Tag: EDM

New Audio: Acclaimed Duo Silk City Team Up with Dua Lipa on a Sultry Classic Chicago House-Inspired Banger

Born Thomas Wesley Pentz, Diplo is a prolific and acclaimed Los Angeles-based producer, DJ and electronic music artist. As a solo artist, he’s managed to see a fair degree of commercial success with 2013’s Revolution EP, which debuted at #68 on the US Billboard 200 — and the EP’s title track was later featured in a Hyundai ad campaign and on the WWE 2K16 soundtrack. Diplo is also known as the co-founder and lead member of the electronic dancehall project Major Lazer, and one-half of electronic music production and artist duo Jack U with Skrillex. And as a producer, the Los Angeles-based producer, DJ and electronic music artist has collaborated with M.I.A., Gwen Stefani, Die Antwoord, Britney Spears, Madonna, Shakira, Beyonce, No Doubt, Justin Bieber, Usher, Snoop Dogg, Trippie Redd, Chris Brown, CL, and G-Dragon. 

Mark Ronson is a London-born and-based multi-instrumentalist, DJ, singer/songwriter and producer and although his debut effort, 2003’s Here Comes the Fuzz failed to make the charts, his sophomore effort, 2007’s Version landed at number 2 on the UK charts, thanks to the fact that the album had three Top 10 singles — and as a result, he won a Brit Award for Best British Male Solo Artist. Building upon a growing profile, 2010’s Record Collection peaked at #2 on the UK Charts.

Ronson also won Grammy Awards for Producer of the Year, Non Classical, Best Pop Album and Record of the Year for his work on Amy Winehouse’s “Rehab” and Back to Black. He also produced “Cold Shoulder,” off Adele’s critically applauded and commercially successful debut 19. And unless you’ve been living in a remote Tibetan monastery in the Himalayas, Ronson’s first UK and US #1 single was his collaboration with Bruno Mars “Uptown Funk,” and as a result of the single’s massive commercial success, Ronson won the Brit Award for British Single of the Year, as well as Grammy Awards for Record of the Year and Best Pop Duo/Group Performance. The London-born and-based producer, DJ, multi-instrumetanlist and singer/songwriter’s fourth full-length album Uptown Special was his first #1 album in the UK and peaked at #5.

Ronson’s and Diplo’s collaboration together Silk City can trace its origins to the duo’s long-time friendship, a friendship that dates back to the early 2000s. Their debut single “Only Can Get Better,” featuring Daniel Merriweather was released earlier this year, ahead of their Governor’s Ball set, and they’ve already made several other appearances across the international festival circuit with sets at Bestival and Treasure Island Music Festival among others.  The duo’s second single “Feel About You,” a collaboration with Mapei was a slickly produced and soulful track with arpeggiated synths that subtly nods at Robin S’s “Show Me Love” — but with a clean, hyper modern sheen. The acclaimed duo’s latest single “Electricity” find them collaborating with multi-Brit Award-winning Albanian-British singer/songwriter and model Dua Lipa, and The xx’s Romy Madley-Croft and Diana Gordon, who co-wrote and contributed lyrics and melodies, and much like it’s predecessors, “Electricity” is a slickly produced, anthemic banger. However, the piano-led, hook-driven track draws from classic Chicago house, complete with an irresistible sensual ecstasy at its core.

Directed by production duo Bradley and Pablo, the recently released video for “Electricity” is set during the Blackout of 2003 and stars Dua Lipa, who hosts a loft party that contains so much sexual energy that it keeps the lights on in the apartment. Of course, two of the guests — guess who, y’all? — wind up being stuck in an elevator and completely missing the party. 
 

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New Video: Acclaimed Canadian Producer Sleepy Tom Releases a Sultry and Swaggering New Single

Cam Tathem is a Vancouver, British Columbia, Canada-based DJ, producer and electronic music artist, best known as Sleepy Tom — and with the release of his 2013 debut EP The Currency, which featured lead single, EP title track “The Currency,” Tathem quickly received attention both nationally and internationally; in fact, by the following year, the Canadian DJ, producer and electronic music artist  played at the Squamish Valley Music Festival and went on to remix tracks by Zeds Dead, Martin Solveig and Diplo, with whom Tatham would later collaborate on Tatham’s 2015 UK chart topping single “Be Right There.”  

