Tag: Calico Discos

Los Angeles-based JOVM mainstays Allah-Las — Matthew Corriea (drums, vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals) and Pedrum Siadatian (guitar, synth, vocals) can their origins to when its members first bonded over psych rock vinyl in the back room at Amoeba Records. And over the course of the past 15 years, the Los Angeles-based quartet have been busy: they’ve developed a reputation for alchemically blending surf rock with folk rock jangle and rock; they’ve built up their lauded music podcast Reverberation Radio; and their record label Calico Discos.

Naturally, a lot has changed throughout the years, and their forthcoming album Zuma 85 reportedly finds the quarter facing a new world with a wealth of new sounds.

The pandemic-induced downtime between 2020-2022 opened up space for the members of the band to focus on their own lives and interests, and the time to re-envision what their creative process could look like and be. When it was safe to reconvene, a sense of looseness proved to be pivotal. Instead of bringing finished songs to the studio, they arrived at Stinson Beach-based Panoramic House with sketches, ideas and riffs.

Working with co-producer Jeremy Harris, the band crafted and shaped the album’s material over the course of three sessions, which were then mixed in Los Angeles by frequent collaborator Jarvis Taveniere. It was clear to the band that the studio’s bucolic environment — observed through picture windows overlooking Stinson Beach and Bolinas Bay — would be conducive to creating Zuma 85‘s material. “We got in real late that first night of the first session,” Allah-Las’ Miles Michaud says. “It was around midnight. We had a quick intro and Jeremy had a bottle of wine. We had a little and he said, ‘You wanna start recording?’”

They wound up recording something. When the group reassembled the following morning to listen to what they recorded, they found the session’s first song “Right On Time” mostly finished. It managed to be unlike anything the band had ever recorded, but it felt entirely natural. “Everything just worked,” Michaud says. “That studio just pulls it out of you.”

Zuma 85 derives its title from a photo of an abandoned by California-based photographer John Divola. Selected by the band’s Matthew Correia, the band’s resident photography fan and graphic designer, the photo juxtaposes a visage of man-man chaos against the natural beauty of the West Coast. It served as a reference point for the album, a symbol for the band’s new era.

Sonically, Zuma 85 reportedly sees the band leaving the familiar territory of their previously released material and embracing newer influences like late-era Lou Reed and John Cale, Peter Ivers, early Brian Eno and Roxy Music, as well as textures borrowed from Japanese pop and loner-folk obscurities. Some of the album’s material touches on komische, others are antehmic and electronic boogie, and there are even prog rock inspired material.

Zuma 85‘s first single, album title track “Zuma 85” is a dreamy composition built around a glistening and looping guitar lines, twinkling percussion, a driving groove powered by relentless four-on-the-floor and atmospheric synth textures paired with an easy-going yet catchy groove. The end result is a trippy take on the komische sound.

The JOVM mainstays will be embarking on a lengthy international tour that features an August 4, 2023 stop at The Rockaway Hotel and a September 11, 2023 stop at Amsterdam’s Paradiso, one of the world’s great music venues. Check out the rest of the tour dates below.

