Tag: CBC Radio 3

New Video: Follow Montreal’s Les Deuxluxes on a Campy “Star Trek” Inspired Romp Through the Galaxy

With the release of their critically applauded mini-album, 2014’s Traitement Deuxluxe, the Montreal-based psych rock duo Les Deuxluxes — vocalist and guitarist Anna Frances Meyer and multi-instrumentalist and vocalist Etienne Barry — exploded across their native Quebec. Building upon a rapidly growing profile across the province, the duo released their critically applauded full-length debut, 2016’s Springtime Devil.

After Springtime Devil, the Montreal-based duo released a batch of attention grabbing singles, including a French translation of album title track “Springtime Devil,” “Diable du pringtemps.” Adding to a rapidly growing profile, the band played sets at Montreal Jazz Fest, Festival d’ete de Quebec, POP Montreal and M for Montreal — and they’ve opened for the likes of Lisa LeBlanc, Marjo, and Jon Spencer. They ended 2016 with a mini-tour of South America that included stops in Santiago, Chile; Valdivia, Chile; Buenos Aires, Argentina; and São Paulo, Brazil.

The duo isolated themselves in a 19th century church in the remote Quebec countryside, where the duo wrote and recorded last year’s sophomore album Lighter Fluid to tape. Released through Bonsound Records, the album’s material is centered around old school, power chord riffage and classic psych rock vibes. Now, if you were frequenting this site throughout the course of last year, you may recall that I wrote about the swaggering AC/DC-like album title track and pure ripper, “Lighter Fluid.”

Interestingly, Lighter Fluid’s latest single “Vacances Everest” climbed to the top of Influence Franco’s charts as a result of airplay on SiriusXM — and the track eventually found its way into rotation on CBC Radio 3. The track’s success shouldn’t be surprising: it’s a no bullshit, no filler, boogie woogie 12 bar blues ripper, centered around some Chuck Berry meets AC/DC like riffs, a thumping backbeat and Anna Francis Meyer’s sultry and self-assured crooning. But underneath the song’s bluesy stomp, the song lyrically is about the perseverance to overcome life’s obstacles and the idea of giving it all, even when you feel low.

Directed by frequent visual collaborator Ariel Poupart with artistic direction from Matthieu Turcotte, the recently released video stars Les Deuxluxes as a pair of intrepid space travelers who go on a campily retro-futuristic romp through the galaxy. Spaceships hurtling through the cosmos? Check. Shimmery space jumpsuits? Check. Laser guns? Check. Otherworldly landscapes? Check. Fights with weird humanoid creatures, who probably didn’t want to be bothered by humans? Check.

Visually, the video lovingly pays tribute to old Star Trek episodes, Jane Fonda’s Barbarella and Zsa Zsa Gabor’s Queen of Outer Space among other things. “With Mathieu Turcotte, the video’s artistic director, we were inspired by iconic landscapes from Star Trek to come up with our own interpretation and blur the lines between the future and the past,” Les Deuxluxes say in press notes. “All the components in the video were created with recycled materials; from the scale model spacecraft to the 100% vintage outfits and the liquid light backdrops recreating the cosmos. Even in space, nothing is lost, everything is transformed!”

New Audio: Dan Mangan’s Spectral Cover of R.E.M.’s “Losing My Religion”

Dan Mangan is a Smithers, British Columbia, Canada-born, Vancouver, British Columbia, Canada-based multi-Juno Award-winning singer/songwriter and multi-instrumentalist, whose music career started in earnest back in 2003 when he was 20 with the release of his debut EP All At Once. 500 copies were pressed and then sold or given away throughout the Vancouver area. Building upon the initial bit of buzz surrounding him, Mangan financially supported with a bank loan, recorded his Daniel Elemes and Simon Kelly co-produced full-length debut Postcards & Dreaming with the assistance of a small community of musicians, who offered cheap or free session work. Much like All At Once, Mangan initially released his full-length debut independently, selling the album online and at live shows; but by 2007, Vancouver-based indie label File Under: Music re-released the album with new artwork and a new, extra track “Ash Babe.”

August 2009 saw the release of Mangan’s sophomore full-length effort Nice, Nice, Very Nice. Deriving its name from a line Kurt Vonnegut’s Cat’s Cradle, the John Critchley-produced album was recorded at Toronto’s Green Door Studios and featured an assortment of Canadian musicians include Veda Hille, Justin Rutledge, Mark Berube, Hannah Georgas, members of Said The Whale, Major Maker and Elliot Brood. The album’s first two singles “Robots” and “Road Regrets” received airplay on local Vancouver radio stations, as well as The Verge and CBC Radio 3 — with Magnan eventually winning Artist of the Year at that year’s Verge Music Awards. 