“In My Head,” is the first batch of new material from the acclaimed, chart topping Canadian electronic music artist, and sonically its a subtle but noticeable refinement on the sound that first caught international attention the finds the producer collaborating with Youngblood — it’s still dance floor friendly, the sleek and sensual production is both  that finds the modern and unfussy consisting of thumping beats, arpeggiated synths, a sinuous bass line but ultimately, it’s centered by deliberate attention to crafting a sultry hook to create a song that radiates a Giorgio Moroder-like sensuality but while managing to be simultaneously radio friendly and old-timey. 

Directed by Sophie Jarvis, the recently released video visually nods at film noir and Alfred Hitchcock as it possesses a sweaty, anxious paranoia — rooted in the very real possibility that someone or something is following you and that something horrible could happen just around the corner. As Jarvis says in press notes “’In My Head’ navigates the consuming nature of paranoia, shifting between one woman’s hyper-aware state in the aftermath of a murder, and her fragmented memory of the crime itself. Shooting on 16mm film and using innovative lighting techniques, we externalize her state of mind in surreal and unsettling ways.” Adds, Tathem, ““I wanted to create a visual for In My Head that reflected the narrative of the song, but also led the story to an exaggerated alternate-ending. Alexis’ voice holds this retro quality throughout the song so the throwback design Sophie produced fit perfectly.”

New Video: JOVM Mainstays The Presets Return with a Trippy Live Concert-Based Video for “Martini”

Throughout this site’s eight year history, I’ve written quite a bit about the Sydney, Australia-based electronic music production and artist act The Presets, and as you may recall, the Australian act, which is comprised of Julian Hamilton and Kim Moyes can trace their origins back to when they met while studying at the Sydney Conservatorium of Music. Hamilton and Moyes quickly became recognized for crafting electronic dance music with a swaggering, arena rock energy and vibe, and unsurprisingly, the duo caught the attention of renowned Australian electro pop and dance music label Modular Recordings, who released their first two EPs and their 2005 debut, Beams.

2008 saw the release of the duo’s critically and commercially applauded sophomore effort Apocalypso, an effort that went Triple Platinum in their native Australia and featured four smash hits, including “My People,” one of their biggest songs. Adding to a massive and breakthrough year, Hamilton and Moyes won 5 ARIA Awards — including Album of the Year, 2 ARIA Artisan Awards, the J Award, the FBI SMAC Award for Album of the Year, and they shared the Songwriter of the Year at 2009’s APRA Awards.

The duo’s third, full-length effort, 2012’s award-nominated Pacifica featured Rolling Stone Australia‘s Song of the Year, “Ghosts,” and was nominated for an ARIA Award, shortlisted for the AMP Award, the J Award and was named the Herald Sun‘s Album of the Year, the Daily Telegraph‘s Album of the Year and the Sydney Morning Herald‘s Electronic Album of the Year. The members of the duo spent the next few years collaborating with a variety of contemporary artists — Hamilton cowrote Flume’s “Say It” and contributed tracks to albums by Flight Facilities, Steve Angello and Meek Mill, while Moyes produced an album by DMA’s  remixed tracks by The Drones and The Jezabels and started an underground techno label Here To Hell.

Late last year, I wrote about “Do What You Want,” the first single off Hi Viz, an album that was released earlier this year, and unsurprisingly, “Do What You Want” further cemented the duo’s reputation for festival bangers with enormous, crowd pleasing hooks and thumping beats — but with a looped glitchy sample that recalled Boys Noize’s “ICH R U,” Tweekend-era The Crystal Method and Come With Us-era The Chemical Brothers. The latest single off the album, “Martini” is swaggering, house music-based club and festival banger, centered around layers of arpeggiated synths and thumping, tweeter and woofr rocking beats; but underneath that swagger is a bit of desperate longing for someone, who’s out of the song narrator’s league — and in a way the song subtly nods at Phil Collins’ “Sussudio.” 

