Tag: Chaka Khan and Rufus

Over the course of this site’s eight-plus year history, I’ve written quite a bit about the New York-based dance music collective ESCORT. And as you may recall, the act founded by producers Eugene Cho and Dan Balls, which features frontperson and bassist Adeline Michele as members of a core group that has at times expanded to 17 for live shows has received attention for a sound that draws from 1970s disco, soul and classic house music — and for a live show that has them as a must-see act; in fact, the members of ESCORT have played some of the world’s biggest festivals, including Sasquatch Festival, Okeechobee Festival Montreal Jazz Festival, Full Moon Festival and others — and have shared stages with The Internet, Charles Bradley, Digable Planets, De La Soul and Cody ChesnuTT.

Now, as you may recall, ESCORT’s frontperson Adeline Michele will be releasing her full-length, self-titled solo album on November 9, 2018 but in the meantime, ESCORT’s newest single “Slide” was co-written by denitia and sene‘s Denitia and the single which is centered around a buoyant bass line, shimmering synths, some Nile Rodgers-like guitar and Adeline Michele’s sultry vocals manages to recall Chaka Khan and Rufus“Ain’t Nobody,” as it’s a skating rink, club friendly banger with an infectious hook. In some way, the track is a subtle yet decided change in sonic direction with the act’s sound leaning more towards 80s synth funk.

Escort is playing two NYC are dates — November 2, 2018 and November 3, 2018 at Brooklyn Bowl. Adeline will be playing a solo, album release party at C’mon Everybody on November 13, 2018.

 

 

 

 

Now, throughout the the bulk of this site’s eight year history, I’ve written quite a bit about the acclaimed New York-based dance music outfit Escort,which features their indomitable frontwoman and bassist Adeline Michele, and as you may recall she released a solo album a few years ago — but her forthcoming self-titled, full-length effort slated for a November 9, 2018 release is something of a reset button; in fact, the Morgan-Wiley-produced “Emeralds” found the Escort frontwoman’s sound moving towards slinky 80s Quiet Storm-inspired synth soul reminiscent of Prince and others, centered around a sinuous bass line and Adeline Michele’s sultry vocals.

“Before,” the self-titled album’s latest single is centered around a funky, disco-like bass line, twinkling keys, shimmering and arpeggiated synths and Adeline’s effortless and self-assured pop superstar vocals — and while the song sonically nods at Chaka Khan and Rufus‘ “Ain’t Nobody,”  Mary J. Blige’s “Be Happy,Patrice Rushen‘s “Feels So Real” and classic Chicago house music, it possesses a soulful and disco-like ecstasy.
 

New Audio: Up-and-Coming British Duo Gold Fir Releases Vibrant and Surrealistic Visuals for New Single “Sirens”

Gold Fir is a London-based electro pop act comprised of a rather mysterious duo known only as James and Mabel, and if you’ve been frequenting this site over the past few months, you may recall that that the duo have received attention across the blogosphere for a sound that draws from 80s synth pop, classic electronic dance music and classic course music; in fact, “Night Walk”, which was released earlier this year, reminded me quite a bit of a dance floor friendly meshing of George Michael‘s “I Want Your Sex,” Chaka Khan’s and Rufus‘ “Ain’t Nobody,” Chaka Khan‘s “I Feel For You,” and Nu Shooz’s “I Can’t Wait.”

The mysterious British duo end 2017 with their latest single “Sirens,” a track that the duo says is”about welcoming different aspects of yourself to the dance floor,” sounds as though the duo was drawing from the likes of Soul II Soul’s “Back to Life” and “Get A Life,” Black Box’s “Everybody Everybody” and others as Mabel’s effortlessly soulful vocals are paired with a slick, house music-influenced production featuring layers of arpeggiated synths and twinkling keys, boom bap-like beats and an infectious hook. And while warmly nodding back at the sounds of the 80s and early 90s, much like contemporaries GL and others, they do so with a subtly modern take.

Directed by Tegen Williams, the recently released video continues the duo’s reputation for pairing their slick and soulful productions with strikingly surrealistic imagery — in this case, the viewer enters the mind of a music listener, and once instead we’re introduced to a pink-haired dancer, who first dances in an empty and darkened space before meeting some humanoid creatures. But much like its predecessor, there’s live action and hand drawn animation to evoke a dream-like state. As the duo says of the video treatment, “in life you’ve got to be whoever you want to be and the video was an ode to that sentiment; life is a dance like that.”

Although currently comprised of a rather mysterious duo simply known as James and Mabel, the London-based electro pop duo Gold Fir have received attention both nationally and elsewhere for a sound that draws from 80s synth pop, classic house and electro pop — and in a way that feels warmly familiar, as you’ll hear on their latest single “Night Walk,” a track that will remind listeners of George Michael‘s “I Want Your Sex,” Chaka Khan’s and Rufus‘ “Ain’t Nobody,” Chaka Khan‘s “I Feel For You,” and Nu Shooz’s “I Can’t Wait,” but while being incredibly self-assured and coquettish. But perhaps just as important, the new single reveals a duo that can craft an infectious and bold hook within an even bolder track.