Category: World Music

Single Review by William Ruben Helms

New Audio: JOVM Mainstay Elisapie’s Ethereal Take on The Cranberries’ “Dreams”

Acclaimed Salluit, QC-born, Montréal-based singer/songwriter, musician, actor, activist and JOVM mainstays Elisapie‘s fourth album, 2023’s Inuktitut features inventive re-imaginings of songs by Led Zeppelin, Pink Floyd, Blondie, Fleetwood Mac, Metallica and more, with the album being an act of cultural re-appropriation that reinvigorates the poetry of these beloved songs by placing them within Inuit traditions.

Through the album’s 10 songs, the acclaimed Montréal-based artist tells her story, while offering its songs as a loving gift to her close knit community. But the album is also a testament to the power and remarkably universality of pop music and an ode to the experiences, memories, places and people, who have shaped us.

Recorded for the CBC, APTN and Netflix original series North of North, “Sinnatuumakka (Dreams)” marks the first bit of new material since 2023’s Inuktitut and sees the acclaimed Inuk artist translating and adapting The Cranberries‘ beloved smash-hit 1992 song “Dreams” into her mother tongue. While retaining the familiar and beloved melody of the original, Elisapie’s rendition of the song is a slightly slowed down, more ethereal take that pulls a yearning, escapist thread out to the forefront.

“It’s a song that really resonates with the Inuit world,” says Elisapie. “In the North, it’s cold, and life isn’t always easy. That’s why dreams take on a special place. They’re a way to escape and imagine something else.“

North of North‘s second season, which includes episodes featuring the acclaimed Iunk artist and her new song will launch globally on Netflix later this fall. Set in the Canadian Arctic, the show’s second season sees Siaja (Anna Lambe) still making bold decisions and even bolder mistakes in her effort to level up her life and prove she’s ready to take charge as winter closes in on the Ice Cove community. “It was very moving to see Siaja’s character open up and dream throughout the episodes,” Elisapie says. “This series allows us to dream, and I think the Inuit need that.”

Elisapie was invited by Red Marrow Media and Northwood Entertainment, North of North‘s production team to take part in the show’s second season, which was filmed earlier this year in Iqaluit, NU and Toronto. In addition to making a cameo, she can be seen performing “Sinnatuumakka (Dreams)” and “Arnaq.”

“During the shoot, there were times when I wasn’t sure if it was reality or fiction,” says Elisapie. “And I was lucky enough to share this experience with my band!”
 
“When we wrapped, Elisapie played a couple more songs just for the crowd so they could enjoy a performance without having to hold back their reactions,” say Stacey Aglok MacDonald and Alethea Arnaquq-Baril, North of North’s co-creators and executive producers, and founders of Red Marrow Media. “She dedicated a song to any residential school survivors in the room, and there wasn’t a dry eye. There are a few hundred Inuit who will carry that experience with them for the rest of their lives, us included.”

Single Review by William Ruben Helms

New Audio: Yari M Shares Breezy “Adicta”

Yari M is a Carolina, Puerto Rico-born singer/songwriter and pop artist, who blends elements of Latin pop, Afrobeats and urban rhythms into a unique sound of her own. Her debut EP, 2020’s Yo Soy introduced her fearless energy, with EP track “Freshy” getting attention through a remix with Randy Nota Loca and Brray. The Puerto Rican artist appeared on Randy Nota Loca’s 2021 effort, Romances de Una Nota, 2021 Vol. 2 as the only female guest artist to appear on the album.

2023’s “Está Lloviendo” was her first Billboard-charting single. And adding to a big year, she launched her label Black Diamond Music and opened one of Miami‘s first Dolby Atmos studios.

Building upon a growing profile, the Puerto Rican-born, Miami-based artist’s highly-anticipated full-length debut Momentos, which will include “Últimta Vez,” a hit in Venezuela and “Sin Ti,”which reached #1 in the Dominican Republic features songs that explore joy, heartbreak, nostalgia and celebration.

Momento‘s latest single “Adicta” is a hook-driven blend of Latin pop, reggaeton and Afrobeats built around an an atmospheric production featuring squiggling bursts of funk guitar, skittering polyrhythmic beats and glistening synths beneath the Puerto Rican-born artist’s yearning delivery. While being a much-needed breezy and summery blast on a dreary and damp fall afternoon, “Adicta” is simultaneously club and lounge friendly — but at its core it captures the wooziness, the desperate longing of a new love.

