Tag: Bruce Springsteen

Over the past two years or so, you’ve likely come across a number of posts featuring the London-based JOVM mainstays Ten Fe. Initially comprised of singer/songwriter duo Ben Moorhouse and Leo Duncan, the duo won national and international attention for pairing their distinct writing styles and voices into a unique sound.

Now, as you may recall Moorhouse and Duncan had played in a number of London area bands in which they individually felt as though there was pressure to fit into a particular scene, whether through a one way of playing or a certain way of looking, and it was something they felt unnatural and unnecessarily labored — and it was something that they deeply reviled. Interestingly enough, as the story goes, Moorhouse and Duncan met at a party and became busking partners in the London Underground. In those very early days, they enjoyed the very simple pleasures of playing music they loved — mostly early rock, early Beatles and the like — and earning cash while doing so. Coming from a place of pure joy, they noticed a profound simpatico, and they began to play their own original material. “We had a very clear idea of what we wanted. For things to be simple, based around songs that are unashamed in their directness, and that we love: The CureU2Springsteen and The Stones. We’d spend years playing through these on the tube, realising you don’t need to break the mould. Its best to ignore all the voices telling you that you need to for the sake of it, and go for something deeper,” the duo explained in press notes.  And with Ten Fe, Moorhouse and Duncan wanted to focus primarily on the song with style serving the song — and while being anthemic and downright arena rock friendly, their sound is difficult to describe and even more so to pigeonhole, as it possesses elements of the Manchester sound, Brit Pop, Americana, electro pop and contemporary indie rock. They manage to do this while balancing careful, deliberate attention to craft with soulful earnestness and bombast.

Moorhouse and Duncan then spent the next two years, writing, revising and recording in each other’s bedrooms, which included prolonged writing sessions at Duncan’s dad’s house in Walsall, UK, relentless busking, hustling and saving, and an impossibly lengthy list of band members and producers before they signed a publishing deal and briefly relocated to Berlin, where they recorded their Ewan Pearson-produced full-length debut effort Hit the Lights. “Its no coincidence that the name of this band means ‘have faith’” says Leo Duncan.

After spending the past 18 months touring to support their full-length debut effort Hit the Light, which included an incredible set at Mercury Lounge earlier this year, the project officially expanded into a full-fledged band with the permanent additions of touring members Rob Shipley (bass) and Johnny Drain (keys), who are two of Duncan’s oldest friends from Walsall, and Alex Hammond (drums). Returning back to England, the newly constituted quintet began writing material for their highly-anticiapted sophomore effort, and the first bit of recorded output as a quintet “Single, No Return” may be a bit of a taste of what we should expect from the new album, as it manages to capture the band’s live sound and energy, complete with a swaggering and jaunty stride. Interestingly, the band has referred to the song as being a descendant of Hank Williams‘ “Ramblin’ Man,” a song which the band’s founding members used to play while busking in the London Underground, and although they claim that when it came to the song’s arrangement they thought of The Rolling Stones, Creedence Clearwater Revival, Crosby, Stills, Nash and Young but with a bit of swing to the mix, to my ears it sounds a bit more like the Psychic Ills, filtered through Brit Pop; but no matter — the song manages to evoke life on the road and its seductive pull on one’s soul while further establishing their ability to craft effortlessly slick, hook-driven material.

New Video: The Lonely Wild Release a Gorgeous and Mournful New Single

With the release of their debut 2011 debut EP Dead End and their full-length debut effort The Sun As It Comes, the Los Angeles-based indie rock quintet The Lonely Wild received attention both on this site and across the blogosphere for rousingly anthemic, earnestly heartfelt songs with gorgeous boy-girl harmonies, and a sweeping, cinematic feel that nodded at the film scores of Morricone and others. Interestingly enough, while being beautiful and earnest, their material at times captures the sense of confusion, loss and despair that countless average Amricans felt after the financial collapse of 2008 — and the overall sense that the rug had been pulled out from under you without warning or consideration. And when they weren’t overtly political, they specialized in some of the most swooning Romantic songs — songs that nodded at early Bruce Springsteen and others, telling tales of lovers, desperate to run away from their small town lives and full of big dreams.

Now, it’s been some time since I’ve written about them but as it turns out the band has been working on new material, some of which they’ve submitted as part of NPR’s Tiny Desk Concert Contest — and it includes the band’s latest single “Strangers’ Friends.” “Strangers’ Friends” will further cement the band’s growing reputation for crafting swooning and urgent songs featuring lush boy-girl harmonies; however, it may be one of the more bleak songs yet most beautiful song they’ve released to date while being a visceral portrayal of the lonely and strange life of a touring musician.

Live Footage: Caveman Performs “Never Going Back” on CBS This Morning’s Saturday Sessions

With the release of their debut album Coco Beware and their sophomore self-titled album, New York-based quintet Caveman — comprised of Matthew Iwanusa (vocals, guitar), James Carbonetti (guitar), Jeff Berrall (bass), Sam Hopkins (keys) and multi-instrumentalist Matthew Prescott-Clark — have developed a profile locally and nationally for a moody and gorgeous guitar and synth-based sound that at times owed a sonic debt to Peter Gabriel, U2 and others. And as a result the quintet has toured with the world, playing shows with the likes of The War On Drugs, Weezer and Jeff Tweedy, and they’ve received praise not just from this site, where they’ve become mainstays but from a number of major media outlets.

The band’s highly-anticipated third full-length effort Otero War was released earlier this year, and the album’s first single “Never Going Back” is arguably the most upbeat and anthemic song the band has released to date, while sonically sounding as though it drew from Bruce Springsteen’s “Dancing In The Dark” — but with Carbonetti’s gorgeous guitar work, Iwanusa’s plaintive vocals and soaring synths. And much like Springsteen’s work, “Never Going Back” deals with themes that Springsteen would still tackle today — maneuvering the complications of love, desperately seeking an escape of the humdrum and blandness of small town life, and the recognition that at a certain point, your decisions and their impact on your life loom larger any our life.

The members of the renowned New York-based act made their nationally televised debut on CBS This Morning’s Saturday Session where they performed “Never Going Back.” Check it out as I think it’ll give you a good sense of the band’s live sound.

With the release of their debut album Coco Beware and their sophomore self-titled album, New York-based quintet Caveman — comprised of Matthew Iwanusa (vocals, guitar), James Carbonetti (guitar), Jeff Berrall (bass), Sam Hopkins (keys) and multi-instrumentalist Matthew Prescott-Clark — have developed a profile locally and nationally for a moody and gorgeous guitar and synth-based sound that at times owed a sonic debt to Peter Gabriel, U2 and others. And as a result the quintet has toured with the world, playing shows with the likes of The War On Drugs, Weezer and Jeff Tweedy, and they’ve received praise not just from this site, where they’ve become mainstays but from a number of major media outlets.

Now, it’s been some time since we’ve heard from them but the band’s long-anticipated third full-length effort Otero War is slated for release this summer. And the album’s first single “Never Going Back” is arguably the most upbeat and anthemic song the band has released to date, while sonically sounding as though it drew from early 80s Bruce Springsteen (in particular, think of “Dancing In The Dark“) but with Carbonetti’s gorgeous guitar work paired with soaring synths and Iwanusa’s plaintive vocals, while dealing with themes that Springsteen would have easily written about back then — figuring out the complications of love, desperately wanting to escape a humdrum and bland life, of recognizing that at a certain point, your decisions loom larger and larger over your life and more. It’s powerfully universal and speaks to things we’ve all felt and known at some point in our own lives.