Tag: ESPN

New Video: JOVM Mainstays Blue Stones Return with an Explosive and Anthemic Single

JOVM mainstays The Blue Stones — longtime friends Tarek Jafer (vocals, guitar) and Justin Tessier (drums, percussion, backing vocals) — can trace their origins to when the duo met while in college, and decided to start a band together. As the story, the duo then spent the next seven years honing and perfecting their sound and approach — with the result ending with their self-released debut EP. 

2017 saw the release of their highly-anticipated full-length debut Black Holes, an effort that featured “Rolling With The Punches,” which received placements on USA Network‘s Suits, Showtime‘s Shameless and ESPN‘s Monday Night Football, lead single and album title track “Black Holes (Solid Ground), which amassed 8 million streams, and “Be My Fire,” a track that brought The Black Keys, Jimi Hendrix, and North Mississippi All Stars to mind — although the song was actually an urgent and plaintive yearning for someone just out of reach. Interestingly, as confident and self-assured as Black Holes’ material was, the album in its own way, was also very much about the duo finding themselves both musically and personally — with the members of hte band deciding to pursue their lifelong dream of music but jumping into the unknown rather than a more ordinary life. 

“Shaking Off the Rust” is the first bit of original material since the release of  Black Holes and while continuing in the same incredibly confident and self-assured, arena rock friendly vein — but while expanding a bit upon the sound that has won them attention across the blogosphere. The song possesses a much more nuanced and textured take on their sound with the band employing a grunge rock song structure — quiet, loud, quiet, along with the addition of strummed acoustic guitar, which sets up the song’s explosive hook and 808 like beats. In fact, the song finds the band actively moving away from the “just another blues rock duo” off their previously released material. 

“There were times along the way where I felt I wasn’t good enough, “ the band’s Tarek Jafar explains, “or that I didn’t deserve any happiness or success. This song is about battling those thoughts in your head that make you doubt yourself, and coming through with the confidence to make something great.”

Directed by James Villeneuve, the recently released video rehearsing and then playing for a live crowd in virtual reality — including fitting with fans. Is it a view into our increasingly disconnected digital world?  

Since their formation back in the 2007, the Atlanta, GA-based quartet The Pinx, currently comprised of Adam McIntyre (vocals, rhythm guitar), Chance McColl (lead guitar), Jonathan Lee (bass) and Dwayne Jones (drums), have developed a reputation across the Southeast for a relentless touring schedule that had the band opening for the likes of Ben Harper and Relentless7 among others, for songs that have appeared during highlights broadcast on ESPN and Fox Sports, and for a sound that draws heavily from The MC5, Cheap Trick, Led Zeppelin, Motorhead and others — or in other words 70s-leaning arena friendly power chord rock.

After a brief hiatus that saw McIntyre’s stint with fellow Atlanta-based band StoneRider during their European tour and a massive lineup change, the band reformed and with a change of songwriting approach and sonic direction. As McIntyre says of the material he wrote that comprised the band’s forthcoming new album, Freedom: “A lot of the stuff I learned about songwriting during my decade in Nashville came back. Not the formulaic bro-country aspect, but folks like Todd Snider and Dan Baird. Smart, funny guys who write songs that reflect themselves well. I wanted some of that to come through. It all has to mix with the rock & roll and the blues and soul and everything, and I put together a band tailor-made to do just that.” McIntyre also adds ““These songs are all true stories. I tried to write concise, simple little rock and roll songs. This is the set I want to play live.”

Freedom‘s latest single “Baby Won’t Ya” is an Southern double fried, whiskey soaked, The Black Crowes-indebted cover of The MC5 that retains the song’s anthemic, power chord-heavy swagger but with a studio sheen that doesn’t clean up the original’s sleazy dive bar feel.

Comprised of Monica da Silva and Chad Alger, the duo of Complicated Animals can trace their collaboration to the first album they recorded together, Brasilissima which was released in 2011 and credited under da Silva’s name. Produced […]