Interestingly, as Julian Hamilton enthusiastically explains in press notes, “Martini was a dancer I used to know. She was everything I wasn’t — cool, clear, strong and with a razor sharp edge I found impossible to resist. In the end, she left me completely undone; a crumbled wreck of a man. ‘But was it worth it?’ I hear you ask . . . Every second.

Each time we perform this song I think of her, so it made sense that Martini’s accompanying video is a film of us playing the song live, directed by our new favourite director and…. well hell I’ll just come out and say it… our new favourite person in the entire world SPOD.” And of course, it should give the viewer the sense of what a Presets live show is like. 

New Video: Elkka Releases Empowering and Boldly Feminist Visuals for Genre-Meshing New Single

Elkka is a London-based producer, DJ and founder of art collective and label femme culture, which she founded as a response to the lack of support for women and women-identifying DJs, producers and artists, later teaming up with fellow DJ Ludo, who now co-runs the label. And since then, the progressive-minded collective has been receiving attention and recognition for a boundary-free ethos that champions women, women-identifying artists and the LGBTQ+ community — all while promoting forward-thinking electronic music.

Unsurprisingly, as a DJ, producer and artist, Elkka has developed a reputation for a freewheeling sound that seamlessly meshes eras and styles, often floating somewhere between electronic dance music, left-field pop and spacious R&B. Interestingly, her latest single “Stay (Warm Edit) is a thorough rework of a previously released track, centered around Afro-Brazilian percussion, arpeggiated synths and a looped ethereal vocal sample that gives the song a wistful and aching sense of longing. Interestingly, over the past year, the up-and-coming British producer, DJ, artist and label head has become deeply influenced by Brazilian music and dance culture, and while that’s apparent by the song’s clear influence, the recently released video directed by Undine Markus and produced by Girls in Film features a diverse team of female samba dancers of all age groups and backgrounds from The London School of Samba. As Elkka says of the video and the women in it, “When dancing I found myself surrounded by these confident, bold and mesmeric women, all supporting and encouraging one another and I really wanted to try and capture this in the video whilst paying homage to the Brazilian music and dance that I have fallen in love with.” Whether unintentional or not, the video possesses an empowering, you-can-do-anything spirit that’s infectious — and pretty fucking righteous.

 

 

 

 

 

Rotterdam, The Netherlands-based electronic music production and artist act The Policy is comprised of two of the region’s most accomplished producers and musicians , Pierre Hagelaar and Thiamin Hoebink, both of whom have lengthy experience as members of local bands and as producers — and those experiences have provided the duo with a unique and unconventoinal perspective and take on electronic music and the club scene. Interestingly, the duo have made a name for themselves with some attention grabbing remixes for JOVM mainstays Ten Fe, as well as J. Bernardt and Editors.

Sonically, the members of The Policy have developed a reputation for a sound that’s centered around electronic and organic instrumentation — and with their first original single “Das Lebenslied,” the duo pair arpeggiated Juno 106 synth chords, sitar and vocoder-fed vocals to create a sound that’s club friendly but with psychedelic textures —  while nodding at Come With Us-era Chemical Brothers and Kraftwerk.

 

Slated for an August 3, 2018 release through Phantasy SoundPhysical is the full-length solo debut from Factory Floor‘s co-founder Gabe Gurnsey, and the album will be a decided change in sonic direction and approach from his Factory Floor — instead of the chilly, no wave electronica and industrial techno, he’s best known for, the album’s material, as you’ll hear on album single “Eyes Out”  finds Gurnsey  leaning towards a  sensual, Chicago-styled house music-inspired sound centered around layers of arpeggiated synths, tweeter and woofer rocking beats and enormous crowd pleasing hooks. Arguably, it’s among the most straightforward and club-friendly material Gurnsey has ever written or recorded — while sonically bearing a resemblance to Octo Octa’s impressive Between Two Selves. “What I wanted to get into with Physical had to do with exploring songwriting and structure,” Gurnsey explains in press notes. “The album is very escapist in one sense even though I don’t want to escape from Factory Floor but what I do on my own has to be separate and it has to explore new avenues.”  As for the new single, Gurnsey says “I wanted to use the vehicle of a 4/4 track to set up a simulated night club. To communicate the feeling that comes when we are losing ourselves in that love / lust- filled situation.”

