Tag: Eagles of Death Metal

New Video: Deap Vally and Jennie Vee Star in a Lovingly Campy Tribute to True Crime TV

co-produced FEMEJISM, the Los Angeles-based duo Deap Vally — Julie Edwards (drums, vocals) and Lindsey Troy (guitar, vocals) quickly established a blistering take on garage rock that some critics described as Led Zeppelin meeting The White Stripes. Although Edwards and Troy have always relished the challenge of working with the limitations of being a duo, after two full-length albums and years of touring, they felt an urge to reinvent their creative process and sought collaborators to break ties and to allow for an organic, majority rules driven process. 

dwards and Troy also worked on songs for their most recent effort, Digital Dream EPwith Warpaint‘s jennylee, KT Tunstall Peaches, Soko and The Kills‘ Jamie Hince. Of course, those collaborations led to an age-old question for the duo: “Will you ever add a third member?” And Instead of adding a member, they decided that for them, it would be more of a creative adventure to collaborate with a bunch of different artists and friends rather than to commit to just one. 

chi-co-produced American Cockroach EP was recorded at The Cave Studio and finds Edwards and Troy continuing their to collaborate with different artists and friends — including Eagles of Death Metal’s Jennie Vee (who’s also an accomplished solo artist in her own right) and Savages‘ Ayse Hassan. 

hat run the gamut for rom deeply personal, to outright satire and everything in between. These are songs for the underdog, the outlaw, the defeated, for days when you feel like no one understands you or you can’t do anything right.” The EP’s latest single “I Like Crime” is an anthemic and sleazy ripper centered around fuzzy and propulsive bass chords and an ass-kicking, name-taking swagger that reminds me a bit of Crocodiles and others. 

“Jennie Vee, as it turns out, is our perfect partner in crime,” the members of Deap Vally say of their collaboration. “We had so much fun jamming out and then creating this song with her. She is SUCH a total shredder. As the song formed, it ended up being about the nuances of right and wrong, legal and illegal, and the compulsion we all have to ultimately do what we will.” 

same time. It was the first time I had experienced jumping into the studio to vibe out ideas that would lead to a fully finished song so quickly. Getting started is often the hardest part in the songwriting process, but in this case with the three of us, we just had to show up that day and from there the music took over as our guide. Then it was up to us to piece it all together. ‘ I Like Crime ’ stands out to me as groovy but urgent, a juxtaposition of mood. It rocks, I had a lot of fun, and would show up for Deap Vally and the music any time!” 

Directed by Amber Navarro and shot on 16mm film, the recently released video for “I Like Crime” is a campy and lovingly B film-like take on true crime TV that features Tory, Edwards and Vee in varying degrees of danger and imperilment — and it’s fucking twisted and hilarious.

“I really wanted to create a mash up of all the true crime tv we’ve all grown up watching and currently obsess over, thanks to more modern shows, reruns, and reboots (20/20, Unsolved Mysteries, Nightline, TruTV etc.) we all watch today,” Amber Navarro explains. “The video for ‘I Like Crime’ is like some sort of sick, twisted love letter to these shows.”

With the release of their first two albums, 2013’s Sistrionix and 2016’s Nick Zinner co-produced FEMEJISM, the Los Angeles-based duo Deap Vally — Julie Edwards (drums, vocals) and Lindsey Troy (guitar, vocals) quickly established a blistering take on garage rock that some critics described as Led Zeppelin meeting The White Stripes. Although Edwards and Troy have always relished the challenge of working with the limitations of being a duo, after two full-length albums and years of touring, they felt an urge to reinvent their creative process and sought collaborators to break ties and to allow for an organic, majority rules driven process.

Last year, the duo collaborated with The Flaming Lips on the Deap Lips album. Edwards and Troy also worked on songs for their most recent effort, Digital Dream EP with Warpaint‘s jennylee, KT Tunstall Peaches, Soko and The Kills‘ Jamie Hince. Of course, those collaborations led to an age-old question for the duo: “Will you ever add a third member?” And Instead of adding a member, they decided that for them, it would be more of a creative adventure to collaborate with a bunch of different artists and friends rather than to commit to just one.

Slated for a June 18, 2021 release through Cooking Vinyl, the Los Angeles-based duo’s forthcoming Josiah Mazzaschi-co-produced American Cockroach EP was recorded at The Cave Studio and finds Edwards and Troy continuing their to collaborate with different artists and friends — including Eagles of Death Metal’s Jennie Vee (who’s also an accomplished solo artist in her own right) and Savages‘ Ayse Hassan.

