Tag: Echoes

Now, if you had been frequenting this website over the past few years, you may have come across a couple of posts featuring the Brooklyn-based indie rock act Lazyeyes, and as some of you may recall, the band, which initially began as a trio and now currently consists of Jason Abrishami (guitar, vocals), Sam Maynard (guitar, vocals), Jeremy Sampson (drums) and Jermey Rose (bass, vocals) received quite a bit of attention after the release of their 2013 self-titled EP: The Deli Magazine named the band the “Best Psych Rock/Shoegaze band,” Purple Sneakers praised the EP as a “moody and anthemic record, equal parts shoegaze and dream pop,” Stereogum described their sound as a “a muscular, riff-happy brand of guitar based dream-pop” and they were a featured artist in the November 2014 issue of NME — and adding to a growing profile, tracks from the EP received airplay from BBC Radio, XM Radio and a number of FM stations across the globe.

2015’s self-released, sophomore EP New Year was eventually picked up and reissued by Burger Records‘ cassette imprint Weiner Records, and “Adaptation,” the EP’s first single received quite a bit of attention across the blogosphere, including this site. Some time has passed since I’ve last written about them — but their long awaited full-length debut Echoes is slated for a summer release through Egghunt Records and 2670 Records. Interestingly, Echoes first single, album title track “Echoes” is a brooding and seamless synthesis of 80s British post-punk and shoegaze as you’ll hear angular and propulsive bass chords, four-on-the-floor drumming and towering, pedal effected guitar pyrotechnics paired with rousingly anthemic hooks — and while the song may initially strike you as drawing influence from Heaven Up Here-era Echo and the Bunnymen, it reveals a band confidently expanding upon the sound that first captured attention.

 

 

 

Comprised of Shane Hunter (vocals, guitar), Robin Deione (guitar), Tom Gregory (bass), Mark Rochman (drums) and Charlie Addison (keys), the Leeds, UK-based shoegazer quintet Colour of Spring quickly received praise from the likes of NME and The Line of Best Fit for a sound that has been compared favorably to Wild Nothing and Beach Fossils — although the band’s latest single, the slow-burning and moody “Echoes” off the Leeds-based quintet’s soon-to-be released,  self-titled EP nods at The Jesus and Mary Chain, Sonic Youth and others, as well as 120 Minutes-era MTV alt rock, thanks in part to its quiet, loud, quiet song structure, and swirling guitar work punctuated with an rousingly anthemic hook. But just underneath the surface is a bittersweet nostalgia that frequently comes about as you get older — and further away from your seemingly simple youth. As the band’s Tom Gregory explains in press notes, “‘Echoes’ is about losing the innocence of youth. As you enter your teenage years, you’re told to grow up and take responsibility and some of the beauty of childhood is gone. We probably spend a lot of time as adults trying to regain that side  just act we lose. ‘Echoes’ is about how deal with this in our funny way.”