Tag: BRIC Celebrate Brooklyn! at Prospect Park Bandshell

New Video: Renowned Australian Singer/Songwriter and Guitarist Courtney Barnett Releases Psychedelic Visuals for Expansive Album Single “City Looks Pretty”

With the release of her first two, critically applauded EPs, I’ve Got a Friend Called Emily Farris and How to Carve a Carrot Into a Rose, the Melbourne, Australia-based singer/songwriter and guitarist Courtney Barnett quickly received attention from the North American, British and Australian press witty and rambling, conversational lyrics delivered in an ironic deadpan paired with big, power chord-based indie rock. And although to the casual observer, it may have seemed like overnight success, it actually wasn’t. In fact, Barnett has long been considered one of Melbourne’s best guitarists as once played in Dandy Warhols’ Brent DeBoer’s side project Immigrant Union and had  guest spot on Jen Cloher‘s third album, In Blood Memory.

2015’s full-length effort Sometimes I Sit and Think, Sometimes I Just Sit continued a run of critically applauded releases, and the album’s lead single “Nobody Really Cares If You Don’t Go To The Party” was promoted with a unique promotional campaign that included scores of giant billboards, posters and murals spontaneously posted around the world — and all of them declared the same unattributed statement in the same exact font. As for the song, it found Barnett and her backing band pairing thundering drumming, dense layers of swirling guitar chords and a scorching guitar solo and Barnett’s bemused and ironic deadpan delivery with a rousingly anthemic, arena rock-like hook. “Elevator Operator,” which I also wrote about on this site, was a stomping and shuffling T. Rex-like song that featured twisting and turning organ chords, handclap-led percussion, and a mischievous yet anthemic hook that described incredibly neurotic people, who are beaten down by boring and soulless day jobs, including one character, who escapes to peer over a rooftop for a brief moment of clarity while dreaming he was playing Sim City.  (If you’ve worked at a boring and soul crushing day job, that song may well be your anthem during the workweek.)

Last year, saw the release of Lotta Sea Lice, a critically applauded and commercially successful collaborative album with renowned guitarist and vocalist Kurt Vile; in fact, the album landed at #5 on the Australian charts, #11 on the British charts and #51 on the American charts. Building upon an incredible run of critical and commercial success, Barnett’s third full-length album Tell Me How You Really Feel is slated for a May 18, 2018 release through Mom + Pop Records, Marathon Artists, and Barnett’s own label Milk! Records — and the album’s third and latest single “City Looks Pretty” finds Barnett eschewing traditional song structures in order to focus on a motorik-like groove, razor sharp hooks and an expansive psych rock-like vibe that’s roomy enough for what may be some of Barnett’s most inspired and bluesy guitar work she’s recorded to date. The song lyrically is an exploration of friendship, place and home centered around the irony of friends treating you like a stranger and strangers treating you like their best friend. 

The recently released video by Courtney Barnett features some appropriately psychedelic imagery shot on what looks like digital cameras and an old Super 8, and in some way it brings to mind 120 Minutes-era MTV. 

Over the past few months, I’ve written a bit about Alice Merton, a Frankfurt-am-Main, Germany-born, Berlin, Germany-based singer/songwriter and pop artist, who has lived a rather nomadic life, as she was raised in Canada, finished high school in Germany and then with the rest of her family, relocated to England. Understandably, music managed to be a major part of her life, no matter where on Earth her and her family was; in fact, she started taking classical piano lessons when she was five, and when she was nine, she was introduced to vocal training. After spending the better part of a decade of her life in classical training, Merton discovered contemporary songwriting during one of her high school courses in Germany. And as the story goes, from that point forward, Merton went on to study songwriting and began pursing her dream of becoming a professional singer/songwriter.

While in school, Merton wound up working with a number of producers on projects, and finding the right producer, who can both compliment and challenge a singer/songwriter as a true collaborator in the creative process is a rarity. And when she met the Berlin-based producer Nicolas Rebscher, Merton quickly recognized that she found her musical match; in fact, the duo collaborated on Merton’s swaggering, hook-driven smash hit debut “No Roots,” a song that’s deeply influenced by her own nomadic youth. Speaking of smash hits, “No Roots” held the #1 spot for 2 consecutive weeks at the alternative radio charts here in the states, and held for 8 weeks in Canada. And as a result, she cracked the Top 30 on the pop charts, the Top 15 on the Hot Adult Contemporary charts and entered the Billboard Hot 100. Adding to a growing profile, the song is synced in a Mini Cooper ad campaign and was recently featured in Rolling Stone‘s “One To Watch” and Billboard‘s “Chartbreaker” section, which has previously featured artists such as Cardi B and Khalid — and earlier this year, she made her national TV debut on The Tonight Show Starring Jimmy Fallon.

Building upon the buzz of her breakthrough single, Merton’s latest single “Lash Out” comes on the heels of her recently released No Roots EP, and much like “No Roots,” the Berlin-based pop artist’s latest single continues on the first-person perspective of its predecessor and the anthemic, hook-driven song focuses on a woman, who feels the need to speak up boldly (and loudly!) about what you want, need and what you’re ready to fight for; to confidently answer your own needs in your own way.  And in some way, the song is an earnest, empowering feminist anthem.

Merton will be touring to support her debut EP and it’ll include performances on the festival circuit with appearances at Shaky Knees Fest, Hangout Music Festival and Governor’s Ball, and a tour opening for Vance Joy that includes a June 14, 2018 stop at BRIC Celebrate Brooklyn! at the Prospect Park Bandshell. Check out the tour dates below.

 

Tour Dates:
5/6 Atlanta, GA Shaky Knees Fest
5/15 Charlottesville, VA Spring Pavilion*
5/16 Columbus, OH Express Live!*
5/18 Pittsburgh, PA Stage AE*
5/19 Portsmouth, VA Portsmouth Pavilion*
5/20 Gulf Shores, AL Hangout Music Fest
5/22 Detroit, MI Fox Theatre*
5/24 Grand Rapids, MI 20 Monroe Live*
5/25 Chicago, IL Rosemont Theatre*
5/26 St. Louis, MO Fox Theatre*
5/27 Napa, CA BottleRock Napa Valley
5/30 Morrison, CO Red Rocks Amphitheater*
6/1 St. Paul, MN Myth Live*
6/2 Milwaukee, WI Eagles Ballroom*
6/3 – New York, NY – Governors Ball Music Festival
6/14 Brooklyn, NY Prospect Park*
6/15 Boston, MA Blue Hills Bank Pavilion*
6/16 Hunter, NY NY Mountain Jam
6/14-6/17 Dover, DE – Firefly Music Festival
8/4 Montreal, QC Osheaga Festival
8/7 Toronto, ON Echo Beach^
* W/ Vance Joy
^ W/ Tash Sultana