Tag: DKFM

New Video: Up-and-Coming Italian Shoegazers Solitude in Apathy Release a Surrealistic and Symbolic Visual for “The Other”

Naples, Italy-based indie act Solitude in Apathy — Santina Vasaturo (vocals, bass), Gennaro Cristiano (guitar) and Diego Niola (drums) — formed back in 2016, and since their formation the Italian act has quickly forged a reputation for crafting a sound that meshes elements of shoegaze, dark wave, alt rock and goth. They’ve also opened for internationally acclaimed, Italian shoegazers Stella Diana and Rome in Monochrome. 

Building upon a growing profile in their native Italy and elsewhere, the trio’s Giacomo Salzano-produced, self-titled EP is slated for release this Friday — and the EP’s lead single, the “The Other” will help further cement the up-and-coming Italian trio’s sound: towering layers of fuzzy and distorted guitars, propulsive bass lines, forceful and dramatic and forceful drumming and ethereal vocals drenched in reverb floating over the dreamy mix. In some way, the single strikes me as being like a seamless synthesis of Sixousie and the Banshees and 4AD Records heyday — and unsurprisingly, the song received praise from outlets across the European Union and States, as well as airplay on DKFM. 

Directed by Gaetano Massa, the recently released and incredibly cinematic video for “The Other” is a surrealistic fever dream featuring blindfolded characters walking through an abandoned and dilapidated house, full of rotting books, broken brick and chipped paint. We also see the band performing in another room while all of this is going on. 

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New Video: Brazilian-Canadian Shoegazers Palm Haze Release a Gorgeously Cinematic and Feverish Visual for “Second Round”

With the release of their self-produced debut EP, 2017’s Tangy Dream, Palm Haze, comprised of Illhabela, Brazil-born, Vancouver, British Columbia, Canada-based Anna Wagner (vocals, bass) and Lucas Inacio, a.k.a Fløver (guitar, production) have quickly developed a reputation for a unique sound that meshes elements of alt rock, shoegaze and trip hop. Considered the third best shoegaze album that year by DKFM‘s listener’s pool, the EP was later released on cassette tape by Young Heavy Souls and on vinyl through a successful Qrates crowdfunding campaign. 

Slated for release later this week through YHS Records, the the Illhabela-born, Vancouver-based shoegazer duo’s forthcoming effort Rêve Bleu reportedly draws from the duo’s chaotic personal lives last year. “While Tangy Dream feels very tangible and achievable, Rêve Bleu will bring up chaotic emotions and thoughts, taking you much further from reality and closer to the wonders of uncertainty. Where could you go? What could you do? It’s a fantasy you fall on accidentally, revealing risky and forbidden paths. It’s the kind of dream you’re afraid of, but also tempted towards,” the duo explain in press notes

Earlier this month, I wrote about the Lightfoils-like album single “Floating,” a track, which was centered around layers of fuzzy, pedal-effected guitars, a motorik groove, shuffling drumming and Wagner’s ethereal vocals. Interestingly, Rêve Bleu’s latest single “Second Round” is an expansive and trippy track that begins with a lengthy jazz-like and slow-burning intro featuring Wagner’s vocals floating over shimmering guitar and stuttering beats but about half way through, the song morphs into towering shoegaze reminiscent of My Blood Valentine, Ride and others, complete with fuzzy power chords and thunderous drumming. “Second Round” may arguably be the best example of their sound and approach but while managing to be ambitious yet accessible. 

Directed and edited by Matt Black and featuring camera and drone work by Alex Buksdorf, the recently released video for “Second Round” is one part brooding and noir-ish as it’s all gorgeously cinematic black and white photography and neon light — but as the song’s intensity turns up, the visuals become increasingly hallucinogenic.