The following year, Nice, Nice, Very Nice was licensed and released by renowned, Toronto-based indie label Arts & Crafts in the States and in Europe through City Slang Records. Adding to growing critical acclaim surrounding the album, Nice, Nice, Very Nice was shortlisted for the Polaris Music Prize, named iTunes Album of the Year in the singer/songwriter category, won three Western Canadian Music Awards — Independent Album of the Year, Roots/Solo Album of the Year and Songwriter of the Year. And “Robots” was named Best Song in the CBC Radio 3 BUCKY Awards. 

Over the course of the next year, Mangan began collaborating with musicians from Vancouver’s experimental music scene, recruiting rummer Kenton Loewen (Mother Mother, Submission Hold and Gord Grdina Trio), bassist John Walsh (Brasstronaut) and guitarist Gord Grdina (Gord Grdina Trio, Haram, and East Van Strings) to be his backing band for the writing and recording sessions that eventually comprised 2011’s Colin Stewart-produced Oh Fortune. Loewen, Walsh and Grdina recruited a large, rotating cast of local musicians including trumpeter JP Carter (Fond of Tigers, Destroyer), violinist Jesse Zubot (Fond of Tigers, Hawksley Workman, Tanya Tagaq), pianist Tyson Naylor and cellist Peggy Lee (Mary Margaret O’Hara, Wayne Horvitz, Veda Hille). Additionally, Magnan enlisted Eyvind Kang to contribute orchestral arrangements. The album was a critical and commercial success with the album winning Juno Awards for New Artist of the Year and Alternative Album of the Year with nominations for Songwriter of the Year and Video of the year for the Jon Busby-produced video for “Rows of Houses.” The album won three Western Canadian Music Awards for “Rock Album of the Year,” Independent Album of the Year,” and “Songwriter of the Year.” Also, the album was long-listed for that year’s Polaris Music Prize. Lastly, “Rows of Houses” won Best Song in the CBC Radio 3 BUCKY Awards, making Mangan the winningest artist in the award’s history — and the only artist to date that has won in the Best Song category multiple times. 

Credited to Dan Mangan + Blacksmith, 2015’s Club Meds found Magnan and his backing band of Grdina, Loewen, Walsh, Naylor, Carter and Zubot focusing on core band contributions — and while critically applauded, the album wasn’t as commercially successful as its predecessor. Since then, Mangan released the digitally released EP Unmake, which featured a cover of Robyn’s “Hang With Me,” stripped down versions of “Kitsch” and “Forgetery,” off Club Meds and an acoustic version of “Whistleblower,” re-worked from the original 6/8 time to 4/4 time and contributions from Tegan and Sara’s Tegan Quin, and drummer Loel Campbell (Wintersleep and Holy Fuck). Mangan has also done a few film and TV scores, including the CBC/AMC series Unspeakable, headed the Arts & Crafts Records imprint Madic Records, which released albums by Walrus and Astral Swans, who he has produced. During this exceedingly busy period, the acclaimed Canadian singer/songwriter and multi-instrumentalist took some time off and became a father before writing and releasing his latest album the Drew Brown-produced, More or Less, an album that Mangan claims “feels more like ‘me’ than ever.” 

The critically applauded Vancouver-based singer/songwriter and multi-instrumentalist is currently in the middle of a lengthy tour to support his latest effort, and it includes a March 14, 2019 stop at Mercury Lounge. (You can check out the tour dates below.) And to celebrate the tour, and its inclusion in the trailer for Unspeakable, Mangan released a spectral, Peter Gabriel-like cover of R.E.M.’s “Losing My Religion,” that’s centered around a looped guitar line, twinkling jazz-like keys and Magnan’s plaintive vocals. Admittedly, while I’ve been a huge R.E.M. fan for most of my life, I’ve hated “Losing My Religion” for many years because it was played way to death and then some throughout 1991 and 1992; but Mangan’s cover reminds me of the original song’s mysterious quality and weary ache. “When I was a kid, R.E.M. was a staple in my household,” says Mangan. “I remember air guitaring to this song with my brother and sister. It was such a massive hit but also so unlikely a candidate to be so. The chorus isn’t really a chorus. It’s long. It’s repetitive. It’s like a hypnotic cyclical trance of words that stick with you even if you have no idea what they’re about. I really wanted to try and approach it from a new angle. There’s no point in attempting to sing like Michael Stipe — there is only one Michael Stipe. So I tried my best to let it live in a new light while paying homage to the original.”