the band has described as nodding at Big Black, 70s space rock, Big Muff and British post punk among others; however, “Slenderman,” off their soon-to-be released EP Penance nodded at brooding, 90s alt rock/120 Minutes-era MTV as the song featured the familiar alternating quiet, loud, quiet song structure — in which you would have had heard shimmering guitar chords, throbbing bass chords and propulsive drumming paired with a rousingly anthemic hook. “What’s In Your Basement” the EP’s next single was an abrasive, mosh-pit worthy song that nodded at Bleach and In Utero-era Nirvana and Finelines-era My Vitriol.

“Poolhouse,” Penance‘s latest single is an expansive, shoegazer-like song that manages to bring Sonic Youth to mind, as the band employs the use of jangling dissonance to create a an eerily gorgeous song that feels immense and downright oceanic.

The Brooklyn-based indie rock act has two upcoming live dates — one of them being a March 15, 2018 opening set at Elsewhere for Frankie Rose. Check out the dates below.

Tour Dates

2/22/18: The Saint — Asbury Park

 

3/15/18 Elsewhere, Zone One — Brooklyn

 

With the release of their debut track “Ambulance,” the Brooklyn-based indie rock quartet Russian Baths, comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner, received attention for a sound that the band has described as nodding at Big Black, 70s space rock, Big Muff and British post punk among others; however, “Slenderman,” which I wrote about last month, reminded me much more of brooding, 90s alt rock/120 Minutes-era MTV as the song featured the familiar alternating quiet, loud, quiet song structure — in which you would have had heard shimmering guitar chords, throbbing bass chords and propulsive drumming paired with a rousingly anthemic hook.

 

Interestingly, “What’s In Your Basement,” the latest single off the Brooklyn-based act’s forthcoming EP Penance continues the 90s alt rock vibes — but this time, their latest single is blistering and abrasive, mosh pit worthy grunge rock that brings to mind Bleach and In Utero-era Nirvana and Finelines-era My Vitriol, with a similar balls-to-the-walls self-assuredness.

Penance drops on February 23rd.

 

With the release of their debut track “Ambulance,” the Brooklyn-based indie rock quartet Russian Baths, comprised of Luke Koz, Jess Ress, Evan Gill Smith and Jeff Widner, have received attention for a sound that the band has described as nodding at Big Black, 70s space rock, Big Muff and British post punk among others; however, the Brooklyn-based indie rock act’s latest single “Slenderman” strikes me as drawing from brooding, 90s alt rock/120 Minutes-era MTV as the song finds the band employing the quiet, loud, quiet strong structure — in which you’ll hear shimmering guitar chords, throbbing bass chords,  propulsive drumming paired with a rousingly anthemic hook. But what immediately struck me about the song, is that the band is an incredibly self-assured unit, and I’m looking forward to hearing more.