Despite the fact that they’ve had a long-held reputation for crafting decidedly left of center pop and adhering to doing things in their own way, the Gothenburg, Sweden-based pop act Little Dragon — Yukimi Nagano (vocals), Hakan […]
Tag: DJ Shadow
Although they’ve proudly boasted of their long-held reputation for crafting left of center pop and adhering to doing things in their own way, the Gothenburg, Sweden-based pop act Little Dragon, comprised of Yukimi Nagano (vocals), Hakan Wirenstarnd (keys), Fredrik Wallin (bass) and Erik Bodin (drums), have managed to achieve an enviable level of mainstream success and recognition: 2014’s full-length effort Nabuma Rubberband received a Grammy nomination and they’ve developed a reputation for being a highly sought-after collaborative unit, as they’ve worked with an impressive array of genre-defying, difficult to pigeon-hole artists and acts including BADBADNOTGOOD, Gorillaz, SBTRKT, Flying Lotus, Kaytranada, Big Boi, De La Soul, DJ Shadow, Tinashe, Mac Miller, Future, Raphael Saadiq, Faith Evans and many more.
The acclaimed Swedish pop act can trace their origins back to when they would meet up after school to jam and play A Tribe Called Quest and Alice Coltrane records and reportedly the band’s forthcoming album New Me, Same Us finds the band going back to the basics and falling back in love with their instruments while crafting some of what may arguably be the most focused material of their growing catalog. Interestingly, the material thematically touches upon transitions, longing and saying goodbye. And as a result, it may also be among the most reflective and thoughtful of their careers. “We are all on our own personal journeys, full of chance, yet still we stand united with stories we believe in, that make us who are we are.”
The album which was entirely self-produced and recorded at the acclaimed Swedish pop act’s home-built Gothenburg-based studio “has been the most collaborative for us yet, which might sound weird considering we’ve been making music together for all these years, but we worked hard at being honest, finding the courage to let go of our egos and be pieces of something bigger,” the members of Little Dragon explain in press notes. Centered around shimming synth arpeggios, a sinuous bass line, propulsive polyrhythm an infectious two-step inducing hook and Nagano’s soulful crooning, “Hold On,” Same Me, New Us‘ sultry first single manages to recall Fragile-era Cherrelle, with subtle house music flourishes.
The song as the band explains is a centered around a message about breaking away and moving on. It started out as a slick house track but transformed once Fred played the base through it and we all worked it together,” the band explains. “It became something raw and soulful. It’s a simple groove that makes us dance. We can’t wait to play it live because once we play it live it most certainly will change again.”
The acclaimed Swedish pop act will be embarking on a headlining international tour throughout the bulk of the Spring. The tour includes a two-night stand at Brooklyn Steel — April 17, 2020 and April 18, 2020. The April 18 show is already sold out. Check out the tour dates below.
Live Concert Photography: Cut Chemist with Edan, El Dusty, and Shortkut at Music Hall of Williamsburg 4/26/18
Since appearing on DJ Shadow‘s 2006 album The Outsider, the critically applauded, mostly instrumental London, UK-based act The Heliocentrics, comprised of Malcolm Catto (drums, production), Jake Ferguson (bass), Adrian Owusu (guitar) and multi-instrumentalist Jack Yglesias, have cemented a reputation for a compositional approach based on the band’s four musicians’ live improvisation in the studio as a way to avoid typical songwriting and compositional processes and generic song structures, and for a boldly genre-defying aesthetic as their sound possesses elements of jazz, hip-hop, trip-hop, psych rock, acid jazz, krautrock and musique concrete. Unsurprisingly, as a result of being uncompromisingly difficult to pigeonhole, the members of The Heliocenters have collaborated with an impressive array of artists including Muluta Astake, The Gaslamp Killer, Lloyd Miller, Orlando Julius, the legendary and iconoclastic Melvin Van Peebles and others.
