Tag: Dark Orange

New Video: German Dream Pop Act Seasurfer Release a Gauzy Cocteau Twins-like Mix of “Drifting”

Hamburg-based songwriter, multi-instrumentalist Dirk Knight is one of that city’s grizzled scene vets, who can trace his career back to the 90s: his previous band Dark Orange was a pioneering act in the Heavenly Voices scene — and as a result, he collaborated with Cocteau Twins‘ Robin Guthrie.

amburg-based songwriter and multi-instrumentalist started his current project  Seasurfer back in 2013, and interestingly enough, the project finds Knight eschewing the traditional rock band set up and collaborating with a rotating cat of vocalists and musicians. His first two critically applauded Seasurfer albums saw Knight work with members of acts like Trespassers William, Whimsical, Jaguwar and Last Leaf Down. 

Seasurfer’s third album Zombies was released last year through Reptile Music. The album saw Knight simultaneously refining and expanding upon the sound that has won him and his collaborators attention internationally. While still retaining shoegazer textures, there’s a much larger focus on cold wave and dark wave influences with the material employing an increasing use of synths, motorik grooves and beats to create what Knight has dubbed “electrogaze for dancers and dreamers alike.”

ritten and recorded during pandemic-related restrictions and lockdowns, Zombies thematically paints a picture of a society on the brink of annihilation. As a result of the pandemic, Zombies is the first album that features Knight playing and recording all of the material’s instrumentation and even contributing some vocals. The first part of the album features vocals from singer/songwriter Apolonia.

As the story goes, as the pair were finishing the album, they had the distinct impression of living in a world that was completely losing its mind: Naturally, there is constant fear and uncertainty inspired by the pandemic; but there’s also the increasing numbers of self-serving political leaders hellbent on power, greed, corruption and lust. And let’s not forget the looming global climate catastrophe that will likely occur within our lifetimes. It shouldn’t be surprising that the pair frequently felt as though they were like zombies struggling through a lost and dead world.

Shortly after the vinyl and CD releases of Zombies, the Hamburg-based act reworked album single “Drifting.” “Drifting” is a fan favorite on the album and as a result, Knight and Apolonia came up with an alternate mix of the song. Interestingly, the alternate mix is centered around gauzier textures while retaining the glistening synths and brooding air of the original. In some way, the alternate mix manages to gently push the song towards a Cocteau Twins-like sound.

For me ‘Drifting’ is the song with the coolest bass of the whole album Zombies,” Seasurfer’s Dirk Knight explains. ” For the first time I recorded all the basses by myself and learned to love playing this instrument. Basses are extremely important to us and determine the harmonies and melodies, similar to how Simon Gallup (The Cure), Peter Hook (Joy Division, New Order) and Simon Raymonde (Cocteau Twins) are doing it. For the single and the extended mix we let the drums run straight through to make the song even more mesmerizing.”

The recently released video is a trippy mix of nostalgia-inducing Super 8 shot footage of a young child going on a cruise on the open sea, projected over Apolonia’s face, as she sings the song’s lyrics.

“Drifting (Single Mix)” appears on Seasurfer’s recently released Drifting EP, which features a 12 minute, extended single mix, the previously unreleased track “Ghost Children” and remixes of “Drifting” by Spanish dreamwave duo STEREOSKOP, Russian shoegazers Life on Venus and French electronic artist GIIRLS.

New VIdeo: Hamburg’s Seasurfer Releases a Surreal and Brooding Visual for “SOS”

Dirk Knight is a Hamburg-based songwriter, multi-instrumentalist and grizzled scene vet. Knight’s musical career began back in the 90s: his previous band Dark Orange was a pioneering act in the Heavenly Voices scene — and as a result, he collaborated with Cocteau Twins’ Robin Guthrie. With his latest recording project Seasurfer, which he started in 2013, the Hamburg-based songwriter and multi-instrumentalist eschews the traditional rock band set up and collaborates with a rotating cast of vocalists and musicians, who help flesh out the project’s sound. Through his first two critically applauded Seasurfer albums, Knight has worked with members of Trespassers William, Whimsical, Jaguwar and Last Leaf Down.

Knight’s third Seasurfer album Zombies was released last month through Reptile Music and the album finds the Hamburg-based act refining the sound that has won them fans internationally: while still retaining the fuzziness and layers of reverb, the German, there has been an increased focus on drawing from cold wave and dark wave influences — with the material employing the use of synths, motorik-like grooves, and synthetic beats in what the act has dubbed “electrogaze for dancers and dreamers alike.”

Written and recorded during tight pandemic-related restrictions and lockdowns, Zombies thematically crafts a dark and murky portrait of a society on the brink of annihilation. Interestingly, the album is the first Seasurfer album that features Knight playing and recording all of the instrumentation and contributing some vocals. The first part of the album finds Knight collaborating with singer/songwriter Apolonia. As the duo were putting the finishing touches on Zombies, they both had the distinct impression of the world completely losing its mind: Of course, there’s the fear and uncertainty of COVID-19; but there’s also self-serving political leaders ruled by greed, corruption and lust, as well as the largely ignored, yet unavoidable global climate catastrophe. And the entire ordeal made the duo feel as though they were zombies stumbling through a lost world.

Zombies also will feature a digital only eight track mini album release, The Dreampop Days, which finds Knight collaborating with Kirilan Camera’s Elena Alice Fossi. But in the meantime, Zombies’ latest single, is the dark and brooding “SOS.” Centered around shimmering synth arpeggios, motorik grooves, thumping and skittering beats and industrial clink, clang and clatter, paired with Apolonia’s ethereal cooing. Arguably one of the act’s more dance floor friendly and seductive songs, “SOS” immediately brings 80s post punk and goth to mind — but while reminding me a little bit of No Swoon, Lightfoils, BLACKSTONE RNGRS and the rest of St. Marie Records roster.

The recently released video by JH Rochereuil.is spilt between gorgeously shot footage in black and white, stock footage, psychedelic imagery, digital fuzz, ubiquitous COVID-19 virus and color footage of a political protest/uprising. And it manages to further emphasizes the bleakness of its accompanying audio.