Tag: Billie Eilish Ocean Eyes

Arron Davey is British multi-instrumentalist, electronic music producer, electronic music artist and DJ, best known for his acclaimed and attention-grabbing solo recording project Astronomyy. Interestingly, Davey first made a name for himself with one of his earliest singles “Don’t Need U,” which quickly established his sound — guitars fused to R&B styled beats. With the track going viral, the British multi-instrumentalist, electronic music producer, electronic music artist and DJ landed a major label deal. And although, it wasn’t the right fit for him, signing to a major label allowed him to build a home studio, where he recorded his first two EPs, There For U and When I’m With You. His own original material has received praise from Noisey, The Line of Best Fit, IndieShuffle, Earmilk and countless others while amassing over 40 million streams. Simultaneously, Davey developed a reputation as a highly sought-after collaborator. He co-wrote the triple-platinum, international smash hit “Never Forget You” for Zara Larsson and MNEK. He also released a remix of Billie Eilish‘s “Ocean Eyes,” which eventually amassed over 100 million streams.

After the release of 2017’s “Rest in Paradise” 12 inch, Davey decided to take a sabbatical. “I was overwhelmed by the industry,” he admits. “I never got into this for money; I just love creating. I decided to put my head down and lock myself away in the studio for as long as it took to re-ignite the fire. I had to ignore other people and really feel it for myself. My life was imbalanced, and I needed to focus my headspace.  I started physically working out. I feel like a much more balanced person now. I’m finally I’m ready.”

“I’m focusing on moods now,” Davey continues. ““Before, I was trying to paint a perfect picture. I wasn’t allowing the chaos to exist in my songs, but I’ve welcomed the contrast. There’s a yin and yang. The new music has duality. There are a lot of raw and natural performances. There’s variety in tone. It’s wavy and it has more depth. It just comes with trusting my instinct and my ears. If you strip something of its flaws and fix every blemish, you take away the character, so I backed off from the polished sound.”

“Flamingo” is the first bit of new material from Davey in over two years. Centered around layers of shimmering and arpeggiated synths, a sinuous bass line, stuttering beats, Davey’s plaintive falsetto, stuttering beats, and an infectious hook, the new single is one part 80s synth R&B and one part Teddy Riley New Jack Swing-like jam. And while the brooding track manages to possess a breezy and nostalgic quality that’s befitting for a late summer, club banger the song is underpinned by several layers of irony. “I had the side somebody can be like a flamingo,” Davey explains. “A flamingo is very pretty, but if you try to cage it, you realize it’s a live animal and shouldn’t be contained. It’s also tough-in-cheek and pokes fun at people in Britain, because ‘bird’ is a slang word for ‘girlfriend.’ It’s the first song I wanted to share with the world in a couple of years, because it’s got so many elements that represent me. It’s moody, it’s broody, it’s weird, it’s funky, it’s textured and it’s also quite pretty.”

As for an August 30 release Davey says, “I’ve always been obsessed with space and as I’ve spent the last two years rebalancing myself and my sound, it seemed only right to release the first single under a new moon. Which also happens to be a super black new moon.”

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Live Footage: Up-and-Coming Teen Singer/Songwriter Billie Eilish Performs on Vevo LIFT

16 year old Los Angeles, CA-based singer/songwriter and pop artist Billie Eilish can trace the origins of her musical career to when she joined the Los Angeles Children’s Chorus whens he had turned 8. And while with the Children’s Chorus, Eilish perfected and honed her vocal talents. Interestingly, as the story goes, when she turned 11, she began writing and performing her own songs, much like her older brother Finneas, who had been writing and performing his own songs with a band he had formed some years before. In 2015, the sibling duo had written and released two songs SoundCloud — “sHE’s brOKen,” and “Fingers Crossed” for fun and to have their friends listen to.

As the story goes, late that year, Eilish’s older brother told his sister of a song he had been playing with his band “Ocean Eyes.” The up-and-coming Southern Californian singer/songwriter covered the song and sent it to her dance teacher, who she hoped would choreograph a dance routine to the song. The following year, Eilish released Ocean Eyes” and he single quickly became a viral hit. Building upon a rapidly growing profile, its follow up, “Six Feet Under,” led to Darkroom/Interscope Records signing her and officially releasing material to critical applause from major media outlets like Stereogum and others. 