Unsurprisingly, the album’s material is based around a larger narrative in which the album’s material is meant to evoke a night out from start to finish. “It’s a record about clubbing, even more than it’s a record to played in clubs,” Gurney says. “Getting ready to go out, driving into town, arriving at the club, being on the dance floor, how you get home afterwards, early the next morning . . . even when you step outside to get some air, when you’re outside at 3am having a cigarette . . . even that is represented here.”

Gurnsey will be opening for Nine Inch Nails for three dates, during part of their Midwestern tour. Check out the tour dates below:

Tour Dates:
10/22/2018 – Detroit, MI @ Fox Theater
10/23/2018 – Detroit, MI @ Fox Theater
10/25/2018 – Chicago, IL @ Aragon Ballroom

 

Last month, I wrote about the Paris-based electronic music production and DJ duo, Polo & Pan, and as you may recall, the act is comprised of two DJs, who are equally acclaimed DJs and producers in their own right — Armand “Polocorp” Delille, and Alexandre “Peter Pan” Grynszpan. Interestingly, Grynszpan has developed a reputation for being an insatiable crate digger, who has been known to collect a wide and diverse array of records from musical gems of the early 20th century to contemporary electronica and electro pop to 70s Nepalese psych rock and so on. He’s also one of the founders of Radiooooo, an online encyclopedic radio station that was launched back in 2013. Delille is best known for his work with MAD Agency creating workspaces for artists in industrial warehouses but also as a renowned DJ; in fact, both Grynszpan and Delille were resident DJs at Le Baron, and when they met, they discovered a common musical interest — creating a genre- and time-defying sound that manages to be dance floor friendly. 

Polo & Pan’s first effort Rivolta found the duo meshing 30s Italian standards with 70s Giorgio Moroder-inspired disco and unsurprisingly,  their full-length debut Caravelle, which was released earlier will not only further cement their reputation for their crowd pleasing, genre-meshing and anachronistic sound as the album’s material draws from the sounds of South America, Tajikistan, China, Congo Africa and elsewhere; in fact, album single “Canopee” was a breezy and sultry song that drew from French chanteuse-styled pop, flamenco, thumping Italian disco and African percussion with an effortlessly seamless and slick yet soulful production.

Caravelle‘s latest single “Arc-en-ciel” is a summery and breezy blast centered around a calypso-inspired production featuring an infectious ear worm of a hook, thumping, tweeter and woofer rocking beats, a looped strummed guitar sample, ambient and ethereal electronics and arpeggiated synths paired with vocals sung in a sultry and beguiling French. It’s a sexy and effortlessly cool club banger that radiates with a bright, neon-colored joy.

The renowned French electronic duo will be embarking on their first Stateside tour ever, and as a result of the album already amassing more than 23 million streams, their June 12, 2018 Bowery Ballroom stop; their June 19, 2018 Los Angeles stop at the Echoplex; and their June 20, 2018 San Francisco stop at The Independent are already sold out. Check out the tour dates below.
Tour Dates: 
6/12 – New York, NY – Bowery Ballroom (SOLD OUT)
6/14 – Chicago, IL – Lincoln Hall
6/16 – Montreal, QC – MTELUS
6/17 – Quebec City, QC – Imperial Bell
6/19 – Los Angeles, CA – Echoplex (SOLD OUT)
6/20 – San Francisco, CA – The Independent (SOLD OUT)

Since their formation in 1995, the Ghent, Belgium-based electro pop/electronic music production and artist act Soulwax, currently comprised of brothers and founding members David Dewaele and Stephen Dewaele, and Stefaan Van Leuvan have developed a reputation for continently pushing the boundaries of their music and creativity into new, innovative territory: along with Soulwax, the Dewaele Brothers tour as DJ duo 2manydjs, own and operate DEEWEE Records and DEEWEE Studios, are the founders of Radio Soulwax, a visual radio station and app, have collaborated with DFA Records‘ and LCD Soundsystem‘s James Murphy in the Despacio project. They’ve also remixed the work of LCD Soundsystem, Charlotte Gainsbourg, Jagwar Ma, Warpaint, Tame Impala, Metronomy, Arcade Fire, Daft Punk, Gossip, Hot Chip, MGMT, and others.