Single Review by William Ruben Helms

New Audio: Carolina Oliveros Teams up with Orquesta Akokán on Disco-Tinged “RAYO”

Colombian-born, New York-based singer/songwriter Carolina Oliveros is best known for being the frontperson of acclaimed act Combo Chimbita. Oliveros will be stepping out into the spotlight with her solo debut Ya Rompimos el Silencio, which is slated for a November 6, 2026 release through Chulo Records.

Inspired by her journey of healing from childhood trauma, Ya Rompimos el Silencio is an act of reclaiming voice, body and memory. The album’s material follows the path forward towards truth, resilience, queer love, collective healing and liberation. Each song is both a personal testimony and an invitation for others to break their own silences.

Sonically, the album reflects Oliveros lifelong dialogue between worlds. Anchored in the Afro-Indigenous musical traditions of Colombia and the Caribbean, vocal harmonies serve as connective tissue marrying bullerengue, cumbia, tambora, rumba, bolero, dembo, salve and other ancestral rhythms with adventurous contemporary production. The result if a sound that’s simultaneously intimate and expansive, ritualistic and contemporary — and honors tradition while boldly pushing it forward. Throughout the album’s runtime, its songs move effortlessly between ceremony and celebration, contemplation and the dance floor, revealing that healing can be a defiant, joyful act.

While showcasing another dimension of Oliveros’ artistry, Ya Rompimos el Silencio is rooted in the belief that music carries memory across generations, that telling the truth can be liberating and transformative, and breaking silence is not an ending, it’s a decision to choose a freer way of living.

The album will include the previously released “Oye Camina” and the album’s second single, “RAYO” feat. Orquesta Akokán. “RAYO” features a Santeria chant delivered by Oliveros and the members of Orquestra Akokán in unison and in call-and-response over a disco groove, Afro-Caribbean/Afro-Colombian percussion and dusty, old-school breakbeats. Sonically, the song continues a run of material that feels simultaneously ancient and remarkably contemporary while bridging the Latin American world.

The song celebrates the possibility of reconciling the opposing forces that live within all of us. It’s also a reminder that even in heart of a storm, there is a harmony between the fire that ignites change and the water that sustains it. “Together, we pay tribute to two of the most revered Orishas of the Yorùbá pantheon: Shangó and Oshún,” Oliveros says.

Video by William Ruben Helms

Throwback: Robert Charlebois’ “Je reviendrai à Montréal”

Robert Charlebois’ “Je reviendrai à Montréal” and some quick thoughts upon my return.

Video by William Ruben Helms

New Video: Jonathan Personne Shares Shimmering and Dreamy “Je pense toi”

Initially known for his roles as co-founder, co-lead vocalist, guitarist, lyricist and songwriter in internationally acclaimed JOVM mainstay act Corridor, Montréal-based singer/songwriter, multi-instrumentalist, animator and visual artist Jonathan Robert is by both necessity and nature, a prolific and versatile artist. He’s also the creative mastermind behind the solo recording project, Jonathan Personne, which derives its name from the French version of John Doe — or perhaps a bit more accurately, Jonathan Nobody. The project’s name reflects his determination to simultaneously not represent a specific person and to better reflect his multifaceted artistic identity.

Over the past seven years, he released four albums that saw him drawing from a wide range of influences including desert dream pop, Morriocone-esque Spaghetti Western rock, The Clean-like jangle pop, Latin-influeinced grooves, Galaxie 500 and Yo La Tengo-like indie rock, as well as sampling, sequencing and beatmaking. And he’s done this while working on albums with his primary gig, Corridor. 

Robert’s fifth Jonathan Personne album Répertoire officially drops today through Bonsound. The album’s material can trace its origins back to six years ago: When he began working on what would eventually become Repertoire, the Montréal-based artist sensed a significant change in direction and chose to focus on another set of songs instead. This lead to his acclaimed, self-titled third album. The new album sees Robert brining some light to his firmly established melancholic sound, with the album’s material drawing from yacht rock and dream pop to create something entirely unexpected. Anchored around melodic bass lines, looping figured and self-sampled guitars, the result is a sound that’s groovy yet contemplative, dreamlike yet noisy. 

Thematically, the 10-song album sees the French Canadian JOVM mainstay reflecting on his relationship with music, vacillating between moments of repulsion and ones that remind him why he chose — and loves — his career. Répertoire‘s will include the previously released, album opener “Rêve américain,” “Superstar,” and the album’s latest single “Je pense à toi.” “Je pense à toi” is an intricate and lush tune, built around a shimmering and looping guitar figure, some mysterious, dream-like samples and a laid back yet supple and propulsive groove beneath Robert’s equally dreamy and ethereal deliver. The song may make you want to go for the sort of walk in which you lose yourself in your thoughts, which is apparently what the song is actually about.