Spending well over a decade together, the members of the band refer to their songwriting and recording process as “almost a form of telepathy” with “musical changes that otherwise would be near impossible to write .. . ” Interestingly, the band’s fourth full-length effort, A World of Masks, which is slated for a June 9, 2017 release through will further cement their reputation for being difficult to pigeonhole; but it also marks several new directions for a band that constantly pushes themselves in new directions sonically and thematically. First, the London-based band’s fourth album is the first official release through their new label home Soundway Records after several years on Los Angeles-based Now Again Records — and secondly, the album finds the band collaborating with Barbora Patkova, a young Slovakian vocalist, who the members of the band discovered through a mutual friend. According to the band, Patkova’s sound and vocal stylings “instantly worked with us,” and they quickly discovered an artist, who like them was intimately familiar with an improvisational approach and had lyrics at the ready to sing, frequently in her native Slovakian over any music thrown at her. Lastly, A World of Masks is the first release of rather prolific year or so period for the band: they recently wrote the score to the critically acclaimed documentary about LCD, The Sunshine Makers and have plans to collaborate with the legendary Marshall Allen and the Sun Ra Arekstra, and to continue their collaboration with Gaslamp Killer with a new album as well, ensuring that The Heliocentrics will be a go-to band to collaborate with on genre-stretching and genre-defying works.
The London-based act’s latest single “Oh Brother” is the second official single off A World of Masks and the single is an awe-inspiring, heady and cinematic mix of psych rock, acid jazz, jazz fusion, 60s blue eyed soul and a subtle hint of psychedelic Bollywood in a song that possesses an explosive and feral immediacy paired with Patkova’s sultry and soulful Nancy Sinatra-like vocals.
New Video: The Sultry and Classic Soul Sound of Bristol’s Hannah Williams and The Affirmations
Produced by The Heliocentrics’ Malcolm Catto, who has produced Mulatu Astatke, Orlando Julius and the iconoclastic author/auteur/film producer/actor/musician Melvin van Peebles, and collaborated with Floating Points, Quantic, DJ Shadow and Madlib, Williams’ much-anticipated sophomore effort was recorded, mixed and mastered to tape at London’s Quatermass Studios, Williams’s highly-anticipated sophomore full-lenth effort Late Nights and Heartbreak will be released Stateside and elsewhere on Friday through Record Kicks Records. Interestingly enough the effort not only marks the first time Williams has worked with Catto, it also marks the first recorded effort with her new backing band, the Bristol, UK-based The Affirmations — and from the material I’ve heard off the album, the band comprised of James Graham (organ, piano and Wurlitzer), Adam Holgate (guitar), Adam Newton (bass), Jai Widdowson-Jones (drums), Nicholas Malcolm (trumper), Liam Treasure (trombone), Victoria Klewin (baritone saxophone) and Hannah Nicholson (backing vocals) are not just an incredibly tight unit, but they can give the world-famous Daptone Records bands a run for their money.
The album’s first single “Tame in the Water” has Williams and The Affirmations pairing her incredibly soulful vocals with a tight and funky groove, shuffling drumming, twinkling keys, shimmering guitar chords and a bold horn line to create a sultry, mid-tempo torch song with a narrator, who has had enough of her lover’s shit and wants out, knowing that she deserved and still deserves much better — all while sounding as though it could have been released in 1964 or so. And in some way, the song nods a bit at Dusty Springfield’s “Son of a Preacher Man” but with a visceral sense of heartbreak that’s devastating.
The charmingly goofy music video follows the relationship between Williams and a anthropomorphic rabbit, who she discovers is a no-good, cheating, irresponsible lout, which follows the song’s narrative. And towards the end we see an extremely pissed Williams packing her stuff and calling a friend to give her a ride while her former lover gets sloshed — and then kicked out of a bar.
The album’s second single is an amazing, mind-blowing psychedelic soul rendition of “Dazed and Confused” that draws equally from the original version written by Jake Holmes, Led Zeppelin’s legendary cover and The Temptations’ “Papa Was A Rolling Stone” — but with a swaggering, self-assuredness. And from both singles a few things are apparent: Hannah Williams can fucking sing her heart out — and I can guarantee that you will be hearing about her and the Affirmations for quite some time; the chemistry and simpatico between Williams and the Affirmations is undeniable, as they’ve created some of the tightest and funkiest music of their young careers.