The duo explain that the EP “is a collection of songs we’ve been working on for while that run the gamut for rom deeply personal, to outright satire and everything in between. These are songs for the underdog, the outlaw, the defeated, for days when you feel like no one understands you or you can’t do anything right.” The EP’s latest single “I Like Crime” is an anthemic and sleazy ripper centered around fuzzy and propulsive bass chords and an ass-kicking, name-taking swagger that reminds me a bit of Crocodiles and others.

“Jennie Vee, as it turns out, is our perfect partner in crime,” the members of Deap Vally say of their collaboration. “We had so much fun jamming out and then creating this song with her. She is SUCH a total shredder. As the song formed, it ended up being about the nuances of right and wrong, legal and illegal, and the compulsion we all have to ultimately do what we will.” 

Jennie Vee adds “Recording with Julie and Lindsey felt very fresh but natural at the same time. It was the first time I had experienced jumping into the studio to vibe out ideas that would lead to a fully finished song so quickly. Getting started is often the hardest part in the songwriting process, but in this case with the three of us, we just had to show up that day and from there the music took over as our guide. Then it was up to us to piece it all together. ‘ I Like Crime ’ stands out to me as groovy but urgent, a juxtaposition of mood. It rocks, I had a lot of fun, and would show up for Deap Vally and the music any time!” 

Gold Coast, Australia-based alt rock trio boWsER — Nathan Williams, Otto Miller, Jr. and Brad Weynton – formed well over a decade ago, and when its members met, they recognized an instant connection and a desire to make music that pushed each individual member in new creative directions while crafting an enormous, power chord-driven sound that drew comparisons to Queens of the Stone Age and Them Crooked Vultures.

The trio quickly attained enviable and immediate success: After signing a worldwide publishing deal with EMI, they released their critically applauded debut mini album, 2007’s Modus Operandi, an effort that earned them The Courier-Mail People’s Choice Award nomination in the Rock category and a Q Song Awards nomination. Adding to a rapidly growing profile in their native Australia, boWsER were hand-selected by Triple J Unearthed to open for Eagles of Death Metal during their Australian tour.

The Aussie rock act ended a 13 year hiatus with the release of “People in the TV,” the first single off their forthcoming Steve James-produced sophomore effort Whispers From The Wickerman. The album’s second single “Supersonic” features a classic grunge rock song structure of alternating quiet verses and loud choruses, fuzz pedaled and churning power chord-driven riffs, a sinuous bass line, thunderous drumming and massive, arena rock friendly hooks that — to my ears, at least — reminds me of Queens of the Stone Age’s Songs for the Deaf and Foo FightersOne by One and Wasting Light, delivered with a similar swagger.

Comprised of Los Angeles-based husband-and-wife duo Bridgette Moody and John Seasons, both of whom share songwriting duties, Haunted Summer have developed a reputation for crafting dreamily hypnotic and lush material complete with string arrangements and sultry electronic textures; in fact, their previous EP, Something in the Water paired their gorgeous sound with a material that lyrically focused on a nostalgic world of young love and long-forgotten memories. Adding to a growing profile, the Los Angeles, CA-based husband-and-wife duo have toured with Taken By Trees, Deafheaven, The Polyphonic Spree, Coeur de Pirate, Olafur Arnalds, Carla Morrison, Meiko, Basia Bulat, JOVM favorite Geographer, Bauhaus‘ David J and others.

Spirit Guides, the duo’s forthcoming full-length effort was written while the duo was touring and was recorded in several different studios including Rancho de la Luna in Joshua Tree, CA; Jim Henson Studios in Hollywood, CA; Comp-ny LA and studios owned by Eugene, OR-based Ninkasi Brewing and features guest spots from Eagles of Death Metal’s Dave Catching and Masters of Reality‘s Chris Goss. And the album’s latest single “Every Step” finds the band playing anthemic, 90s-inspired alt rock, complete with fuzzy power chords, a rousing hook and a gorgeous melody before a dreamy, Mazzy Star-like coda closes out a song that reminds me quite a bit of Siamese Dream-era Smashing Pumpkins, Silversun Pickups and others but with a swooning earnestness.

The duo will be embarking on a West Coast tour throughout July and August. Check out tour dates below.

 

TOUR DATES
07.29.17 – Los Angeles, CA @ Autry Museum
07.30.17 – Phoenix, AZ @ Trunk Space*
07.31.17 – Tucson, AZ @ Sky Bar*

08.01.17 – San Diego, CA @ Blonde Bar*
08.02.17 – Boulder City, NV @ The Tap*
08.03.17 – Redding, CA @ The Dip*
08.04.17 – Salem, OR @ The Space*
08.05.17 – Eugene, OR @ Whiteaker Bloc Party*
08.06.17 – Portland, OR @ Rontoms*
08.07.17 – Reno, NV @ Holland Project*
08.08.17 – San Francisco, CA @ Elbo Room*
08.09.17 – Merced, CA @ CASA*
* = w/Avi Buffalo