Tag: Double J

New Video: Cut Copy Releases a Meditative Visual for Slow-burning New Single “Love Is All We Share”

Initially starting as a bedroom, solo recording project of its Melbourne, Australia-based founding member and frontman Dan Whitfield and expanding into a full-fledge band with Tim Hoey (guitar), Mitchell Scott (drums) and Ben Browning (bass), the acclaimed indie electro pop act Cut Copy have been one of their homeland’s most successful and well-regarded acts over their nearly 20 years together. 2008’s In Ghost Colours, which featured standout singles “Lights & Music” and “Hearts on Fire,” received nominations for ARIA’s Best Dance/Electronic Album and Album of the Year at the J Awards. 2011’s Zonoscope topped the ARIA charts, was nominated for a Best Dance/Electronic Album at that year’s Grammy Awards and won a Best Dance Release ARIA Award. Adding to an enormous, internationally known profile, the members of Cut Copy have gone on a number of successful national and international tours, and have made appearances on the late night TV circuit, including stops on Late Night with Jimmy Fallon and Jimmy Kimmel Live!

2017’s Haiku From Zero was released to international critical applause and was named a Double J Feature Album. But interestingly enough, “Love Is All We Share,” the acclaimed Aussie act’s latest single is the first batch of new material from the band in three years. and the single is a decided departure from the thumping, club anthems that have won them attention internationally. The song is a slow-burning, intimate, and atmospheric track, centered around a sparse arrangement featuring gentle layers of shimmering synths, Dan Whitfield’s plaintive vocals and shuffling beats. Evoking the euphoric highs of love, our seemingly insatiable desire for connection and physical touch, the song finds Cut Copy crafting a Quiet Storm-inspired take on synth pop that’s eerie and timely. Certainly, in a world in which even being near your friends and loved ones takes on a heightened significance and risk, love in all forms takes on a completely different meaning. 

“’Love Is All We Share’ is a song we made using only a handful of sounds, hoping to create an intimate and unworldly atmosphere,” Cut Copy’s dan Whitfield says in press notes “It was written a year ago about the anxieties of imagined future times, as technology becomes more all-consuming. But in light of recent events the song took on an eerie significance. Now, with our immediate future uncertain and people the world over self isolating, ‘love’ more than ever, feels like one of the best things we can share.”

Directed by American contemporary artist Takeshi Murata, the recently released video for “Love Is All We Share” communicates the track’s themes through his work in hyper-realism and computer-simulated imagery. The end result is a mesmerizing and hypnotic visual of interconnected digital, floating bubbles. “Of the ideas we had, the floating bubbles stood out – representing elements of the song best with animation that’s meditative,” Murata says. “For me, the bubbles point to our relationships and their fragility, relevant to the lyrics and time.”

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New Video: Teeth & Tongue’s Jess Cornelius Releases Haunting Visuals for “Jealousy” Off Her Forthcoming Solo Debut

Over the past year, I had written a bit about the critically acclaimed, Melbourne, Australia-based indie rock/indie pop act Teeth & Tongue. Comprised of New Zealand-born, Melbourne, Australia-based singer/songwriter and guitarist Jess Cornelius, guitarist Marc Regueiro-McKelvie, bassist Damian Sullivan and drummer James Harvey, the quartet initially began as a solo recording project of its founding member Jess Cornelius, and over the course of the four albums, the band developed a reputation for restless experimentation with their sound morphing from an ambient and textured sound to a wiry, dance floor-friendly post-punk inspired by Yeah Yeah Yeahs‘ It’s Blitz!, as you would hear on Give Up on Your Health, an album that received attention both nationally and internationally — it was nominated for a J Award and the Australian Music Prize, named Album of the Week on 3RRR and Featured Album on Double J, as well as features in Rolling Stone, The Fader and Lena Dunham’s Lenny Letter.

Adding to a growing profile, Cornelius has played at some of the her adopted homeland’s and the world’s major music festivals including Laneway Festival, Meredith Music Festival, Falls Festival, Boogie Woogie Festival, SXSW, CMJ, Perth International Arts Festival and Darwin Festival, toured with acclaimed singer/songwriter Courtney Barnett and Vance Joy, opened for J. Mascis, Sons & Daughters, EMA, Juana Molina, The Dodos, The Mountain Goats, The Drones and Laura Marling, as well performed as a musical guest on several episodes of SBS‘ Rockwiz.
 
After several years as a frontperson, Cornelius decided it was time to focus on creating music under her own name, and as a result, Cornelius relocated to Los Angeles to write, and record new material, which included “Jealousy,” the first single off her forthcoming debut EP Nothing Is Lost. And from the single, the New Zealand-born singer/songwriter’s solo work is a marked departure from her work with Teeth & Tongue, as  the material is stripped down to a sparse arrangement of Cornelius’ dynamic, PJ Harvey-like vocals, accompanied by her strummed guitar, dramatic drumming and backing vocals. With a strip down approach of songwriter, vocals, guitar and drums, the listener must not only pay attention to the songwriter’s vocals but to the lyrics as well — and in this case, “Jealousy,” a song based on one of the most hideous yet common human emotions may arguably be some of the more direct, empathetic writing of her career.  You can practically feel the bile and resentment of the song’s narrator, who focuses on what she lacks and what others have; however, the song should serve both as a reminder and warning — after all, you don’t know what someone else had to sacrifice to be in the situation they’re in now, and if you did, you might not have done so.
 
