Tag: Business of Dreams

Oakland-based singer/songwriter and multi-instrumentalist Jason Hendardy is the creative mastermind behind the post-punk/alternative rock/noise rock project Permanent Collection.  Since Hendardy started the project back in 2010, Permanent Collection has gone through a series of different iteration: the project’s debut EP, 2011’s Delirium was a collection of home solo recordings, which he supported with a number of solo shows and tours.

With the release of 2012’s full-length debut Newly Wed, Nearly Dead the project expanded into a full-fledged band with the addition of Megan Dabkowski (bass), Brendan Nerfa (guitar), Mike Stillman (drums), who were in the band for close to two years. By the end of 2013, the band’s lineup became more fluid as the band featured a rotation cast of collaborators that included Terry Malts and Business of Dreams‘ Corey Cunningham (guitar). The project’s 2013 EP No Void was written and recorded as a trio and after a series of touring to support it, Permanent Collection went on a hiatus with Hendardy focusing on writing music for other bands and several different creative projects, as well as work in video and sound design.

Late last night, Hendardy started to focus his efforts on writing new Permanent Collection material, and the end result is his soon-to-be-released and highly anticipated album Nothing Good Is Normal. All June digital sales of the new record, Nothing Good Is Normal, are going to the Anti Police Terror Project.

Clocking in at just under 2 minutes,  album single “Breakaway” is a mosh pit friendly ripper full of the scuzzy power chords, thunderous drumming, howled vocals and enormous hooks that brings JOVM mainstays A Place to Bury Strangers and The Jesus and Mary Chain to mind. Play loudly and mosh the fuck out. 

 

Formed earlier this year, the Chico, CA-based punk duo Beehive features Jake Sprecher (vocals, guitar), a former member of Terry Malts, Smokescreens and Business of Dreams and Shutups‘ Bud Amenti (bass). And in a short period of time the duo have managed to play venues up and down the West Coast, while writing and recording their debut EP, Depressed and Distressed, an effort recorded on 1/2″ tape in one take.

Slated for a September 6, 2019 release through Jester Recordings, the duo’s forthcoming EP quickly establishes their sound. Drawing from the likes of Suicide, The Splits and Television Personalities, the material is centered by desperately howled and repeated vocal phrases, a repeatedly hammered riff and a propulsive bass line played over a Hammond Auto-Vari 64 drum machine.

The EP’s latest single “When Can I See You Again” is centered around slashing guitar lines  and a forcefully propulsive bass line that seem as though they’re desperately trying to attack the incessant and emotionally indifferent drum machine. At its core, the song seethes with the desperate, lovelorn obsession of young lust.

 

 

 

 

Earlier this month, I wrote about Corey Cunningham and although he’s best known for being a member of critically acclaimed bands like Magic Bullets and Terry Malts, as well as Smokescreens and Mike Krol’s backing band, his latest musical project, Business of Dreams can trace its origins to when Cunningham took leave from his long-running musical partnerships when his father died. Returning back home to Tennessee to grieve and to confront his past, Cunningham wrote music that would eventually comprise Business of Dreams’ critically applauded, eponymous, full-length debut back in 2017.

Building upon a growing profile, Cunningham along with a live backing band opened for Rogue Wave, and played a number of local shows with the likes of Frankie Rose, Real Estate and others. But for the sake of this post, you really need to know this: Business of Dreams’ sophomore effort, Ripe For Anarchy is slated for a February 1, 2019 release through Slumberland Records, and the album finds Cunningham honing his songwriting both sonically and thematically, with the material touching upon regret, existence and perseverance.”The album is about living in the moment, shedding neurosis, and the desire to discard the general societal malaise we’ve been roped into,” Cunningham says in press notes.

Ripe For Anarchy‘s first single was a shimmering guitar pop track “Keep The Blues Away.” Centered around ethereal and plaintive vocals, shimmering and arpeggiated synths, staccato drum machine-like drumming, shimmering guitar lines fed through delay and effect pedals and a soaring hook, the single sounds as though it could have been released during 4AD Records heyday — and while indebted to the sounds of the past, the track is bolstered by an urgent sincerity that comes from lived-in experience. “N.R.E.A.M.,” Ripe for Anarchy‘s second and latest single is a jangling guitar pop track that sounds inspired by New Zealand guitar pop, complete with an infectious hook, arpeggiated keys, a sinuous bass line and an underlying mischievous (and somewhat cynical) air. “This song was my attempt to write something fun for the album. Of course it had to be the one song focusing on negativity but I think a dose of cynicism is quite healthy these days,” Corey Cunningham explains in press notes. “Humanity isn’t exactly passing its classes lately so I decided to poke a little fun at the more coarse side of our nature. It’s my version of “Ring-a-round The Rosies.” Ashes, ashes we all fall down! Wee!”

Business of Dreams are currently on a late January tour, and the tour includes a January 25, 2019 stop at Alphaville. Check out the rest of the tour dates below.

 

Tour Dates:
Jan 25 Brooklyn, NY – Alphaville *
Jan 26 Philadelphia, PA – Super Wimpy HQ *
Jan 27 Baltimore, MD – Joe Squared *
Jan 29 Indianapolis, IN – State Street Pub
Jan 30 Detroit, MI – Outer Limits
May 2 Paris, FR – Mains D’Oeuvres
May 5 Berlin, DE – Internet Explorer

* – with Corduroy

Perhaps best known for being a member of critically acclaimed bands Magic Bullets and Terry Malts, as well as Smokescreens and Mike Krol‘s backing band, Corey Cunningham’s latest project Business of Dreams can trace its origins to when Cunningham took leave for his long-running musical partnerships when his father died. Returning back home to Tennessee to grieve and confront his past, Cunningham wrote music that would eventually comprise Business of Dreams’ critically applauded, eponymous full-length debut back in 2017.

Building upon a growing profile, Cunningham with a live backing band opened for Rogue Wave, and played a number of local shows with the likes of Frankie Rose, Real Estate and others. Business of Dream’s sophomore effort, Ripe For Anarchy is slated for a February 1, 2019 release through Slumberland Records, and the album finds Cunningham honing his songwriting both sonically and thematically, with the material touching upon regret, existence and perseverance.”The album is about living in the moment, shedding neurosis, and the desire to discard the general societal malaise we’ve been roped into,” Cunningham says in press notes.

Ripe For Anarchy‘s first single is the shimmering guitar pop track “Keep The Blues Away.” Centered around ethereal and plaintive vocals, shimmering and arpeggiated synths, staccato drum machine-like drumming, shimmering guitar lines fed through delay and effect pedals and a soaring hook, the single sounds as though it could have been released during 4AD Records heyday — and while indebted to the sounds of the past, the track is bolstered by an urgent sincerity that comes from lived-in experience.