Tag: Deal Casino Happy People

New Video: JOVM Mainstays Deal Casino Releases a Brooding Single Paired with Cinematically Shot Visuals

I’ve managed to spill a bit of virtual ink covering the Asbury Park, NJ-based indie rock band Deal Casino over the past couple of of years of this site’s almost ten year history. And as you may recall, the Southern New Jersey-based act — childhood friends Joe Parella (vocals), Jon Rodney (bass) and Joe Cowell (keys, guitar)  — formed back in 2013 and released a series of EPs before releasing 2017’s self-titled full-length debut to critical praise from Stereogum, New Noise and others. 

The members of Deal Casino released their sophomore album 2018’s LLC. And from album singles “Happy People,” and “Baby Teeth,” the JOVM mainstays managed to expand upon the sound, approach and thematic concerns that won them attention and praise across the blogosphere with the material walking a tight-rope between lo-fi bedroom recordings and studio polish while thematically focusing on living in a uncertain, horribly fucked up world.  Building upon a growing profile, the band has made appearances at Governor’s Ball, Firefly, Sea.Hear.Now., and The Front Bottoms’ Champagne Jam. Last year, they supported LLC through tours with The Wrecks, Badflower, The Happy Fits, The Parlor Mob and The Technicolors– and it included the band’s first European tour with the aforementioned Badflower. 

2020 began with the release of a cover of Frank Sinatra’s iconic “My Way,” a tour to build up buzz for their then-unreleased five song EP Woof and the release of the EP’s first single “Chicken Head.” Interestingly, while the single retains the hook-driven nature of the band’s previously released work, it reveals a decided change of sonic and thematic direction. Influenced by the members’ lifelong obsessions with Pixies and Radiohead, the material draws from the band’s experiences over the past two years. And as a result, the material may arguably be the most introspective they’ve written and released to date. Interestingly, “Chicken Head” is a slow-burning and brooding track centered around boom bap-like drums, buzzing guitars, atmospheric synths, Parella’s plaintive crooning and an enormous hook. In some way, the track — to me, at least — manages to evoke the uncertainty and unease of current moment, as well as the utter weirdness of being an artist at this juncture.

The recently released, cinematically shot video for “Chicken Head” features the members of the band in a classic, black convertible Oldsmobile with concert amps hooked up to the backseat, driving around suburban emptiness. At some point, we see the band goofing off and doing donuts in an empty parking lot. Of course, through the video, the members of the band look like the coolest dudes on the face of the earth.  

The band recently announced that they’ll be going on a Quarantour, in which they’ll team up with local bands to give fans a unique concert experience through Instagram Live. Of course, merch will be available to help support the bands in a difficult time — and there’ll be the option to donate to Feeding America. 

New Video: Deal Casino Releases a DIY Visual for “Baby Teeth” Shot out of Bitter Necessity

Over the past year or so, I’ve written a bit about the Asbury Park, NJ-based indie rock band Deal Casino, and as you may recall, the act which is comprised of Joe Parella, Jon Rodney, Joe Cowell and Chris Donofrio formed back in 2013 and released a series of EPs before releasing their full-length debut in 2017 to praise from the likes of Stereogum, New Noise and others. Building upon a growing profile, the band released their sophomore album LLC last year, and from album single “Happy People,” the album revealed a band that expanded a bit upon the sound that won them attention with the single being centered around jangling guitar chords, a chugging and propulsive rhythm section and wobbling and droning synths. And while infused with a Wes Anderson soundtrack-like quirkiness, the song is bitterly ironic, as its narrator openly questions how people can be happy with themselves and the world around them when so much is dreadfully wrong. 

LLC’s second single is the breezy yet bittersweet “Baby Teeth.” Centered around shimmering guitar chords, a propulsive backbeat, a throbbing bass line and plaintive vocals, the song as the band explained in press notes is about growing up and coming to terms with your own life. They add that the song “. . . touches upon wanting to takes control and then realizing that in order to progress, grow, and be happy in life you have to be able to rely on other people. ” Interestingly, the song sonically finds the band carefully walking a tightrope between a clean studio sheen and an old-timey lo-fi, as the band recorded the song with some unusual accents like mic’ed up trash bags, bells and vintage modular synths paired with a traditional rock instrumentation — and the end result is a song that manages to be imbued with both a sense of gratefulness over having people that give a damn about you and your well-being.

