Tag: Ellie Goulding

New Audio: Penguin Prison Releases an Upbeat and Hopeful New Banger

Chris Glover is a New York-based multi-instrumentalist, singer/songwriter and electro pop artist best known as Penguin Prison. With Penguin Prison, Glover has a critically applauded discography that includes 2011’s self-titled debut and 2015’s Lost In New York — and a handful of viral hits including “Don’t Fuck With My Money,” “Show Me The Way” and RAC’s “Hollywood.” Additionally, Glover has released acclaimed remixes of Lana Del Rey, Ellie Goulding, and Imagine Dragons.

Glover’s latest Penguin Prison single “Better” is the first bit of new material from the acclaimed pop artist since last year’s “The Heat.” Beginning with a arpeggiated piano and soulful vocal-led intro with the quick addition of layered harmony, handclaps and shimmering synths, the track turns into a rousingly anthemic banger with the addition a sinuous bass line, Nile Rodgers-like funk guitar and an even more uptempo, two-step inducing groove. Subtly nodding at soul and gospel spirituals, the song was written with the direct intention of uplifting listeners and inspiring them to hold on to the hope of a better world — even if it’s just for the duration of a fun pop song. Honestly, considering the dire state of everything, the song offers a necessary escape, as all great pop songs inevitably do.

“This song is my response to the times we find ourselves in,” Glover explains. “The global pandemic, social injustice, climate change; it’s overwhelming. I wanted to write about rising above it all. I want the listener to feel hopeful that we can find a way to get through even if it’s just for the duration of the song.”


Kent, UK-based producer Draper can trace the origins of his prolific and critically acclaimed music career in a rather humble fashion — initially as his experimenting with sound recording software, largely based around pairing a densely layered production with an uncanny knack for lyricism. With the release of attention grabbing remixes of Strange TalkEllie Goulding and Passion Pit, and the 2010 release of his debut EP, The Introduction, the British producer saw a rapidly growing national and international profile — at one point, he captured the attention of Turn First Music Publishing where Draper would write singles for LapsleyRita Ora and Little Mix.

Now, you might recall that last year I wrote about “On You,” the first single off the producer’s highly-anticipated full-length album, and that single, a collaboration with his frequent collaborator Alby Hobbs was a densely layered and swooning pop song consisting of wobbling, low pitched synths, skittering percussion, swirling electronics and rubbery, high pitched synths paired with Hobbs’ meandering yet soulful falsetto to craft a song that effortlessly meshes bouncy club-friendly electro pop with sensual and soulful R&B. While we’re anxiously awaiting Draper’s full-length effort, the British producer has remained incredibly prolific, releasing a number of singles including his latest single “Break Over You,” a collaboration with Scottish synth pop trio Prides — and what makes the single interestingly is that it reveals that Draper has been experimenting and expanding upon his sound, as “Break Over You” is a euphoric pop confection with the sort of anthemic hooks reminiscent of St. Lucia, Phoenix, Passion Pit and others. It’s arguably the most rousingly crowd pleasing and radio-friendly single Draper has released to date. (Interestingly, the song lyrically seems to make a sly reference to one of my favorite Prince songs ever, “I Will Die 4 U,” which is also quite an anthemic pop song itself.)