New Audio: Zack de la Rocha Teams Up with El-P for a Fiery, Tweeter and Woofer Rocking Track
As rumored by countless sources, the album would feature production by some of the original collaborators — including El-P, Questlove, Trent Reznor and DJ Premier. So coming across both a friend’s Facebook post and a press email that read “Zach de la Rocha releases ‘Digging for Windows’ from Forthcoming Solo Album” was a moment of stunned disbelief. Naturally, that was followed by a moment in which I thought “Finally! Righteously furious, revolutionary music for these frighteningly uncertain, fucked up times.”
The yet unnamed album is slated for release sometime next year, and its stomping and rampaging first single “Digging for Windows” pairs an ambient and somewhat abrasive, industrial-leaning production consisting of enormous, stomp tweeter and woofer rocker beats, slashing synths, electronic bleeps, distorted vocal samples with de la Rocha’s imitable and furious vocals rhyming from the perspective of the disenfranchised, the downtrodden and fucked with, the victims of abuse, injustice and greed with profound empathy, understanding and hatred of the powerful and unchecked forces behind it. And although he may not ever be in your list of Top 10, Top 20 or hell, even Top 50 emcees, he’s absolutely necessary — now more than ever.
Led by its founding members and bandleaders singer/percussionist Irving “Honey” Banister, Big Chief of the Creole Wild West Tribe and drummer Joe Gelini, who have both been involved with New Orleans‘ Mardi Gras Indians for years, the members of the funk septet Cha Wa have developed a reputation for a sound and aesthetic that combines the Mardi Gras indian tradition and the area’s reputation for rhythm and blues and funk. And after playing countless shows in their beloved hometown, the septet’s long-awaited debut album Funk ‘n’ Feathers is slated for an April 1, and the album reportedly draws from the seminal Mardi Gras Indian-inspired work of the 1970s — Wild Magnolias (backed by The Meters), The Neville Brothers and Dr. John‘s Nite Tripper albums; however, the material also has a contemporary twist as the album was produced by Galactic‘s Ben Ellman, who has also worked with the likes of Trombone Shorty, and mixed by San Francisco, CA‘s go-to engineer Count, who has worked with DJ Shadow, Radiohead, Lyrics Born and others.
The album’s first single is a loose, stomping and swinging cover of Dr. John’s “All On A Mardi Gras Day” that feels as though you’re following a hot and jamming band with the marching Indians in their featured costumes marching down the streets of Uptown New Orleans — but with a slick, studio polish that doesn’t scrub away the inherently gritty, street-level funk and the ebullient, let the good time roll-feel within the song. If the song doesn’t make you want to stomp around and dance, then you have a cold, cold heart.
The band has a number of live dates coming up throughout the next few months. Check out tour dates below.
02/08- Riverwalk – New Orleans, LA [Lundi Gras Celebration]
02/08- Tipitina’s Mardi Gras Stands – New Orleans, LA
02/09- 30×90 – New Orleans, LA
02/27- Universal Studios Orlando – Orlando, FL
03/05- Howlin’ Wolf – New Orleans, LA
03/31- Lafayette’s – Memphis, TN
04/01- Blue Nile [Album Release Show] – New Orleans, LA
04/07- French Quarter Fest – New Orleans, LA
04/10- d.b.a – New Orleans, LA
04/21- Ogden Museum of Southern Art – New Orleans, LA
04/23- New Orleans Jazz & Heritage Festival – New Orleans, LA
04/30- French Broad River Festival – Asheville, NC
06/04- Michael Arnone’s Crawfish Festival – Augusta, NJ
New Audio: Re-Introducing 4th Coming’s Futuristic and Breezy, Synth Funk Sound
Founded in 1969 the Los Angeles funk collective 4th Coming was essentially the songwriting and recording project of primary songwriting duo, Henry “Hank” Porter and Jechonias “Jack” S. Williams, who teamed up in the studio […]