Directed by Anthony Yebra, the recently released video for “Baby Teeth,” is a decided homemade, DIY affair that finds the band driving around in Tony’s car, before using two leaf blowers in front of a green screen meant for some further special effects in post production; however, as the band notes, Capitol Records cut all funding for the video halfway through the shoot, making post-production impossible. And interestingly enough, the video manages to emphasize the fact that often growing up is about dealing with shitty things in the best way you can. 

Comprised of Joe Parella, Jon Rodney, Joe Cowell and Chris Donofrio, the Asbury Park, NJ-based indie rock band Deal Casino formed back in 2013, and as you may recall, the band released a series of EPs before releasing their full-length debut last year to praise from the likes of Stereogum, New Noise and others. Building upon a growing profile, the Asbury Park-based quartet’s sophomore album LLC is slated for release this month, and from album single “Happy People,” the band has expanded upon the sound that has won them attention as the single was centered around jangling guitar chords, a chugging and propulsive rhythm section and wobbling and droning synths. And while infused with a Wes Anderson soundtrack-like quirkiness, the song is bitterly ironic, as its narrator openly questions how people can be happy with themselves and the world around them when so much is dreadfully wrong — and although these happy people may seem superficially content, the song’s narrator points out that he’d rather not put on the happy mask that erases reality; even if it’s absurd and painful.

LLC‘s latest single is the breezy yet bittersweet “Baby Teeth,” which the band explains in press notes is about growing up and coming to terms with your own life. They add that the song “. . . touches upon wanting to takes control and then realizing that in order to progress, grow, and be happy in life you have to be able to rely on other people. ” Interestingly, the song sonically finds the band carefully walking a tightrope between a clean studio sheen and an old-timey lo-fi, as the band recorded the song with some unusual accents like mic’ed up trash bags, bells and vintage modular synths paired with a traditional rock instrumentation — and the end result is a song that manages to be imbued with both a sense of gratefulness over having people that give a damn about you and your well-being.

 

 

New Video: Deal Casino’s Quirky and Playful Visuals for the Bitterly Ironic “Happy People”

Comprised of Joe Parella, Jon Rodney, Joe Cowell and Chris Donofrio, the Asbury Park, NJ-based indie rock band Deal Casino formed back in 2013. The band cites Pink Floyd, Nick Drake, The Band and Led Zeppelin as some of their influences but more importantly, since their release the band has released a series of EPs before releasing their self-titled, full-length debut last year to praise from Stereogum, New Noise and others. LLC, the Asbury Park-based quartet’s sophomore album is slated for release later this month and its latest single “Happy People” is centered around jangling guitar chords, a chugging and propulsive rhythm section and wobbling and droning synths.  Infused with a Wes Anderson soundtrack quirkiness, the song is actually bitterly ironic, as its narrator openly questions how people can be happy with themselves and the world around them when so much is dreadfully wrong — and although these happy people may seem superficially content, the song’s narrator points out that he’d rather not put on the happy mask that erases reality; even if it’s absurd and painful.

Directed by Anthony Yerba, the recently released video is centered by an ironic juxtaposition. Shot with a fish eye lens,  the members of the band goofing off and being playful during rehearsals and practices. Initially bearing fake smiles, the smiles frequently become real smiles or wild bursts of laughter as the camera zooms up for extreme close-ups, capturing the band within their own natural habit — all while pointing out the irony within the song. 

If you follow me through my various social media pages, you’d know that this weekend has been very busy as I’ve been attending the second annual international beer, food and music festival OctFest on Governor’s Island this weekend — and although today is the second and final day of the festival, I’m looking forward to catching Nile Rodgers and Chic; but in the meantime, there’s a bit of business to attend to, so let’s get to it, huh?

Comprised of Joe Parella, Jon Rodney, Joe Cowell and Chris Donofrio, the Asbury Park, NJ-based indie rock band Deal Casino formed back in 2013. The band cites Pink Floyd, Nick Drake, The Band and Led Zeppelin as some of their influences but more importantly, since their release the band has released a series of EPs before releasing their self-titled, full-length debut last year to praise from Stereogum, New Noise and others. LLC, the Asbury Park-based quartet’s sophomore album is slated for a November 2018 release and its latest single “Happy People” is centered around jangling guitar chords, a chugging and propulsive rhythm section and wobbling and droning synths.  Infused with a Wes Anderson soundtrack quirkiness, the song is actually bitterly ironic, as its narrator openly questions how people can be happy with themselves and the world around them when so much is dreadfully wrong — and although these happy people may seem superficially content, the song’s narrator points out that he’d rather not put on the happy mask that erases reality; even if it’s absurd and painful.