Tag: Geowulf My Resignation

Over the past couple of years, I’ve written quite a bit about the Noosa, Australia-born, London-based indie pop duo and JOVM mainstays Geowulf. The act, which is comprised of longtime friends Star Kendrick and Toma Benjamin have known each other since they were teenagers; however, their musical collaboration is a much more recent development that can be traced to when Kendrick enlisted the assistance of her old friend Benjamin, to flesh out some of her early demos.

The duo then released a string of highly successful, critically applauded singles that began with “Saltwater,” which received over 1 million Spotify streams and reached Hype Machine‘s Top Ten and landed at #4 on Spotify’s US Viral Charts, continued with the Mazzy Star meets Fleetwood Mac-like “Don’t Talk About You,” the  Phil Spector meets Still Corners “Drink Too Much” and  the jangling, 60s girls group pop-inspired single “Hideaway,;” and The Smiths-like “Sunday,” before the release of their Duncan Mills-produced full-length debut, last year’s Great Big Blue.

Building upon their rapidly growing international profile. the duo’s highly-anticipated sophomore album My Resignation is slated for an October 25, 2019 release through [PIAS] Recordings. The album reportedly finds Geowulf’s Kendrick writing arguably some of the most brutally honest lyrics of the band’s growing catalog to date. Written from the perspective and lens of a 20-something women trying to maneuver the weight of expectations put upon by others and herself, the album touches upon heartbreak and loneliness — in particular, leaning how to accept and love the space and much-needed self-awareness it can provide. As a result, the album and its material finds the duo maturing and attempting to maneuver the complexities and uncertainties of adulthood with their dignity and sanity intact. And if that feels familiar to you, it should. We’ve all been there at some point or another, and we’re still struggling through it all.

My Resignation‘s fifth and latest single, album title track, the deliberately crafted pop confection “My Resignation” is centered around a Phil Spector Wall of Sound-like production consisting of shimmering guitars, atmospheric synths, a propulsive rhythm section, a soaring hook and Kendrick’s gorgeous vocals expressing regret, weariness and hope for a new start simultaneously. “‘My Resignation’ inspired the name and the theme of the album,” the band’s Star Kendrick explains in press notes. It summed up a lot of the years before — resigning from old habits and relationships. Creating space for new things and learning to let go. Toma and I feel proud of the song and had a lot of fun writing and finessing it. I originally wrote the demo on holiday in Sweden, so it came back to London with me, where Toma and I worked on it some more.”

Geowulf will be returning to North America to embark on a handful of tour dates throughout November. The tour will include a November 11, 2019 stop at Mercury Lounge. Check out the rest of the tour dates below.

 

NORTH AMERICAN DATES:
11/7/2019 – Chicago, IL – Schubas
11/8/2019 – Toronto, ON – Drake
11/11/2019 – New York, NY – Mercury Lounge
11/13/2019 – Los Angeles, CA -Moroccan Lounge
11/14/2019 – San Francisco, CA – Rickshaw Stop
11/15/2019 – Seattle, WA – Barboza

New Audio: Aussie JOVM Mainstays Geowulf Release a Warmly Atmospheric and Deceptive Pop Confection

I’ve written quite a bit about JOVM mainstays Geowulf over the past couple of years, and as you may recall, the act which is comprised of Noosa, Australia-born friends and collaborators, Star Kendrick and Toma Benjamin have known each other since they were both teenagers. However, their musical collaboration began when Kendrick, who grew up in a rather musical home started to seriously pursue music a few years ago. Kendrick enlisted the help of her old friend to help flesh out some of her early demos.

After a string of successful, critically applauded singles that included “Saltwater,” which received over 1 million Spotify streams and reached Hype Machine‘s Top Ten and landed at #4 on Spotify’s US Viral Charts; the Mazzy Star meets  Fleetwood Mac-like “Don’t Talk About You;” the  Phil Spector meets Still Corners “Drink Too Much;”  the jangling, 60s girls group pop-inspired single “Hideaway,;” and The Smiths-like “Sunday,” the JOVM mainstays released their Duncan Mills-produced, full-length debut, Great Big Blue last year.

Building on the growing profile, the duo’s highly anticipated sophomore album My Resignation is slated for an October 25, 2019 release through [PIAS] Recordings, and the album finds the Aussie JOVM mainstays collaborating with acclaimed songwriter and producer Justin Parker on a number of tracks.Reportedly, the album finds Kendrick writing what may arguably be the most brutally honest to date with the album touching about loneliness — in particularly, learning to accept it and to love the space it provides; but viewed through the lens of a 20 something trying to maneuver the weight of the expectations put upon by others and upon themselves. The album also touches upon heartbreak, growth and self-actualization. In fact, in some way, the material finds the duo maturing and trying to maneuver the difficulties and complexities of adulthood.