Last year, BBC Radio 1 approached the acclaimed electronic music act about doing an Essential Mix, and as the Dewaele Brothers joke in press notes, “When we were approached to  make an Essential Mix for the BBC in May 2017, we chose to do what every sane human being would do, we decided to lock ourselves into our studio for two weeks and make an hour of new music based around the word ‘Essential’, instead of preparing a mix of already existing music.” Interestingly enough, the Belgian electronic music act the first to ever submit an entire hour’s worth of original material for a BBC Radio 1 Essential Mix. “It felt like a challenge,” the members of Soulwax explain in press notes, “and something no one had done. We loved the challenge of releasing a full record live on a radio show without people having any advance notice, and we always wanted to release it on DEEWEE after it was aired on Radio 1.”

Essential, the Belgian electronic act’s latest album is slated for a June 22, 2018 release, and the album, which was recorded in two weeks at their DEEWEE Studio finds the duo using the gear that they didn’t use for their celebrated From Deewee, an album that was recorded live and in one take. Each of album’s 12 tracks is centered around and titled with Essential — “Essential One” through “Essential Twelve,” and the album’s latest single “Essential Three” features a slick, club-banging, house music-like production consisting of thumping, tweeter and woofer rocking beats, arpeggiated synths, a Kraftwerk-like motorik groove, some industrial clang and clatter and a sultry vocal sample. The track reveals an act that can manage slick, hyper-modern productions with a sweaty and soulful sultriness.

 

New Video: JOVM Mainstay El Dusty Returns with a Swaggering, Genre Mashing, Club Banger

Born Horacio Olivera, El Dusty is a  Corpus Christi, TX-based JOVM mainstay producer, DJ and electronic music artist, who has seen attention across the blogosphere as a pioneer of a sub-genre he’s dubbed “nu-cumbia,” which features elements of hip-hop, drum ‘n’ bass and house music and samples of classic and beloved cumbia songs — with the end result being a swaggering, club-banging take on Latin music that as you may recall resulted in a Latin Grammy nomination. Adding to a growing profile, the Corpus Christi, TX-based producer, DJ and electronic music artist has bee named one of Rolling Stone’s 10 New Artists You Need to Know, Billboard’s New Latin Act and to Watch and was placed on Pandora’s Latin Artists to Watch. He’s also played at EDC Las Vegas, EDC Mexico, Ciudad Sonido Festival, Fiesta De La Flor, Universal Records’ Latin Grammy Showcase, Brisk Bodega Tour, the Mad Decent Block Party, Austin City Limits, SXSW, and others.

Olivera’s highly-anticipated full-length debut Cumbia City is slated for a May 11, 2018 release through AfterCluv Records, and while the album will further his reputation as one of electronic Latin music’s highly-sought after producers and collaborators, the album also finds Olivera pushing his signature sound in new directions as the album’s material crosses genres, trends and cultures while redefining what both Latin music and electronic music should and could sound like. “This album is cool as hell and funky!” Olivera says in press notes. “This takes the old with the new and it becomes a new style, a new song, a new genre – it is more than Cumbia, it’s electronic styles with live drums and modern beats.” El Dusty adds “I approach the whole album with live recordings in mind. Every sample was re-recorded live to create a mashed up turntable-like production meets a song-like format.” Unsurprisingly, El Dusty’s full-length debut, is deeply influenced by his musical upbringing which included Tejano anthems, Chicano soul music, classic rock, boom bap hip hop, house music, drum ‘n’ bass, turntablism, but mashed up and re-imagined for a new generation of bass-heavy and soundsystem music.

Album title track “Cumbia City” is a swaggering track around tweeter and woofer rocking boom bap beats, trap snares, an iconic sample from San Jacinto,  Colombia-born cumbia star Andres Landero and Boogat spitting fire in Spanish — and while mischievously bending and playing with genre boundaries, it’s an anthemic and crowd pleasing banger.

Set on the streets of Corpus Christi, the brightly colored video for “La Cumbia” is a cinematically shot video that features dancers of all ages and from a variety of the city’s cultural traditions — from the ancient and contemporary — to the song’s thumping beats.