 
Directed by Thomas Hyland at Clones and Clones, the recently released video for “Jealousy” employs a relatively simple yet haunting concept: we follow Cornelius as rides a bike through a suburban development at night. And in some way, the treatment emphasizes the bitter loneliness and spite of its narrator, whose jealousy and resentments seem to fuel her through something that’s both endless and pointless.
 

Last year, I wrote a bit about the critically acclaimed, Melbourne, Australia-based indie rock/indie pop act Teeth & Tongue. Comprised of New Zealand-born, Melbourne, Australia-based singer/songwriter and guitarist Jess Cornelius, guitarist Marc Regueiro-McKelvie, bassist Damian Sullivan and drummer James Harvey, the quartet initially began as a solo recording project of its founding member Jess Cornelius, and over the course of the four albums, the band developed a reputation for restless experimentation with their sound morphing from an ambient and textured sound to a wiry, dance floor-friendly post-punk inspired by Yeah Yeah Yeahs‘ It’s Blitz!, as you would hear on Give Up on Your Health, an album that received attention both nationally and internationally — it was nominated for a J Award and the Australian Music Prize, named Album of the Week on 3RRR and Featured Album on Double J, as well as features in Rolling StoneThe Fader and Lena Dunham’s Lenny Letter.

Along with that, Cornelius has played at some of the her adopted homeland’s and the world’s major music festivals including Laneway Festival, Meredith Music Festival, Falls Festival, Boogie Woogie Festival, SXSW, CMJ, Perth International Arts Festival and Darwin Festival, toured with acclaimed singer/songwriter Courtney Barnett and Vance Joy, opened for J. Mascis, Sons & Daughters, EMA, Juana Molina, The Dodos, The Mountain Goats, The Drones and Laura Marling, as well performed as a musical guest on several episodes of SBS‘ Rockwiz.
After several years as a frontperson, Cornelius decided it was time to focus on creating music under her own name, and as you’ll hear on her solo debut single “Jealousy,” her solo work is a marked departure from her critically applauded work in Teeth & Tongue, as the material is stripped down to a sparse arrangement of Cornelius’ dynamic, PJ Harvey-like vocals, accompanied by her strummed guitar, dramatic drumming and backing vocals. And by stripping down the material to its bare essence of songwriter, vocals, guitar and drums, the listener must not only pay attention to the songwriter’s vocals but to the lyrics as well — and in this case, “Jealousy,” a song based on one of the most hideous yet common human emotions may arguably be some of the more direct, empathetic writing of her career.  You can practically feel the bile and resentment of the song’s narrator, who focuses on what she lacks and what others have; however, the song should serve both as a reminder and warning — after all, you don’t know what someone else had to sacrifice to be in the situation they’re in now, and if you did, you might not have done so.
Cornelius’ solo EP is slated for release later this year, but along with the release of “Jealousy,” she announced a handful of solo dates in Los Angeles and New York, along with a series of dates opening for Paul Kelly. Check out the tour dates below.
 
Tour Dates 
* without Paul Kelly
08/23: Hush Club at Hyperion – Los Angeles, CA*
09/08: Pianos – New York, NY*
09/13: Arlene’s Grocery – New York, NY*
09/15: Rockwood Music Hall – New York, NY*
09/17: The Hamilton – Washington, DC
09/19: Virgin Mobile Mod Club – Toronto, ON
09/20: Petit Campus, Montréal, QC
09/22: Brighton Music Hall – Allston, MA
09/23: Highline Ballroom – New York, NY
09/24: Sellersville Theater – Sellersville, PA
09/26: Stag’s Head Music Hall – Raleigh, NC
09/27: City Winery – Atlanta, GA
09/29: Sons of Hermann Hall – Dallas, TX
09/30: 3TEN Austin City Limits Live – Austin, TX
10/02: Main Street Crossing – Tomball, TX
10/04: City Winery – Nashville, TN
10/05: Zanzabar – Louisville, KY
10/07: The Magic Bag – Ferndale, MI
10/08: The Clay Center – Charleston, WV
10/10: SPACE – Evanston, IL
10/11: The Cedar Cultural Center – Minneapolis, MN
10/13: Daniels Hall @ Swallow Hill – Denver, CO
10/14: The State Room – Salt Lake City, UT
10/16: Imperial – Vancouver, BC
10/17: Doug Fir Lounge – Portland, OR
10/18: The Crocodile – Seattle, WA
10/20: Slim’s – San Francisco, CA
10/22: The Roxy Theatre – Los Angeles, CA

With the release of the attention grabbing single “Rose Coloured Glasses” off their debut EP, Melbourne, Australia-based indie rock quintet Smoke Rings saw a rapidly growing national profile, thanks to airplay and praise from Triple J‘s Richard Kingsmill and Dom Alessio, along with airplay on Triple J’s sister station Double J and community radio stations. Adding to a growing profile, the band has played shows with a number of nationally recognized bands in their homeland including Northeast Party HouseMoses Gunn Collective, Green Buzzard, Jarrow and Good Boy — and they have upcoming tour dates with Siamese and Ali Barter throughout September and October.

 

Produced by Malcolm Besley, who has worked with City Calm Down and The Creases, the Aussie quintet’s latest single “Happiness” off their double A side 7 inch “Go To Hell” will further cement their reputation in Oz for crating anthemic, power chord-based, Brit Pop-inspired tunes, complete with the same sort of swaggering bombast and bitter irony.  And while being warmly familiar — the track will remind some folks of Blur, Oasis and others — the Melbourne-based quintet have a subtle yet unique take to it, as the song carries an earnest yearning within its core.