“I See Red,” My Resignation‘s first single was a subtle expansion of the sound that first caught the attention of this site and elsewhere across the blogosphere. While employing the use of shimmering synths, the track is primarily centered around jangling guitar lines, a propulsive rhythm section, a soaring hook and Kendrick’s crooning — and while sounding incredibly self-assured, the song comes from a deeply personal and lived-in place. “‘I See Red’ was written after an argument with my sister,” the duo’s Star Kendrick explains in press notes. “The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.

I have been very proactive over many years in going to therapy, talking openly about mental health and have constantly taken steps to control emotions, moods and even my temper – having a family history of mental illness, this is something my siblings and I have had a lot of awareness about.This song is about that process and what I’ve learnt. The ebbs and flows of trying to be the best version of yourself.”

My Resignation’s latest single “Round and Round” continues a run of sugary  pop confections, centered around warmly atmospheric synths, shimmering acoustic guitar, Kendrick’s imitable crooning and a soaring hook — and while bearing a resemblance to the material off their debut with a subtle nod to Slow Air-era Still Corners, the track was actually written in an extremely negative headspace and environment as it seethes with frustration over the narrator’s repetitive patterns. “I was frustrated with maybe a lack of self-control and an inability to break patterns in my life… In a few areas,” Geowulf’s Star Kendrick explains in press notes. “This song is my way to poking holes in how I handled that. The rest of the album follows a similar, emotional narrative, and is all about exploring those old things & how I’ve tried to leave them behind.”

New Audio: JOVM Mainstays Geowulf Expands Upon Their Blogosphere Winning Sound in New Single

Over the past couple of years, I’ve written quite a bit about JOVM mainstays Geowulf, and as you may recall, the act, which is comprised of Noosa, Australia-born friends and collaborators, Star Kendrick and Toma Benjamin. As the story goes, although the duo have known each other since they were both teenagers, their musical collaboration began when Kendrick, who grew up in a musical home started to seriously pursue music a few years ago — and Kendrick enlisted the help of her old friend to flesh out some of her early demos. 

After a string of successful, critically applauded singles including “Saltwater,” which received over 1 million Spotify streams and reached Hype Machine‘s top ten before landing at #4 on Spotify’s US Viral Charts; the Mazzy Star meets  Fleetwood Mac-like   “Don’t Talk About You;” the  Phil Spector meets Still Corners “Drink Too Much,” and the jangling, 60s girls group pop-inspired single “Hideaway,” and The Smiths-like “Sunday,” the JOVM mainstays released their Duncan Mills-produced, full-length debut, Great Big Blue last year. 

Slated for an October release, the duo’s highly-anticipated sophomore full-length album My Resignation finds the Aussie JOVM mainstays collaborating with songwriter and producer Justin Parker, who has worked with the likes of Lana Del Rey, Bat For Lashes and Cloves on a number of tracks. Reportedly, the album finds Kendrick writing what may arguably be the most brutally honest to date with the album touching about loneliness — in particularly, learning to accept it and to love the space it provides; but viewed through the lens of a 20 something trying to maneuver the weight of the expectations put upon by others and upon themselves. Naturally, the album also touches upon heartbreak, growth and self-actualization. Or in other words, the material finds the duo maturing and trying to figure out the difficulties of adulthood — although to be honest, at 40, I’m not entirely convinced that I’ve tackled that myself. 

“I See Red,” My Resignation’s first single is a subtle expansion of the sound that first caught the attention of this site and elsewhere across the blogosphere. While employing the use of shimmering synths, the track is primarily centered around jangling guitar lines, a propulsive rhythm section, a soaring hook and Kendrick’s crooning — and while sounding incredibly self-assured, the song comes from a deeply personal and lived-in place. “‘I See Red’ was written after an argument with my sister,” the duo’s Star Kendrick explains in press notes. “The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.

I have been very proactive over many years in going to therapy, talking openly about mental health and have constantly taken steps to control emotions, moods and even my temper – having a family history of mental illness, this is something my siblings and I have had a lot of awareness about.This song is about that process and what I’ve learnt. The ebbs and flows of trying to be the best version of yourself.”