Last year was a breakthrough year for Eilish, thanks in part to her critically applauded debut ep dont smile at me, which resulted in sold-out headlining tours across North America, Europe, Australia and New Zealand, a number of national daytime and late night television appearances in the States. Additionally. she was long listed for BBC’s Sound of 2018 , was profiled in Apple’s Up Next Artist campaign, and was named VEVO dscvr Artist To Watch 2018.
Eilish’s “bitches broken hearts” continues a run of sultry and self-assured tracks in which the up-and-coming singer/songwriter’s breathy coos ethereally float over a minimalist yet soulful production centered around bluesy guitar chords, stuttering beats and an infectious, radio friendly hook. Interestingly, while the song sonically nods at 90s neo soul and classic Quiet Storm-era R&B, it’s an unabashedly honest ode to the bitterness of a lost love and the inherent excitement of fresh starts and new love — even when that new love is dysfunctional and completely fucked up.  

Vevo has been championing Ms. Eilish for the better part of the past year or so, and they recently included the young singer/songwriter as part of their LIFT initiative, which connects today’s rising stars to global audiences with original creative content through the release of weekly installments of live performances and behind-the-scenes footage to bring fans closer to the artist than before, essentially pulling back the curtain and revealing the humanity of the artist. Directed by Ryan Booth, the second installment of the series is a live performance of “bitches broken hearts” shot in a ostentatious old mansion/performance space as Eilish seductively and self-assuredly performs the song with her backing band.  

Born Billie Eilish Pirate Baird O’Connell, the up-and-coming, 15 year-old, Los Angeles, CA-based singer/songwriter and pop artist Billie Eilish can trace the origins of her musical career to when the homeschooled O’Connell joined the Los Angeles Children’s Chorus when she was 8, where she perfected and honed her vocal abilities, and then when she was 11, she began writing and singing her own songs, much like her brother Finneas, who had been writing and performing his own original songs with his band. Interestingly, by 2015, the siblings had written and released two songs together on SoundCloud — “sHE’s brOKen,” and “Fingers Crossed,’ which were released for fun and to have their friends listen to.

As the story goes, in late 2015, Finneas O’Connell tells his sister of a song he had been playing with his band, “Ocean Eyes.” Billie recorded the song and sent it to her dance teacher, who hoped to choreograph a dance to it. Released on SoundCloud the following year, under the name Billie Eilish, “Ocean Eyes” quickly became a viral hit, and along with follow-up single “Six Feet Under,” the young, Los Angeles-based singer/songwriter and pop artist developed a growing fanbase. With an official release, through Darkroom and Interscope Records in late 2016 to critical applause from the likes of Stereogum and others, Eilish was sensation — an building upon a growing profile, she released an EP featuring four remixes of “Ocean Eyes.”

This year has proven to be an even bigger year than last, as she released her highly-anticipated and critically applauded debut EP, dont smile at me, which has received attention both nationally and internationally, thanks to sold out, headlining tours across North America, Europe, Australia and New Zealand, a number of national daytime and late night television appearances here in the States, as well as being named VEVO dscvr Artist To Watch 2018, longlisted for BBC’s Sound of 2018 and a spot in Apple’s Up Next Artist campaign.

Just on the heels of an announcement of a lengthy 2018 world tour, which includes a March 23, 2018 set at The Mercury Lounge, Eilish released her latest single “bitches broken hearts,” a soulful and incredibly self-assured yet swooning track that features Eilish’s sultry cooing over a contemporary production featuring arpeggiated synths, stuttering drum programming and percussion — and while sonically, the song nods at both 90s neo soul and contemporary electro pop, the song is actually an ode to the bitterness of lost love and the excitement of fresh starts, even if its dysfunctional and fucked up.

Check out tour dates below.

EUROPEAN TOUR DATES
02/14 – Heaven – London, UK – SOLD OUT
02/16 – Petit Bain – Paris, France
02/18 – Dude Club – Milan, Italy
02/19 – Debaser Strand – Stockholm, Sweden
02/20 – Melkweg Oude Zaal – Amsterdam, Netherlands
02/23 – Botanique / Rotonde – Brussels, Belgium
02/26 – Lido – Berlin, Germany
02/27 – Jungle Club – Cologne, Germany
03/01 – By:Larm Festival – Oslo, Norway

NORTH AMERICAN TOUR DATES
03/07 – El Rey Theatre – Los Angeles, CA
03/08 – Great American Music Hall – San Francisco,  CA
03/10 – Music Box – San Diego, CA
03/11 – The Observatory, CA
03/17 – Terminal West – Atlanta, GA
03/20 – Black Cat – Washington, DC
03/21 – Coda – Philadelphia, PA
03/23 – Bowery Ballroom – New York, NY
03/24 – Brighton Music Hall – Boston, MA
03/27 – Theatre Fairmount – Montreal
03/28 – The Mod Club – Toronto
03/30 – El Club – Detroit, MI
03/31 – Lincoln Hall – Chicago, IL
04/03 – 7th Street Entry – Minneapolis, MN
04/04 – The Record Bar – Kansas City, Missouri, MO
04/06 – Bluebird Theater – Denver, CO
04/07 – Grand at the Complex – Salt Lake City, UT