Tag: Cactus

 

Comprised of Dean Rodney, Jr. (vocals, rapping, songwriting), Matthew Howe (guitar),   Charles Stuart (bass, co-songwriter, background vocals), best known for being a member of Grace Jones‘ touring band, and Andrew Mclean (drums) with Felipe Pagani (guitar) joining in on live shows, the London-based indie act The Fish Police formed back in 2010 and is a unique and pioneering act, as it features neurodiverse personnel — Rodney, Jr., Howe and Mclean are all on the autistic spectrum, with Howe and Mclean being trained by the band’s Stuart at the London creative arts charity and label Heart n Soul.  Sonically, the neurodiverse act have developed a reputation for an electronic-based sound that draws from hip-hop, soul, 16 bit era computer game soundtracks and Afro-punk among others

The Fish Police’s forthcoming EP Edging Myself to the Middle reportedly sees Dean Rodney, Jr. taking on a slightly bigger role in terms of bringing musical ideas to the creative table.  Interestingly, because of his autism, Rodney, Jr. sees life through a very different angle and consequently, the lyrical themes and concepts he explores in his lyrics are humorously surreal while possessing a deceptive, childlike simplicity. After all, along with the aforementioned influences of hip-hop, soul, computer game soundtracks and Afro-punk, the band is influences by cartoons, fast food and Japanese culture — and as a result they band has built up quite a bit of buzz; in fact, the band will be playing sets at this year’s SXSW.  Edging Myself to the Middle‘s latest single “Cactus” is inspired by one of the cacti in the meeting room of their label’s offices, and the song finds the band pairing Rodney, Jr’s inventively surreal and childlike lyrics with glitchy electronics and funky and propulsive groove reminiscent of Fear of Music-era Talking Heads. But the bigger point is that this band should remind the listener of the inherent value of everyone — and that everyone has a story that should be told that respects their dignity and humanity.

 

 

 

 

 

 

 

 

 

 

 

 

With the release of their 2012 self-titled debut and its follow up 2014’s Mountain, the Visalia, CA-based quartet Slow Season, comprised of Daniel Rice (vocals, guitar), David Kent (guitar), Hayden Doyel (bass), and Cody Tarbell (drums), the Visalia, CA-based quartet Slow Season quickly developed a regional profile for a bluesy and heavy rock sound that’s heavily indebted to Led Zeppelin, Black Sabbath, Deep Purple and others — but without the being soulless mimicry. RidingEasy Records released a remixed and remastered version of their self-titled debut at the end of last year, and while working on their third full-length effort, the Visalia, CA-based quartet released a 7 inch featuring covers of Black Sabbath and Cactus; however, the band released two singles from their debut — the Led Zeppelin “Immigrant Song” channeling guitar line, thundering drums and howled drums of “Heavy” and the slow-burning, bluesy, harmonica-led “Bring It on Home” meets Howlin’ Wolf channeling “DayGlo Sunrise.”

Certainly, if you didn’t know that the band was contemporary, you’d probably think that these two singles were recorded in 1967 and were recently re-discovered by someone who had been digging through the crates of a used record store somewhere.

The band is playing a couple of live dates across Southern California. Check them out below.

LIVE DATES:
02/19 San Diego, CA @ The Merrow  w/ JOY and OVVL
02/20 Visalia, CA @ The Cellar Door  w/ Beastmak