Tour Dates

6/15 – 17 – PiP Fest – Oslo, NO 

6/16 – Bergenfest (Bergenhus Fortress & Castle) – Bergen, NO 

6/17 – Pumpehuset – Copenhagen, DK 

6/20 – Slaktkrykan – Stockholm, SE 

6/22 – Selección Sonora @ Centro Cultural Ágora – A Coruna, Galicia, ES 

6/23 – Dabadaba – Donosti, ES 

6/24 – Tomavistas – Madrid, ES 

6/25 – Wheels & Waves – Biarritz, FR 

6/28 – Zeltival @ Tollhaus – Karlsruhe, DE 

8/3 – Levitate – Boston, MA 

8/4 – The Rockaway Hotel – Queens, NY 

8/30 – Mascotte – Zurich, CH 

9/1 – Room 2 – Glasgow, UK 

9/2 – Psych Fest – Manchester, UK 

9/3 – End Of The Road Festival – Salisbury, UK 

9/4 – Marble Factory – Bristol, UK 

9/6 – KOKO – London, UK 

9/7 – Chalk – Brighton, UK 

9/9 – Le Trianon – Paris, FR 

9/10 – Cactus – Bruges, BE 

9/11 – Paradiso – Amsterdam, NL 

9/13 – Huxleys – Berlin, DE 

9/14 – Muffathalle – Munich, DE

9/16 – Technopolis – Athens, GR 

10/23 – Crescent Room – Phoenix, AZ 

10/24 – Launch Pad – Albuquerque, AZ 

10/26 – Ferris Wheelers Backyard – Dallas, TX 

10/29 – Belly Up – Aspen, CO 

10/31 – Metro Music Hall – Salt Lake City, UT 

11/1 – Treefort Music Hall, Boise, ID

11/2 – Rev Hall – Portland, OR 

11/3 – Freakout – Seattle, WA 

11/4 – Volcanic Theatre Pub – Bend, OR 

11/6 – Goldfield Trading Post – Sacramento, CA 

11/7 – Phoenix Theater – Petaluma, CA 

11/8 – SLO Brew – San Luis Obispo, CA 

11/15 – Lodge Room – Los Angeles, CA 

11/16 – Lodge Room – Los Angeles, CA 

11/18 – August Hall – San Francisco, C

New Video: Brooklyn-Based Jazz Fusion Outfit Kolumbo Shares a Trippy Groove-driven Homage to Imperial Bikers MC

For the Dallas-born, Brooklyn-based composer, arranger, keyboardist and bandleader Frank LoCrasto, beach culture has held a certain, tropical mystique — despite growing somewhere completely landlocked. Family trips documented on camcorder, featuring slinky jazz-fusion soundtracks are etched into LoCrasto’s memory. So it shouldn’t be surprising that in his mind, there will always be a fantasyland with wicker furniture, pristine beaches, swaying palm trees, the smell of vanilla-scented suntan lotion, cerulean blue skies and clean, aqua blue water.

The Dallas-born, Brooklyn-based composer has released four solo albums, recorded music for three feature length plums and has songs appear in 2014’s Obvious Child and the HBO series How to With John Wilson. Additionally, LoCrasto has toured and recorded with Cass McCombs, Grateful Shred, Pat Martino, Jeremy Pelt, James Iha, Parquet Courts, Fruit Bats, Nicholas Payton, Greg Osby, Okkervil River, and Wallace Roney

As the leader of tropical, jazz-fusion outfit Kolumbo, LoCrasto creates dreamy musical locales seemingly inspired by his fond memories and his imagination. Kolumbo’s full-length debut Gung-Ho is slated for a June 29, 2022 release through the Allah-Las‘ label, Calico Discos. The eight-song album reportedly conjures the lush sounds of symphony 1950s and 1960s exotica and jazz-pop orchestral albums recorded in Capitol Records‘ studios. The album’s title speaks to the herculean task of producing an album with songs averaging 11 musicians per track during a pandemic.

Gung-Ho‘s first single, the trippy and strutting “Imperial Bikers MC” is a centered around a staggered and arpeggiated Rhodes, squiggling guitars, spacey synth bursts, tropical percussion, a soulful flute line paired with a sumptuous and funky groove. While evoking memories of lazy, summer days at the beach with a cold beer, sonically the track reminds me of L’Eclair and Mildlife, who also specialize in a similar brand of funk, rooted in mind-bending grooves.

The song is a loving homage to the Imperial Bikers MC motorcycle club, who have proudly called Crown Heights home for the past 40+ years. “About 15 years ago I used to work at a scooter repair shop in Brooklyn and also rode motorcycles around the city. As a result, I befriended many bikers and fell in love with the culture,” LoCrasto explains. “Probably the best celebration of riding I came across is the annual bike blessing, a rally hosted by Imperial Bikers MC, an African American motorcycle club located in Crown Heights, Brooklyn. There’s hundreds of bikers from all over the tri state area that get together to show off their bikes and wish one another a safe season. The song is an homage to them and their community service for the past 40+ years.”

The accompanying video by Robin Macmillan begins with features footage of the Imperial Bikers MC motorcycle club riding their bikes and quickly turns into a trippy affair: we see a sunglasses and track suit-clad LoCrasto playing a Roland piano and grooving over 70s and 80s styled computer-generated graphics and through the visual representation of a ‘shroom trip.