Robert is also an accomplished visual artist and graphic designer, and he designed the album’s cover art. But for the new album, he swapped illustrations for a small-scale model of an idyllic mountain village, which helps set the material’s overall tone and vibe. Fittingly, the accompanying video features the Montréal-based artist and his backing band in the cover art’s idyllic mountain village performing the song in a mix of stop-motion styled animation and real life.

Single Review by William Ruben Helms

New Audio: Nouvelle Vague’s Breezy Take on Depeche Mode’s “Only When I Lose Myself” feat. Mélanie Pain

Founded by Marc Collins and the late Olivier Libaux back in 2003, Nouvelle Vague was initially conceived as a one-off tribute to post-punk songwriting in a Bossa nova style. 2004’s self-titled debut, which saw them establish their unique fusion of melancholy post-punk, Bossa nova and French re-interpretational approach, unexpectedly achieved global acclaim. Since then, Nouveau Vague has become a global phenomenon.

Their 10th album, A Date with Depeche Mode is slated for an October 30, 2026 release through Kwaidan Records/[PIAS] Recordings. And as you can probably tell, the album sees the French outfit tackling the work of pioneering British electronic outfit Depeche Mode.

A Date with Depeche Mode will include the previously released “Never Let Me Down Again” feat. Brazilian artist Flavia Coehlo, and the album’s latest single, “Only When I Lose Myself” feat. Mélanie Pain. Originally released on 1998’s compilation The Singles 86>98 “Only When I Lose Myself” is a brooding song full of desperate, aching longing. The Nouvelle Vague rendition, which features one of the act’s long-time collaborators retains the longing at the heart of the song but now paired with a breezy Quincy Jones and Herb Alpert-like arrangement featuring Bossa nova rhythms, strummed guitar and soulful brass. The result is a take that gives the song a sultriness rooted in desperate need and a little bit of lust while being incredibly cinematic.

Single Review by William Ruben Helms

New Audio: Yeisy Rojas Returns with Hopeful “¿Dónde está el amor?”

JOVM mainstay Yeisy Rojas is a Grammy Award-nominated and Latin Grammy Award-nominated Cuban-born, Oslo-based, classically trained, jazz violinist, singer/songwriter and composer.

Her recently released album Inmigrante features the previously released “LATINO” and the album’s latest single “¿Dónde está el amor?” “¿Dónde está el amor?” begins with a cinematic jazz pop introduction in which the JOVM mainstay’s excessive vocal is accompanied with piano and subtly Latin percussion before morphing to a decidedly upbeat soul and gospel-influenced — with the song moving from heartbreak to joy and hope.

“The song grew out of a question that kept coming back to me as I looked at the world around us: Why do we treat each other this way? Where is the love?” The Oslo-based artist says. ” I wrote it sitting at the piano, moved by the sadness and helplessness I felt watching a world becoming increasingly divided—shaped by conflict, persecution, raids, hatred, and a growing lack of empathy. But I didn’t want to write a song rooted in hopelessness. I wanted to turn those feelings into something that could remind us of what still connects us. Musically, “¿Dónde está el amor?” begins as an intimate, vulnerable ballad, gradually weaving in Afro-Cuban rhythms through the tumbadoras. It continues to build until it opens into a powerful gospel choir, where gospel and Afro-Cuban rhythms come together in a call for unity, hope, and love. What begins as a deeply personal question ultimately becomes a collective voice—an invitation to rediscover our empathy and remember the humanity we share, especially in times of profound division. Rather than trying to provide an answer, I hope the song leaves one question lingering long after the music ends: amid everything that separates us today, where is the love?”

Video by William Ruben Helms

New Video: EL Drez Shares Hook-Driven and Uplifting “Hosanna”

Marphus L. Drez Stewart, is a Buchanan, Liberia-born and-based Afro pop/R&B singer/songwriter, best known as EL Drez. Stewart can trace his passion for music and his music career to his upbringing: As a teenager, he was the choir director for his church. Since then, the emerging Liberian artist caught the attention of Relumae Liberia, who signed him and has released a handful of singles to date.

His latest single, the KrisBeatz-proudced “Hosanna” is a sleek, hook-riven blend of gospel, Afrobeats, pop, dancehall and hip-hop anchored in a deeply heartfelt message of faith, belief and resilience that’s a much-needed bit of uplift for anyone out there having a difficult time in a mad, mad, mad world.

Directed by longtime friend Parashoot, the accompanying video follows the Liberian artist through a day in his life, attempting to achieve his dream through a steadfast belief in his talent and faith in God.

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